How the Moon Conquered Pop
Musicians inspired by the Moon. Since the Apollo landings, the Moon has entered popular consciousness like never before. A journey through pop music's lunar obsession.
a visualization of a poem telling a story of making a piramid out of a mountain
Musicians inspired by the Moon. Since the Apollo landings, the Moon has entered popular consciousness like never before. A journey through pop music's lunar obsession.
A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.
The story of the famous and influential 1960s rock band and its lead singer and composer, Jim Morrison.
The video debut of experimental musicians and culture jamming artists Emergency Broadcast Network.
A 1-hour Documentary looking at the Manchester post-punk group and its infamous leader Mark E Smith. The Film follows the current band recording their final Session for the John Peel Show (they were his favourite group and recorded more sessions than any other band) as well as chronicling the chaotic history of the band & its numerous line-up changes.
Live performance of Diamanda Galas in 1985, released by Target Video. The performance, based on a poem by Charles Baudelaire, devotes itself to the emaraldine perversity of the life struggle in hell.
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse:Semantics is the study of meaning in language, and Bernstein's third lecture, "musical semantics", accordingly, is Bernstein's first attempt to explain meaning in music. Although Bernstein defines musical semantics as "meaning, both musical and extramusical" this lecture focuses exclusively on the "musical" version of meaning.
Iggy Pop reads and recites Michel Houellebecq’s manifesto. The documentary features real people from Houellebecq’s life with the text based on their life stories.
In a film bursting with lyrics, pictures, and music the director shows us a way into the peculiar universe of Tóroddur, and the otherwise not very talkative artist gives us a glimpse of his thoughts on art, God, life and death.
It’s often a sense of shakiness which emerges in seeking affordable rent. Furthermore, leasing a real estate in the time of Covid it’s an enough though enterprise due to the different restrictions in moving freely and without any fear even visiting the venue, still not to mention the angst before the future that a change in life like a relocation involves so that everything starts spinning around. Such a pretty much postmodern sensation should have had Hazel in the Synecdoche, New York by Charlie Kaufman when she rents a burning house, which becomes quite her home yet with this persisting sense of precarity still not precluding to keep going. The experience is now translocated in another city, Turin. It still remains a burning house in a burning city, however it becomes home to someone.
A collage hosted by "The Pointless", a dying overlord.
Arf Arf is a sound poetry (voice and gesticulation) group. They describe their first film together as 'songs nailed together in a film'. The film is not given over to simply recording a performance of sound poetry but is worked out as a filmic combination of images and sound, each member of the group having individually previously made experimental films.
Starring Vehicle for Free Kitten. Kim Gordon, Julie Cafritz, & Mark Ibold lounge on suburban lawns, jamming a guitar effects box & Japanese beat boxes. Thurston reads lyrics off Public Service (early 80's L.A. hardcore compilation), and Saccharine Trust's "Pagan Icons". Mark, in English accent, reads bio penned by Byron Coley.
Like a Wave in the Sea
A 57-minute long-form music video illustrating the subjects including magic, the nature of reality and chaos - and honouring the works of Robert Anton Wilson, Terrence McKenna, KLF and Alan Moore.
From the music of Uruguayan composer Florencia Di Concilio, English filmmaker Terence Davies does a cinematic reading of his own poem about his late sister, delivered over a single serene shot of the countryside near his home in Essex. This short film is part of the 2x25 Project of Film Fest Gent and the World Soundtrack Awards. The project commissioned 25 composers to compose a short piece of music, after which 25 filmmakers made short films that are the ultimate symbioses of music and cinematography, fitting completely within the DNA of the festival. The result: 25 exceptional films where the music inspired the form, narrative and texture.
After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.
CGI collage short film originally premiered as part of the 'Extinction Renaissance' exhibition at the Loyal Gallery in Stockholm.
A 19-minute short film featuring the six performances of the Japanese performance art group Grinder-Man. Only released on VHS.
Martin, a nu-jazz trumpet player with a unique style, is fighting against convention and mediocrity. He will not accept any compromise, neither in his music, nor in love. When he gets the feeling that Kristina, the love of his life, only loves him for his musical talents, he is deeply hurt.Disappointed, he bids farewell to both her and his previous life. On the edge of society, he meets an old woman, Hanna, who bequeaths him her pain in the form of poems. Martin is immediately fascinated. Can they guide him back to himself, to Kristina, or to his music?