Man with a Movie Camera
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
Chain-smoking artists, poets and playwrights were among the colourful array of intellectuals living in the ‘Slovo House’ in 1920s Ukraine. The communist paradise was built under Stalin's approval, but it quickly became a prison. The brutal Soviet regime spied on the inhabitants, destroying their eccentric way of life and sealing their fate. This fascinating film explores the extraordinary story of the building and its residents.
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
Benjamina Miyar Díaz (1888-1961) led an unusual life in her house on calle del Agua in Corao, Asturias, at the foot of the Picos de Europa mountain range in northern Spain: she was a photographer and watchmaker for more than forty years, but she also fought in her own humble and heroic way against General Franco's dictatorship.
There is a rumor in the Kyiv musical community: once upon a time, in private conversation, Queen Elizabeth II mentioned Valentyn Silvestrov as one of her favorite composers of the modern age. The Royal Press Office hasn’t confirmed it, so no one knows for sure. But the stature of Silvestrov justifies this rumor. Highly respected by the world’s best music professionals, he remains a mystery for a wide audience. The documentary is far from a traditional biopic about a prominent person. It is an observation, a confession and, most of all, a story of great talent set against the backdrop of uncertain times.
This is a once in a generation event that needs to be examined without the usual spin that is delivered by the controlled media. While the video will be interpreted one way or the other, it is one that supports the voice of reason and of peace rather than jingoistic war drums and the cacophony of white noise.
Drawing on the collections of major Russian institutions, contributions from contemporary artists, curators and performers and personal testimony from the descendants of those involved, the film brings the artists of the Russian Avant-Garde to life. It tells the stories of artists like Chagall, Kandinsky and Malevich - pioneers who flourished in response to the challenge of building a new art for a new world, only to be broken by implacable authority after 15 short years and silenced by Stalin's Socialist Realism.
The film is a story about the officers, soldiers and seamen who did not betray their oath of loyalty to the people of Ukraine and their first hand accounts about Russia's invasion and annexation of Ukraine's Crimean Peninsula. They continue to fulfill their military obligations on land, on sea and in the air today.
Train “Kyiv-War“ is a full-length documentary film directed by Korniy Gricyuk. The dramatic history of the Kyiv-Kostyantynivka train, with its passengers` unique fates, pain, memories, secrets, hopes, is a history of today Ukraine. Only 12.5 hours away from peaceful Kyiv is Kostyantynivka, a small industrial city in the eastern part of the country, immediately after which the front begins. This entire time people with different characters, social status, political views, and beliefs are traveling on the train side by side. They talk, debate, even quarrel, but speak to each other and go in a common direction. And what`s important, they all want to get to peace. This film is the voice of ordinary people, the search for dialogue and the path to a common future, where everyone’s voice will be heard.
Ukrainian journalist Katya Soldak, currently living in New York City and working for Forbes magazine, chronicles Ukraine's history: its strong ties to Russia for centuries; how it broke away from the USSR and began to walk alone; the Orange Revolution, the Maidan Revolution, the Crimea annexation, the Donbass War; all through the eyes of her family and friends settled in Kharkiv, a large Ukrainian city located just eighteen miles from the Russian border.
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The testimony of the men who unwittingly became war photographers on the streets of their own towns in Northern Ireland, when violence erupted around them. Instead of photographing weddings and celebrities, as they expected, they produced the images that crudely show the suffering of ordinary people between 1968 and 1998, the worst years of the conflict.
Documentary film about war crime — annexation of Crimea by the Russian Federation.
A family with five children flees the war raging in their home village on the Russian border. They end up in Mshanets, a farming village on the other side of the country, remote and unknown. Here the family starts building a new home. At the same time, two documentary makers come to the village, looking for a story. In the Lymar family they find the ideal characters for their film. But one day, when the renovation of their house is almost finished, the family disappears. The filmmakers go in search of their characters and along the way they try to find an answer to the question: what does a person need to feel at home?
Leftist extremist groups operating in Europe have chosen violence as a political tactic: they attack the right-wing parties offices, attack the police, provoke riots in demonstrations. Although leftist violence is increasing, it receives almost no public attention. An investigation into the alleged good violence exercised in the name of a supposedly just cause.
The documentary tells about the birth, history of formation and development of the National Football Team of Ukraine in the period from 1992 to 2022.
Leni Riefenstahl's flamboyant Nazi aesthetics shaped the public image of the 1936 Olympics. Never before had sports and politics been mixed. Through archive photos and reconstructions, we get a closer look into the historical propaganda show.
The life and career of legendary Hollywood glamour portrait photographer George Hurrell is profiled by his contemporaries including other photographers and actors he has shot.
The fears and resiliencies within a group of teenage refugees from Ukraine are uncovered in this film that brings the camera steps away from the front lines to the Ukraine-Poland border.
Tree Ukrainian volunteers, injured during the war with the Russians and the separatists, are treated at the military hospital of Kyiv. Three generations, three social environments, three different regions. Dmytro, Oleksii and Anatolii are recovering, hoping and preparing for their future.
A retrospective look at the anarcho-syndicalist and anarcho-communist experience in Spain from 1930 until the end of the Civil War in 1939.
Survivors tell the story of the Babyn Yar massacre from WWII, where some 100,000 people were massacred by German forces.