A Week In The Life Of Anderson Bruford Wakeman Howe
Anderson Bruford Wakeman Howe live performance documentary
Renowned documentary filmmaker D.A. Pennebaker captures Otis Redding in his ascendancy, singing at the historic Monterey International Pop Festival in June 1967. Comedian Tom Smothers introduces Redding to a crowd that is leaving -- until Redding grabs them with his charged rendition of "Shake." Redding's performance also includes "Respect" (which he wrote), "I've Been Loving You Too Long," "Satisfaction," and "Try a Little Tenderness." Tragically, Redding died in a plane crash six months later. An innovative filmmaker who started in the 1950s making experimental films, Pennebaker garnered an Oscar nomination for Best Documentary Feature in 1993 for The War Room, his behind-the-scenes look at Bill Clinton's 1992 campaign. His other subjects have included Norman Mailer, Bob Dylan, and David Bowie.
Anderson Bruford Wakeman Howe live performance documentary
Short subject on how fashion is created-- not by the great couturiers, but on the street.
Minor Threat played one of its last shows at Washington DC's 930 Club in June of 1983; they would only play once more in DC. Two years later, the tapes from the 930 show were edited together and Dischord Records released them as the Minor Threat Live VHS video in 1986. Along with the 40 minute 930 performance, the DVD includes a 1982 Minor Threat show in Camden, NJ, a clip of Minor Threat's 2nd ever show at DC Space in December 1980, and excerpts from a 1983 interview with vocalist, Ian MacKaye.
James Brown's legacy has influenced rap, soul, funk and R&B. But along with his huge talent, there's a dark side to Brown's success that includes stints in prison and unceasing tabloid speculation. This in-depth documentary takes a look at the meteoric highs and deep lows of Brown's career, offering some fascinating insights from the Godfather of Soul himself, as well as interview footage with Chuck D, Little Richard, Wyclef Jean and many others.
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A photoshoot on the roofs and in the streets of Paris, under the astonished eyes of the inhabitants.
Evan Evans, the director of a ballet troupe, is rehearsing his next show in Monaco, in preparation for a worldwide tour. When one member of his troupe leaves to get married, Evans imposes a regime of strict discipline on his remaining dancers. The latter get their revenge by presenting Evans’ nephew Philippe, the only male member of the group, with a baby and a note claiming he is the father…
On May 31, 2003, Trey Anastasio played the second of two sold-out shows at San Francisco’s Warfield Theatre. On that night, Carlos Santana dropped by to say hello to Trey, ended up joining the ten-piece band on stage halfway through the first set, and continued to play with the group for the remainder of the night. The results were electric, suffused with spontaneous energy and exuberant interplay between the two guitarists.
The history of New York City's Apollo Theater in Harlem is given the full treatment.
Larry Pierce is a family man and factory worker who lives in Middletown, Indiana with his wife Sandy. Outside of his regular nine-to-five job, Pierce has also been writing and recording raunchy country albums since 1994. After being forced to retire from his job after thirty-one years, the 53-year-old Pierce hooks up with the rock group -itis and performs his first concert in front of a live audience.
Germán Cipriano Gómez Valdés Castillo, a young radio announcer from Cuidad Juárez, succeeds in drawing attention to the pachuco movement through his character Tin Tan, laying the groundwork for a new form of binational and mass linguistic expression: Spanglish. He soon became a leading figure in theater and film on the American Continent. Singled out by critics as a destroyer of the language, he quickly won the approval of the public. His ability to improvise revolutionized the film industry. His talent as an actor, singer, dancer and comedian contributed to the Golden Age of Mexican Cinema. From El Hijo Desobediente to Capitán Mantarraya, from Cuidad Juárez to Havana, from mambo to rock, the legacy of Tin Tan makes him one of the great icons of Mexico today. This film tells his story as it has never been told before.
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Set I: The Music Never Stopped > Easy Answers > The Music Never Stopped, Row Jimmy, Friend of the Devil, Cumberland Blues, Cassidy > Mississippi Half-Step Set II: St. Stephen > William Tell Bridge > The Eleven > He's Gone > New Speedway Boogie > Drums > Space > I Need a Miracle > Death Don't Have No Mercy, Good Lovin Encore: Black Muddy River
Set I: Good Times, Shakedown Street, Bertha, Minglewood Blues, It Hurts Me Too, Tennessee Jed, Bird Song Set II: Jack Straw, Sugaree, China Cat Sunflower > I Know You Rider, Drums > Space > Throwing Stones > Days Between, One More Saturday Night, Not Fade Away Encore: U.S. Blues
Set I: Althea, Uncle John's Band > He's Gone, Brown-Eyed Women, Little Red Rooster, Jack Straw, One More Saturday Night Set II: China Cat Sunflower > I Know You Rider, Estimated Prophet > Eyes of the World > Drums > Space > Milestones > Days Between > Help on the Way > Slipknot! > Franklin's Tower Encore: Brokedown Palace, Touch of Grey
At the twenty-year apex of their career, the Japanese quartet add another captivating live release to their extensive catalog. Shot ‘in the round’ at le Poisson Rouge in NYC, DOKU-EN-KAI delivers the band completely absorbed by their element in a kinetic, impassioned and frenzied set that brings toe's renown and allure into sharp, unmistakable focus.
A chronicle of James Brown's rise from extreme poverty to become one of the most influential musicians in history.
MTV Unplugged offered an unusual opportunity to showcase Katy Perry's work in an exposed, undercooked way and to reveal just how much of the real her had been part of that flashy presentation. Recorded in New York on July 22, 2009, Katy picked five cuts from One Of The Boys, an unreleased song, and a cover of 2003’s “Hackensack,” by Fountains Of Wayne, to perform in front of a small studio audience.
Jimmy Rabbitte, just a thick-ya out of school, gets a brilliant idea: to put a soul band together in Barrytown, his slum home in north Dublin. First he needs musicians and singers: things slowly start to click when he finds three fine-voiced females virtually in his back yard, a lead singer (Deco) at a wedding, and, responding to his ad, an aging trumpet player, Joey "The Lips" Fagan.