30 Mar 2002
Horns and Halos
"What if someone wrote your biography? Would there be horns and halos involved?"
Shelter
For the first time in close to a decade, chronic homelessness is on the rise in America. With affordable housing facing a crunch, it's harder than ever for young families to cope. Still, some find the support they need.
At the Covenant House, located on the outskirts of the French Quarter in New Orleans, Louisiana, the doors never close, and there is always room for one more. On any given day, a constant stream of young people carrying everything they own in plastic garbage bags fills the courtyard. The prospective residents are just teenagers, but have already been labeled drug addicts, schizophrenics, criminals and outcasts. As one staff member puts it, “the most damaged population of youth that exists in society today”. Filming over the course of a full year, brothers Brent and Craig Renaud tell the raw and emotional stories of the incredible kids who seek shelter at the Covenant House, and the staff struggling to work miracles everyday on their behalf.
Top Billed Cast
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Popatopolis 10 Jun 2009
Popatopolis
In 20 years, he's directed more films than Martin Scorsese, He's produced more profitable movies than Jerry Bruckheimer, And he's infuriated more actors than Alfred Hitchcock. The ultimate B Movie Documentary, focusing on B Movie Giant Jim Wynorski (and B Movie Celebration Mentor) and his attempt to make a feature film in 3 days. He's directed seventy feature films, but he's never made one... in THREE DAYS. Jim cuts the shooting schedule, has the actors cook their own food. A documentary featuring B-Movie legends Roger Corman, Andy Sidaris, Julie Strain, Julie K. Smith and Stormy Daniels, Popatopolis follows Jim Wynorski as he begins to film one of his many opuses "Witches of Breastwick" Jim's frenetic pace demands 100 setups per day (the Hollywood standard is 20), and he reduces his electric package to just two lights so he can concentrate on the task at hand.A great overview of a true master at work and in many ways a laser sharp dialectic on the state of B filmmaking today.
