
20 Feb 1987

Five Ways to Kill Yourself
Gus Van Sant, dissatisfied professionally, counts five ways to end his life. Preserved by the Academy Film Archive in 2016.
Two young women, frustrated by war rationing, have a dream illustrating the likely results on prices in America should the measure were prematurely lifted. Preserved by the Academy Film Archive in 2008.





20 Feb 1987

Gus Van Sant, dissatisfied professionally, counts five ways to end his life. Preserved by the Academy Film Archive in 2016.

06 Jan 1979

A bourgeois Cuban family of aristocratic origin locks itself into its mansion when the Cuban Revolution comes to power, waiting for the new regime to be overthrown. As time passes, they regress to older and older systems of political order, from capitalism to feudalism to "primitive savagery." Preserved by the Academy Film Archive in 2017.

19 Feb 1972

At a morgue, forensic pathologists conduct autopsies of the corpses assigned. "S. Brakhage, entering, WITH HIS CAMERA, one of the forbidden, terrific locations of our culture, the autopsy room. It is a place wherein, inversely, life is cherished, for it exists to affirm that no one of us may die without our knowing exactly why. All of us, in the person of the coroner, must see that, for ourselves, with our own eyes. It is a room full of appalling particular intimacies, the last ditch of individuation. Here our vague nightmare of mortality acquires the names and faces of OTHERS. This last is a process that requires a WITNESS; and what 'idea' may finally have inserted itself into the sensible world we can still scarcely guess, for the CAMERA would seem the perfect Eidetic Witness, staring with perfect compassion where we can scarcely bear to glance." – Hollis Frampton

11 Mar 1987

This film recounts the murder of Vincent Chin, an automotive engineer mistaken as Japanese who was slain by an assembly line worker who blamed him for the competition by the Japanese auto makers that were threatening his job. It then recounts how that murderer escaped justice in the court system. Restored by the Academy Film Archive and The Film Foundation, in association with the Museum of Chinese in America. Restoration funding provided by the Hobson/Lucas Family Foundation, with additional support provided by Todd Phillips.

31 Dec 1961

With magic inflatable objects that spring to life to fill his every need, a flippant beachgoer wants for nothing. Well... almost nothing.

29 Aug 1969

Documentary about the XIX Olympic Games in Mexico City in 1968. Preserved by the Academy Film Archive in partnership with Sony Pictures Entertainment in 1999.

01 Oct 1989

A reflection between nature and man in Los Angeles about the city's surroundings' desertification due to enormous water consumption.

17 Jan 1958

An underpaid middle-aged clerk finds a stone that changes iron to gold on touch. Preserved by the Academy Film Archive in partnership with The Film Foundation in 2007.

01 Jan 1969

Experimental film woven around a poem about Chicano culture in the U.S. Preserved by the Academy Film Archive in 2017.

01 Jan 1957

Documentary about the Watts Towers. Preserved by the Academy Film Archive in 2009.

27 Sep 1989

This claymation short film uses a real interview for dialogue. Bill Perry relates stories about his youth, his tilted house, and adventures during WWII in Bristol, England during the blitz. Preserved by the Academy Film Archive.

23 Feb 1981

A beautiful expression of two differing cultures brought together by the warmth and dedication of a great musician and humanitarian. In 1979, as China re-opened its doors to the West, virtuoso Isaac Stern received an unprecedented government invitation to tour the country. Preserved by the Academy Film Archive in 2000.

07 Dec 1943

The first official War Department Report by the Office of Strategic Services using American newsreel footage and footage of film captured from the enemy. Topics include: Gran Sasso aftermath; Japan’s conquered territory; Germany’s troops and provisions; US Military supply logistics; and battle strategy. Preserved by the Academy Film Archive in 2012.

30 Mar 1976

The 1945 atomic-bomb explosion at Bikini Atoll becomes a thing of terrible beauty and haunting visual poetry when shown in extreme slow motion, shown from 27 different angles, and accompanied by avant-garde Western classical music composed for electric organ by Terry Riley. Preserved by the Academy Film Archive in partnership with Pacific Film Archive in 1995.

18 Oct 1925

A feisty little girl, the daughter of a beat cop, faces the challenges of growing up in a tough city neighborhood. Preserved by the Academy Film Archive, in partnership with the Library of Congress. Motion Picture, Broadcasting, and Recorded Sound Division, in 2014.

24 Nov 1943

Documentary depicting and explaining the Allied campaign against the Germans in North Africa. Preserved by the Academy Film Archive in partnership with the UCLA Film & Television Archive in 2013.

10 Aug 1966

Inspired by a lesson from Erik Satie, a film in the form of a street: Castro Street, running by the Standard Oil Refinery in Richmond, California. Preserved by the Academy Film Archive in partnership with Pacific Film Archive in 2000.

21 Mar 1963

The Madam of a brothel satisfies the erotic fantasies of her customers, while a revolution is sweeping the nation. Preserved by the Academy Film Archive in 2010.

01 Jan 1949

Little Johnny Jones, to be born in the next year, is shown growing to a ripe, healthy old age, thanks to the efforts of his local public health officers. But without them, he might be one of the 5% or so that dies in the first year. The price for the public health service: about 3 cents a week. Preserved by the Academy Film Archive in 2005.

01 Jun 1938

The life and works of the great artist Michelangelo Buonarroti are shown against the historical background of his time. It begins with his earliest artworks, and follows his life and career as he achieves lasting fame. The documentary includes detailed looks at some of the artist's most renowned creations. In 1950 the film was re-edited and new footage shot by Robert J. Flaherty. Preserved by the Academy Film Archive in 2005.