31 Aug 1973
Le Médecin malgré lui
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Amour de vivre
An account of the brief life of the writer Albert Camus (1913-1960), a Frenchman born in Algeria: his Spanish origin on the isle of Menorca, his childhood in Algiers, his literary career and his constant struggle against the pomposity of French bourgeois intellectuals, his communist commitment, his love for Spain and his opposition to the independence of Algeria, since it would cause the loss of his true home, his definitive estrangement.
Top Billed Cast
Michael Mesquida Narrator (voice)
Agnès Spiquel Self - Camus' Scholar
Josefina Salord Self - Philologist and Camus' Scholar
Jean-Jacques Jordi Self - Historian
Marta Marfany Self - Writer
Khelhil Redovane Self - Baker
Jean-Claude Xuereb Self - Poet
Pierre-Louis Rey Self - Writer
Christiane Chaulet-Achour Self - Professor of Literature
Henri Bonnamour Self - Priest
Olivier Todd Self - Camus' Biographer
François Chavanes Self - Priest and Writer
Joan Triadú Self - Camus' Scholar
Sami Naïr Self - Philosopher
Pere Maragall i Mira Self - Historian
Abdellah Abdi Self - Library Curator
Maïssa Bey Self - Writer
Jean Daniel Self - Writer and Journalist
Robert Gallimard Self - Editor
Hélène Rufat Self - Professor of Literature
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It is with the architect Jean-Jacques Deluz, that we visit Algiers, "his city" since 1960 and that he left only two years during the worst moments of terrorism. From the Casbah, in the 19th century center, including the cities of Fernand Pouillon and Bab El Oued to arrive at the new city of Maelma which he built today. Tender look, but without concessions at the same time architectural promenade and meetings with actors of art and culture: Djamel Allam, the singer Kabyle, Djamel Amrani, the poet, friend of Jean Sennac, Mohamed Ben Gettaf, Dramaturge and director of the theater of Algiers, Souad Delmi-Bourras, young designer Boudjemàa Kareche, director of the Algerian cinema, Amine Kouider, conductor, who relaunches the opera in Algeria, the painter Malek Salah, and others. A look at Algeria and the Algerians, far from the clichés of certain media, the bias being to seek signs of hope rather than "blood and tears".
