09 Dec 1964
Kwaheri
Early Mondo film featuring primitive rituals, animals being butchered, unusual birth defects, and a legit trepanation scene.
On Broadway Cemetery
GENTRIFY 101: Make it hip! (FUCK THAT)
A meditative stroll through Sacramento landmarks, from the gentrified to the urban.
Top Billed Cast
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Peter is a slight lad, solitary, locked out of the woods by his protective grandfather, his only friend a duck. In town, he's bullied. When a wolf menaces the duck - as well as grandfather's fat cat and an ill-flying bird that Peter has befriended - Peter bravely tries to tree the wolf. Grandfather, the townspeople, and the hunters who have antagonized Peter figure in the dénouement.
Koyaanisqatsi 
Koyaanisqatsi 27 Apr 1983
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The Hunters 
The Hunters 21 Mar 1957
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An ethnographic documentary following four Ju/’hoansi (!Kung) men during a multi-day giraffe hunt in the Kalahari Desert, filmed during the Smithsonian–Harvard Peabody expedition of 1952–53.
Congo 
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An experimental ethnographic documentary that criticizes the colonizer view of anthropology.
Rocky VI 
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Not to be confused with any of the sequels to Sylvester Stallone's classic Oscar-winning Rocky, this short film from Finnish filmmaker Aki Kaurismäki is actually meant as a parody of the late Cold War-era Rocky IV, which saw Stallone's character taking on a juiced-up Russian fighter played by Dolph Lundgren. In this 1986 send-up, Rock'y, played by Silu Seppala, goes head to head with Soviet Igor (Sakari Kuosmanen) and loses.
Ministry: In Case You Didn't Feel Like Showing Up 
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A concert of the industrial band Ministry, filmed during the famous "The Mind is a Terrible Thing to Taste" tour with guest artists like Ogre (of Skinny Puppy) and Jello Biafra (of the Dead Kennedys). 1 Breathe 2 The Missing 3 Deity 4 So What 5 Burning Inside 6 Thieves 7 Stigmata 8 Jello Biafra 9 The Land Of Rape And Honey Filmed September 3, 1990 at the Riviera Theater - 4746 N. Racine Avenue, Uptown, Chicago, Illinois, USA
A Very Lonely Solstice 
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Ablaze 
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A non-verbal visual journey to the polar regions of our planet portrayed through a triptych montage of photography and video. Landscapes at the World's Ends is a multi-dimensional canvas of imagery recorded above the Arctic Circle and below the Antarctic Convergence, viewed through the lens of whom is realistically an alien in this environment, the polar tourist. Filmed during several artist residencies on-board three expedition vessels, New Zealand nature photographer and filmmaker Richard Sidey documents light and time in an effort to share his experiences and the beauty that exists over the frozen seas. Set to an ambient score by Norwegian Arctic based musician, Boreal Taiga, this experimental documentary transports us to the islands of South Georgia, the Antarctic Peninsula, Greenland and Svalbard. Landscapes at the World's Ends is the first film in Sidey's Speechless trilogy, and is followed by Speechless: The Polar Realm (2015) and Elementa (2020).
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As retailers, wholesalers, and negotiators, Asante women of Ghana dominate the huge Kumasi Central Market amid the laughter, argument, colour and music. The crew of this `Disappearing World' film have jumped into the fray, explored, and tried to explain the complexities of the market and its traders. As the film was to be about women traders, an all female film crew was selected and the rapport between the two groups of women is remarkable. The relationship was no doubt all the stronger because the anthropologist acting as advisor to the crew, Charlotte Boaitey, is herself an Asante. The people open up for the interviewers telling them about their lives as traders, about differences between men and women, in their perception of their society and also about marriage.
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