John Wesley: The Man and His Mission
Keith Garner visits historical locations, elegant chapels and bustling city centres as he discovers the impact of the work of cleric and theologist John Wesley, 200 years after his death.
In this fascinating and unusual conversation, writer and physician Deepak Chopra talks to religion professor Robert Thurman about the connections and differences between two of India's most important philosophical beliefs: Vedanta and Buddhism. Chopra explores the foundation of Vedanta, while Thurman -- the father of actress Uma Thurman -- provides the Buddhist point of view in this meeting held in 1999 at New York City's Tibet House.
Keith Garner visits historical locations, elegant chapels and bustling city centres as he discovers the impact of the work of cleric and theologist John Wesley, 200 years after his death.
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I, Pastafari is a documentary film about the world's fastest growing religion: The Church of The Flying Spaghetti Monster. R'Amen.
On January 6, 2021, Americans witnessed an attack on the U.S. Capitol without precedent in our history. Armed militiamen and QAnon followers made headlines, but among them were a sea of crosses and Christian flags, rosaries and "Jesus Saves" signs. What motivated so many Christians to participate in this violent assault?
On Valentine's Day, 1993, Caveh Zahedi decided to ingest 5 grams (a very large dose) of hallucinogenic mushrooms. For the first time in his mushroom-taking history, he had an experience of "divine possession," in which he felt that a divine being took possession of his body and spoke through him, in a voice that was not his, and with knowledge that he himself did not possess. He later tried several times to repeat the experience. I WAS POSSESSED BY GOD is the documentary record of one such attempt.
This is a documentary done by a group of 2nd year students at the Bethel School of Supernatural Ministry. The documentary focused on God's heart to provide for His children. This is achieved through teaching and testimonies.
Francesco takes an unsparing look at the most pressing challenges of the 21st-century, asking deep questions about the human condition. The film is guided by Pope Francis who, with tremendous humility, wisdom, and generosity, offers moving lessons from his life that illuminate what it will take to build a better future. In doing so, he addresses issues such as climate change, immigration, peace and religious tolerance, LGBTQ support, gender and identity justice, and economic equality.
Tension mounts to the boiling point as Jewish “settlers” encroach upon the formerly exclusive Arab neighbourhoods of Jerusalem. On the other end of the Israeli political spectrum, the state complies with international demands to relinquish territory to the Palestinians.
"Come In" explores how Morse history is entangled with the history of the Spiritualist church. The Spiritualist Church was founded by the Fox sisters in 1850. They claimed that they were mediums who could communicate with the dead and they justified this ability by citing the new ability, through Morse, to speak with someone far away almost instantaneously. After fifty years of practicing Spiritualism, the sisters declared the religion a hoax, and many years later Morse code officially lost its role in the commercial realm. As Spiritualists continue to send messages to the dead in spite of the sisters’ statements, and Morse operators transmit messages into the ether with hope, Johnson asks: How do communication networks and technologies affect our calls and responses and make visible our desire for reciprocity?
A portrait of His Holiness, the 14th Dalai Lama, which includes historical footage of China's repression of Tibetan Buddhism in 1959.
The Quran is the Holy Book of Islam, a religion shared by more than a billion followers worldwide. For the Muslim tradition, since its revelation to the Prophet Muhammad between the year 610 and 632 of the Christian era in Mecca and Medina, the Koran is immutable, and has remained maintained. However, recent discoveries of Koranic manuscripts analyzed by scientists, dated around the year 680 - the oldest known in the world - revealed that the Koran has a history. During the first century of Islam, and before the canonical version of the Caliph Uthman imposed itself, the holy book of Islam would have known competing versions, a different organization of the suras, variable readings due to a writing, in its beginnings, very rudimentary… It is to this meeting of knowledge, at the crossroads between the Muslim tradition and scientific research, that this journey to the origins of the Koran invites.
The film Announcements paints the portraits of seven women reflecting on the same theme. Their starting point is the announcement to Hagar, Sarah and Mary as in the Old Testament, the New Testament and the Koran. Their thoughts spread out and weave a new web, drawing strands from their associations and interpretations of these texts. And by talking about their own history, their personal myths, they work up to subjects such as the birth of image in the Christian world or that of poetry in ancient Greece. Announcements is a film about the movement of thought, the power of words, the secret of the voice, and the seduction of the image.
An exploration of the intersection between religion and homosexuality in the U.S. and how the religious right has used its interpretation of the Bible to stigmatize the gay community.
From the 1950s to the 1980s, Catholic priests committed numerous sexual abuses on young boys in several French-speaking villages in New Brunswick. Brought to light when the victims were in their fifties, these scandals sparked shock and indignation in the media and the public. Why have affected communities chosen secrecy over justice and truth for so long? Taking advantage of their influence to impose a "pious silence" on their parishioners, several figures of authority have built a veritable structure of abuse that testifies as much to the oppressions specific to the Acadian populations as to the systemic denial of the Catholic Church. Challenged by the power of collective silence, seasoned filmmaker Renée Blanchar seeks to unravel the root causes by going out to meet the survivors.
The death of a Burkinabé family’s patriarch and the division of his estate unearths conflict between his heirs and larger questions about inheritance, belonging and the communal customs of West Africa versus Westernized courts.
In the thick of a controversial war of ideas, two enlightening figures, Sam Harris, an atheist and a critic of religion, and Maajid Nawaz, an Islamist-turned-liberal activist, partake in an engaging dialogue on the state of Islam, its potential reform, the militant ideology of Islamism, and where all this lays in a secular world.
Following in the footsteps of his father, Folco Felzani embarks on an epic journey on foot in search of Mustang, the last lost kingdom, in northern Nepal. The story of a king without a kingdom. The adventure of a son without a father.
Sacred explores cultural and religious ritual as it relates to life’s cycles: birth, adolescence, marriage, aging and other key passages of life.
Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.
A documentary based on the book Umbanda no Brasil by the scholar Mata e Silva, who is interviewed by the director. The book studies the Brazilian religion known as spiritism, a syncretism of African beliefs and magical rites, Indian beliefs and images, and Catholic symbols.