Aesop Takes a Walk
Experimental animation film, with a visual focus on geometrical shapes and straight lines
In the unearthly world of E, hand-made meets hi-tech as characters appear to consume one another with their own, trafficked likenesses. Constructing her work entirely from laser-printed film stills (approximately 770 in total) lifted from Niklaus Schilling’s 1972 horror film, Nachtschatten, Zemlianski rips, layers, and paints these images with pastels and charcoal, then scans them back together into a bracing animation set to the eponymous song (“E”) by the Berlin-based band, Comb. (Lauren Berliner/Greg Cohen)
Experimental animation film, with a visual focus on geometrical shapes and straight lines
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Set in the Bronx, in the era of 1950s McCarthyism, everybody wants to look the same. Michael a gay, twenty-something-year old mouse, hides his true identity while he works as a tailor. When Isaac enters the shop one day he offers the escapism and love Michael craves. In Michael’s confined apartment, he becomes tormented by the memories of Isaac’s tragic death. Michael’s memories and flashbacks are triggered when he notices Isaac’s jacket draped on the back of a chair. Haunted by the solace Isaac once offered, he struggles to come to terms with his loss.
Mickey, Minnie, Horace Horsecollar, and Clarabelle Cow go on a musical wagon ride until Peg-Leg Pete tries to run them off the road.
A gingerbread comes to life, enacting revenge for his fallen brother.
Conceived, drawn and animated live by a team of patients from a psychiatric clinic, this achievement presents, in the eyes of its author, less interest on a purely cinematographic level than on that of human experience. It is the disturbing wordless story of a woman and a man living in a strange setting where objects are endowed with life that they have chosen to tell us through this theater of shadow puppets in cut out figurines. Their characters will know a tragic fate since carried in the air by balloons, they will finally be devoured by a horrible dragon.
In a winter of northwestern Argentina, a young woman, a sheep and a llama dance to take off the cold
A child dreams of the Bible tale, reenacted by toys.
Jack is a young adult, who, looking for an elixir of life for his grandfather, falls into the dimension of Templis, where a map shows him the location of such an elixir. However, there are some setbacks on his way....
A clip in the Science Please. collection, The Wonderful World of Colour uses archival footage, animated illustrations and amusing narration to explain how the cones of the retina enable us to perceive the spectrum of colours.
A poor girl lives on the rooftop of a building. Three young neighbors fall in love with her. The decide to help her when they discover that she is seriously ill and in need of an urgent operation.
1995 Joan C. Gratz claymation short film
"Shinjitsu no Uta" (真実の詩) is the fourteenth single by Do As Infinity, released in 2002. It was used as the fifth ending to the anime InuYasha. This song was included in the band's compilation album Do the A-side. Track Listing: 1. "Shinjitsu no Uta" (真実の詩, Song of Truth) 2. "One or Eight" 3. "Shinjitsu no Uta" (真実の詩, Song of Truth) (Instrumental) 4. "One or Eight" (Instrumental)
A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer. This is the first full length feature film to use synchronized sound, and is the original film musical.
Puppet animation of Bert Ambrose and His Orchestra performing. A Puppetoon animated short film.
Norman McLaren made Scherzo early after his arrival in North America in 1939, but the film was subsequently lost. In 1984 the original materials were found and the hand-drawn images and sound were reconstituted. Picture and sound dance triple-quick in this animated version of a musical scherzo. A film without words.
France, end of the 70s: Alain is the author of several cartoon films. His romantic meeting with a young Iranian student, Jasmine, changes the course of his life. Teheran, 1978: The revolution sweeps away the despised regime of the Shah. Alain has joined Jasmine, their love grows in secret, with the hope that a new life is possible. The introduction of the Islamic Republic will destroy their illusions, and separate the two lovers ... For how long? 30 years later, it is time for Alain to revisit the theatre of his memory. Several faded blue aerograms, Super-8 films ... Not much remains. With his fingertips, from the bottom of the heart, he resurrects the past, image by image. In the restitution of a mysterious and oppressive Teheran, in the helter-skelter of history, beings of paste and blood fight, like many others, for love and freedom.
A documentary about the making of Wallace & Gromit’s Cracking Contraptions.
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