Akasaka sex zone: Gaijin baishun-fu
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An insightful look at the history of Hong Kong's exploitation cinema, from the early days of the Shaw Brothers and such shockers as "Killer Snakes" through to the advent of the Category III rating in 1988 and then the June 4th massacre in Beijing. The latter led to a panic in Hong Kong, before the Handover of the former UK colony to Mainland China, and a number of motion pictures proceeded to take freedom of speech (and sometimes political symbolism) to the extreme. This is the story of one of the most curious and invigorating periods in exploitation filmmaking.
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A documentary compilation that shows various clips from the Roman Porno series of movies from 1971 to 1988.
In a temple in Thailand, an order of Buddhist monks are performing a ceremony for people who headed there to get re-incarnated. There, we meet Tarn, a young Thai woman who lived in the Basque Country some years ago and who is still fascinated with that region, food and culture.
The second installment of the Bestiality series by Excess, which was created in response to the hit 1995 hit!
Nikkatsu Roman Porno.
Nikkatsu Roman Porno
Nikkatsu Roman Porno
An upwardly-mobile banker's boss introduces him to the adopted daughter of a wealthy client. He falls in love with the girl and wants to marry her, not knowing that she is involved in a kinky sadomasochistic relationship with her artist father.
Nikkatsu Roman Porno
Nikkatsu Roman Porno
Nikkatsu Roman Porno
Roman Porno from 1972.
Roman Porno film depicting the great uproar that the children cause in the division of their property, even before their parents are dead, as they claw at their greed.
Roman Porno from 1972.
A department store girl is robbed of her cash register by a boy, but for some reason she cannot forget the boy's mysterious eyes, and time passes. One day, she discovers the eyes by chance, and relentlessly pursues the boy.
The sixth year of Hōei. In the sixth year of the reign of Tokugawa Ienobu (Hiroyuki Mikawa), the sixth shogun, Kayo (Yumi Nakano), a maid in the O-oku (inner sanctum) of Edo Castle, was beaten. The incident is buried in the dark, and the closet where Kayo was beaten becomes an "unopened room. One day, after four years had passed, Echizen no Mori (Toshihiko Oda), on a hawking trip with Ienobu, presented Ienobu with a beautiful tattoo of Oma (Maya Kitami) on his back. Ienobu is overjoyed and becomes completely captivated by O-Man's body...
The twelfth shogun, Ieyoshi, embraces Oruri day and night under the care of Fujioka, a guest attendant at the O-oku. However, Fujioka's senior, Kumoi, who recommends Oseki to him, is not amused at all. The scene between Fujioka and Kumoi was symbolic of the battle between women in the O-oku. Fujioka hears from Orui that she is pregnant and rejoices that she has nothing to fear if she bears the Shogun's child. Meanwhile, Kumoi comforts Bure, who is a lesbian, and asks Oseki to help her get a call from the shogun.
Maki, who had a young and attractive body that bounced, was the idol of regular airline drivers. After being deceived by the man she vowed to marry, she falls into the care of Seiji, a driver who is familiar to her, and her love for him gradually blooms. Maki's sweet and beautiful second life continues, but she disappears on her own out of fear of destroying Seiji's family, who has her own household. This is a page from a young girl's sad yet intense youth.
Shimako Yano once caused an accident in the car she was driving and left her husband, Kazuhiko, who was a passenger in the car, impotent, and she lives a life of frustration every day.
Oman travel from Shanghai to Japan in search of her mother, only to be betrayed by her companion and sold to a brothel, where she becomes a geisha and gambler.