
01 Oct 1974

Troublemakers
Turkish remake of George Roy Hill's "The Sting."
Please let me lie again.
Sang-sook is a competent politician who captivates the public with all kinds of nice words. One day, Sang-sook visits her grandmother who lives in the isolated house. But when she returns home, she finds out that she is not able to lie anymore.
Ju Sang-sook
Park Hee-cheol
Kim Ok-hee
Bong Man-sik
Lee Woon-hak
Kim Jun-young
Nam Yong-seong
Kim Sang-pyo
Sin Ji-seon
Cha Yoon-kyeong
Mother-in-law
Bong Eun-ho
Reporter Hwang
Jang Deok-jun
Bus Stop Lady
Youtuber
Oriental Doctor
Shaman
Elder
Doctor
01 Oct 1974
Turkish remake of George Roy Hill's "The Sting."
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Trouble comes to a family while trying to sell their house, not only does the kids try their best to keep the house from selling . One of the real estate agents is a deranged serial killer.
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Based on George Ade's play which, in part, was based on an incident in a 1902 election in Wyoming, with women's-right-to-vote playing a large role. Here, Jim Hackler, local party-boss in a Wyoming county, has to decide to do what's right and lose the election, or what's wrong and win it.
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A woman named Kit moves back to her parent's house, where she receives a mysterious invitation that would fulfill her childhood dreams.
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Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.
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An hour long interview with Slovenian philosopher Slavoj Žižek made by Russia Today for his 70th birthday. In this documentary Žižek answers questions from the public in regards to politics and ideology, gender and sex, philosophy and psychoanalysis, hardcore pornography and sexual liberation in the West, in his usual style of polemics and comedy.
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Two women, one American and one British, swap homes at Christmastime following bad breakups. Each woman finds romance with a local man but realizes that the imminent return home may end the relationship.
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Paris, 1967. Disillusioned by their suburban lifestyles, a group of middle-class students, led by Guillaume and Veronique, form a small Maoist cell and plan to change the world by any means necessary. After studying the growth of communism in China, the students decide they must use terrorism and violence to ignite their own revolution. Director Jean-Luc Godard, whose advocacy of Maoism bordered on intoxication, infuriated many traditionalist critics with this swiftly paced satire.
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Since they were both five, Ryosuke has been stalked by Momoko - the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste - but still he wants nothing to do with her. Ryosuke goes in for fleeting romance - for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke's little finger hacked off. Magically, the finger falls into Momoko's hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba's short-but-powerful feature debut. Just like in her previous short films, the director - who cut her teeth in the advertising world and as the writer of a video game - throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR
A true story of two men who should never have met – a quadriplegic aristocrat who was injured in a paragliding accident and a young man from the projects.