16 Jun 1995
The Shadow of Hate: A History of Intolerance in America
The film expresses the history of oppression, discrimination, violence and hate in America. It was nominated for an Academy Award for Best Documentary Short.
OJ: Trial of the Century
OJ: TRIAL OF THE CENTURY, premiered on June 12, 2014 and it chronicles the twists and turns of the OJ Simpson murder trial and allows viewers to relive every moment of the investigation first-hand.
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Through clippings, the film draws a narrative line between the construction of racism in Brazil and the United States, having as base the European invasion of the continent, police violence, the genocide of the black people, the massacre of indigenous peoples, religious violence, the criminalization of funk music, structural racism in art and education, the importance of quota policy and the need urgent historical repair as a commitment by the Brazilian state to the black people.
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The Case of the Hillside Stranglers 
The Case of the Hillside Stranglers 02 Apr 1989
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Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
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Brent Owens directs this documentary that follows the life of several "professional gentlemen of leisure." Originally aired on HBO America Undercover and was released on DVD with extended footage.
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The creative chemistry of four brilliant artists —drummer John Densmore, guitarist Robby Kreiger, keyboardist Ray Manzarek and singer Jim Morrison— made The Doors one of America's most iconic and influential rock bands. Using footage shot between their formation in 1965 and Morrison's death in 1971, it follows the band from the corridors of UCLA's film school, where Manzarek and Morrison met, to the stages of sold-out arenas.
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The unsolved murders of Tupac Shakur and Christopher "Biggie Smalls" Wallace still stir the public's imagination after 20 years. Yet law enforcement has been at a standstill to produce results. The producers of "American Federale" and the first two "Assassination" films, finally unravel the tangled cases and expose not only who may have done it, but also why these cases have never seen justice. Battle For Compton" is the story of "The Machine"; a group of high powered individuals with a very dark secret they killed to keep, and have spent the last 20 years hiding- hoping one day it will all go away- before they do.
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“In Algeria, we are restoring order, what we mean by French order,” declared Michel Debré, Prime Minister, under the presidency of Charles De Gaulle, in April 1956. It was, of course, order colonial in defiance of the republican order, in Algeria as in Paris where, on October 17, 1961, Algerians flocking from suburban slums were massacred by the police of prefect Maurice Papon, while they were peacefully marching for the independence of their country. On October 17, 2001, a commemorative plaque was placed in Paris on the Saint-Michel bridge: "In memory of the many Algerians killed during the bloody repression of the peaceful demonstration of October 17, 1961." A surge of racial hatred, less than 20 years after the roundup of the Jews in July 1942. An Algerian, victim of this roundup, told us, holding back his tears, "I still have nightmares."
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After his wife is brutally murdered, a policeman transfers to patrol duty at a college, only to discover that the now-executed murderder may be brought back to life as part of a professor's experiment.
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In the 1950s, Seattle had plans to build one of the densest networks of freeways in the world. It would have displaced thousands, especially the poor and people of color. Over the next two decades, a broad coalition of communities came together and halted these plans. Testimonies from that era are juxtaposed with interviews of activists who participated in the revolt, giving a picture of what Seattle could have been had the people not stood up to the highway lobby and their representatives.
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A film about the cross coalition of communities that stopped a planned network of freeways from being built in Seattle in the late 60s and early 70s. It weaves together archival material with the filmmaker's personal narrative about living next to freeways, and features interviews with participants from the freeway revolt.
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For more than forty years, Argentinean sportsman Guillermo Vilas, a tennis legend, has tirelessly demanded that the official rankings (1973-78) be revised in order to finally be recognized as the best player in the world. Eduardo Puppo, a sports journalist, making Vilas' demand his own, fought for more than ten years against a powerful sports corporation to prove that Vilas was indeed unfairly displaced from the top of world tennis.
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Three carnival blocks, born in candomblé terreiros in Bahia, are the center of this documentary: Ilê Aiyê, Cortejo Afro and Bankoma. Through work, centenary groups, the film explores black culture, its dances, its fabrics and its ancestry.
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Shots fired inside a club frequented by black Brazilians in the outskirts of Brasilia leave two men wounded. A third man arrives from the future in order to investigate the incident and prove that the fault lies in the repressive society.
Hafu 
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A journey into the intricacies of mixed-race Japanese and their multicultural experiences in modern day Japan. For some hafus, Japan is the only home they know, for some living in Japan is an entirely new experience, and the others are caught somewhere between two different worlds.
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On August 9, 2016, a young Cree man named Colten Boushie died from a gunshot to the back of his head after entering Gerald Stanley's rural property with his friends. The jury's subsequent acquittal of Stanley captured international attention, raising questions about racism embedded within Canada's legal system and propelling Colten's family to national and international stages in their pursuit of justice. Sensitively directed by Tasha Hubbard, "nîpawistamâsowin: We Will Stand Up" weaves a profound narrative encompassing the filmmaker's own adoption, the stark history of colonialism on the Prairies, and a vision of a future where Indigenous children can live safely on their homelands.
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Examining the violent death of the filmmaker’s brother and the judicial system that allowed his killer to go free, this documentary interrogates murderous fear and racialized perception, and re-imagines the wreckage in catastrophe’s wake, challenging us to change.