Faces from Home
In an empty house, we see the memories of a home, from those who once lived and filled it with joy and love.
In an empty house, we see the memories of a home, from those who once lived and filled it with joy and love.
A Danish writer travels to Mexico with the purpose of locating a mysterious Apache tribe that fervently seeks to remain in obscurity.
“Gjama” is a rarely practiced mourning ritual that was performed by Albanian men throughout the centuries. By shouting specific phrases and acting out a strict choreography, it is a way of paying respect to the deceased but also overcoming grief and pain over the loss of a loved one. Through the documentation of the re-enactment of the ritual, Zgjim Elshani seeks to recover fragments of the practice in the communities where this form of collective grieving is still a way of overcoming loss. By doing so, the project intends to rethink collective grieving and what it means to publicly display emotions in a male-headed society.
Artist and filmmaker Philippe Mora (Mad Dog Morgan; The Howling II; Swastika) is producing a graphic novel about his late father, Georges, widely known in Melbourne as a beloved contemporary art patron and owner of bohemian eateries Mirka Café, Café Balzac and the Tolarno Restaurant and Galleries. Less known, however, is Georges' astonishing history as part of the French resistance during World War II, his friendship with renowned mime Marcel Marceau (Philippe's godfather), and how together they saved thousands of Jewish lives with a fiendishly simple trick involving baguettes and mayonnaise.
A luxury cruise boat motors up the Yangtze - navigating the mythic waterway known in China simply as "The River." The Yangtze is about to be transformed by the biggest hydroelectric dam in history. At the river's edge - a young woman says goodbye to her family as the floodwaters rise towards their small homestead. The Three Gorges Dam - contested symbol of the Chinese economic miracle - provides the epic backdrop for Up the Yangtze, a dramatic feature documentary on life inside modern China.
Follows rural GP Dr Ylli Hasani who risked imprisonment in totalitarian Albania by listening to the BBC World Service to keep up to date with world events, especially English football.
Two elderly sisters share the delicate art of making traditional Hungarian strudel and reveal a deeply personal family story about their mother, who taught them everything they know.
Flora Bear’s youngest granddaughter searches for truth and answers about her Indigenous grandmother’s life.
The life of a female weaver is thrown onto the socio-political canvas of pre-war and post-war communist Poland through the use of expressive allegorical and symbolic imagery in this imaginative take on the documentary form.
To open a photographs box is to travel through past and present, thinking about the future.
Long Tack Sam was an internationally renowned Chinese acrobat and magician. He overcame isolation, poverty, cultural and linguistic barriers, extreme racism and world wars to become one of the most successful vaudeville acts of his time. His showmanship was unrivalled, yet he refused to appear in movies because of the way Chinese were portrayed at the time. A celebration of the spirit of Long Tack Sam's magic and art, this richly textured first person road movie is an exhilarating testament to his legacy and a prismatic tour through the 20th Century. It all begins in a small village in China... https://www.nfb.ca/film/the_magical_life_of_long_tack_sam/
Jan's father is not his father at all. The directors knows this and takes this fact as the starting point for a very personal documentary film project about the search for his biological father(s).
Memory prevents rest and a woman about to die takes advantage of cinema to tell her story (inseparable from that of Franco’s Spain) and to say goodbye. A terrace as a border and a song that crosses time. At home, nothing is always—and everything is still—in the present and defunct now. A home movie of ghosts, a generous gesture of intimacy and solidarity that not witnesses two people at the end of their long lives, but also reveals the weight of history and of the 20th century, which is always present today.
Born in 1943 in Bessarabia region, Victor was forced to flee his homeland because of the war. After 77 years, his grandson, Dan, goes back there with his grandpa, Victor, who is recounting memories and seeking information about his birth and his lost relatives, in the country that is now the Republic of Moldova.
A retired Canadian professional wrestler from a very famous family recounts an amazing life in the ring and discovers an unexpected new family connection.
Filmmaker Mark Cousins goes to Albania for five days, and films what he sees. He discovers that the movie prints in the country's film archive are decaying. In investigating this, Cousins begins to encounter bigger questions about the history and memory of a place. Perhaps a country whose 20th Century, dominated by its authoritarian ruler Enver Hoxha, was so traumatic, should allow its film heritage to fade away? Perhaps a national forgetting should be welcomed? Influenced by the films of Chris Marker, Cousins' film broadens to consider the architecture of dictators and the great icon paintings of Onufri. In the past, when cartographers knew little about a country, they wrote on it Here be Dragons. Albania was, for decades, one of the least well know countries in the world. Cousins' road movie meditation takes the advice of Goethe: "If you would understand the poet, you must go to the poet's land."
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Gregorio, Dolores and Zoila are three elders excited about the arrival of a new member to the family; Esteban, their great-grandson. Through the memories of their ancestors, they narrate themes of loneliness, love, union, loss, and hope. They search through their belongings for a special gift to leave to a future Esteban, who may never know them as an adult. The short film itself is a gift that will make them endure in their family history.
When Ines died, she left a very particular legacy, 10 books that read 'For my children'; it was the story of her life. Marked by a youth idyllic love, Ines was forced to marry a violent and womanizer man with whom she had 20 children. In the 50s, she managed to get divorce and 20 years after her death, Luisa, great-granddaughter of INES, reads, rescues and makes visible her history.
Epigenetics and psychogenealogy through a VERY personal experience.