Armadillo
Danish soldiers are sent to Afghanistan in 2009 for 6 months, to help stabilize the country against the Taliban. They're stationed on Armadillo military base in Helman province. Unlike other war movies, this is the real deal – no actors.
In March 2001, the ruling Taliban destroyed Afghanistan's foremost tourist attraction, the 1600 year-old Buddhas of Bamiyan. This film follows the story of one of the refugees who now lives among the ruins….an eight-year-old boy named Mir.
Danish soldiers are sent to Afghanistan in 2009 for 6 months, to help stabilize the country against the Taliban. They're stationed on Armadillo military base in Helman province. Unlike other war movies, this is the real deal – no actors.
“Leaving” follows a day in the life of two refugee women while listening to their story of fleeing war torn Congo. Juxtaposing daily life with their voices we are shown what they fought for and what they left behind.
What happens when you can no longer practice the profession that is part of your identity? You Can’t Stop the Music is a portrait from today’s Afghanistan, where life in the shadow of the Taliban can at times seem surreal. When the Taliban took over Afghanistan, Akbar Adeli was a music student at Kabul University. For conservative Afghans, music had been suspect even before the Taliban takeover, but it soon became a gamble with one’s life – especially since Akbar plays Western pop music.
During the 1980s, Russia fought a disastrous war in Afghanistan. Shot by a Western crew, the 40 minute film includes footage of combat missions with the Spetsnaz elite units, helicopter gunship pilots from a Kabul-based Air Assault Unit flying missions, the patrolling of the Salang mountain pass and the military hospital in Kabul. Soviet General Lev Serebrov referred to the making of the film as "An experiment in glasnost".
Haji Omar and his three sons belong to the Lakankhel, a Pashtoon tribal group in northeastern Afghanistan. The film focuses on his family: Haji Omar, the patriarch; Anwar, the eldest, his father's favorite, a pastoralist and expert horseman; Jannat Gul, cultivator and ambitious rebel; and Ismail, the youngest, attending school with a view to a job as a government official.
La vie devant elle is the diary of the exile of Elaha, a 14 year old Afghan girl, who films herself with a small camera to tell her story. Through her story, the film portrays the reality of children growing up on the road, tossed from place to place to flee conflicts in the hope of finding a normal life.
Afghanistan, immediately post-9/11: Small teams of Green Berets arrive on a series of secret missions to overthrow the Taliban. What happens next is equal parts war origin story and cautionary tale, illuminating the nature and impact of 15 years of constant combat, with unprecedented access to U.S. Special Forces.
The four Afghan refugees who have applied for asylum in Austria strike up the song, “The caravan moves on” again and again. Encouraged by the journalist Lucy Ashton to record their lives on their smartphone cameras as a video diary, the friends film their precarious daily routine between visits to authorities, small jobs, and changing accommodations. Yet even when hope is lost, one certainty remains: the power of friendship.
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STARTING FROM ZERO documents the journey of three refugees — a female boxer, a TV personality and a journalist — caught in the crosshairs following the U.S. military’s sudden withdrawal from Afghanistan. Fleeing for their lives, they are transported to an unlikely luxury compound in Qatar before making their eventual journey to the United States and Germany, where they must restart their lives and confront the deferment of their dreams.
The events that took place at the beach of El Tarajal in Ceuta (Spain) in February 2014 - the killing by the border police of 15 people who were trying to reach the Spanish coast - are an example of how the police force can violate the laws of its own country and international conventions with total impunity. The worst part is that this violation of human rights is protected by the Spanish Ministry of Interior itself, which hinders any effective action by the prosecution. For this reason, the civil society plays a fundamental role in revealing the facts. This is where the figure of collective complaints (DESC Observatory and the association Coordinadora de Barrios) steps in.
Australian filmmaker Jordan Bryon has been living and working as a journalist and filmmaker in Afghanistan for more than six years. After the departure of US forces, he stays to document Afghan life under the male-centric Taliban leadership. With his colleague, Teddy, he heads to a Taliban stronghold in the north-west of the country, shortly after he started transitioning. If the Taliban knew he was trans, they would likely kill him. It’s a chaotic time, for the country and for Jordan, as he navigates his transformation and looks to the future.
This documentary on the effect the talent competition "Afghan Star" has on the incredibly diverse inhabitants of Afghanistan affords a glimpse into a country rarely seen. Contestants risk their lives to appear on the television show that is a raging success with the public and also monitored closely by the government.
The tragedy of the Syrian people: War, conflict, loss, migration, exile, asylum, detention, drowning… A deserted place. Abandoned people. Abandoned country. The doors slammed shot; the doors are now locked - the keys thrown away...for what seems forever.
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Key decision makers reveal the inside story of how the West was drawn ever deeper into the Afghan war. Reporter John Ware charts the history of a decade of fighting and looks at when the conflict may end.
Stories about young Ukrainian dancers and their hasty flight to the Netherlands. You see their new life as refugees. The former conservatory in The Hague is a shelter for them where they collect their lives and find refuge in their profession: dance. The formation of a new ballet company, The United Ukrainian Ballet, is an important foothold in winning back their lives. They find comfort in each other and close friendships develop. In addition, there is the great love for ballet, for the dancers the best way to express themselves.
Six years ago, U.S.-led forces drove the Taliban from power in Afghanistan for providing sanctuary to al Qaeda terrorists. Now, these Islamist militants are back.
Each year 400.000 people from Africa, Asia and Middle East, try to enter Europe. They flee from war, persecution and poverty. Since the ways by land have been interrupted, they board overloaded vessels and face a dangerous and often deadly voyage across the Mediterranean.
Powerfully and heartbreakingly detailing the challenging process that LGBTQ refugees must go through to find safety and security while starting over in the US, Tom Shepard’s inspiring new documentary profiles four people who have come to San Francisco to save their own lives. Over the course of this unforgettable group portrait, Subhi (from Syria), Junior (from Congo), and Mari and Cheyenne (from Angola) experience roadblocks and triumphs as they reflect on their respective histories and try to create a home for themselves in an environment that is not always welcoming. Once in San Francisco, they are met with setbacks but each maintains hope for a better future – Mari and Cheyenne record an album, Subhi starts a tour speaking on behalf of Syrian refugees and finds love, while Junior faces challenges of homelessness and gender non-conformance.