
26 Jun 2017

Hope This Goes Over Well/Living in an Empty World
I really hope this is well-received. I really hope there's some sort of reprieve.
26 Jun 2017
I really hope this is well-received. I really hope there's some sort of reprieve.
26 May 2017
Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.
23 May 2017
(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.
12 Feb 2017
A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.
17 Nov 2002
Two men. Friends? Enemies? Lovers? Brothers? One is nothing, success or failure depends on two.
11 Mar 2009
As a family struggles to survive in rural isolation during the Great Depression, their daughter's secret affair begins a journey into the unknown.
28 Jan 1971
A psychedelic montage of home movie footage gives way to a silent western story.
23 Mar 2017
Beyond all human restraint lies one's lugubrious layers of paint.
01 Jun 2008
From a small cabin in the mountains of New York, Nina Breeder and Massimilian Breeder begin a journey across the United States. California is just the initial destination, but just as the edge of the surrounding landscape expands, so does their ultimate destination. A contemplation of nature and time along a raw journey in the American landscape.
25 Jun 2017
Shadows frighten what one oughtn't be gripping (that thing before/hind you).
23 May 2017
Return to 'burn' only to find out you're already in that urn.
11 Feb 2017
1 minute experimental film.
30 May 2017
Hiding inside&out, writhing about, taken out&in.
19 Jun 2017
Rather pointless, rather stilted, fetid; not what we want us going after.
28 Jun 2017
Radical recurrences & rancorous requests raze my daze.
25 Jun 2017
On the Clickity-clack Express it's clear I'm always under duress, unless I forget.
01 Jan 2005
Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.
No overview found
13 Oct 1995
Part 2 of Trilogy. Dedicated to Phil Solomon. The "Truths" of this film, which the title prompts, are slightly recognizable patterns of fish and animal biology, plant and flower shapes, and human anatomy which are interwoven with pastel cubes and other geometries - pastels as if "hung" in a white light interwoven with straight and diagonally bent black lines, eventually clear architectural forms. The recognizable patterns are literally etched on black leader (primarily) and interspersed with very organic painted forms on white. There is often an intended sense of hair and mucous membrane amidst these forms and interwoven with the electric "x-ray" sense of bones. The interplay between black-and-white sections and multi-colored sections increases until there is some sense of merging the two toward the end.
01 Jan 1970
No overview found