
14 Nov 2016

Thierry Le Luron, l'humour de ma vie
No overview found
WHAT YOU MEAN WE is a surreal short film by experimental artist Laurie Anderson.

Herself

Talk show host

14 Nov 2016

No overview found

18 Apr 2025

During a creative evening, an artist sits down at his desk and finishes a piece.

17 Jun 2017

It's time the times met each other over & over.

17 Jun 2017

Don't ask me why, but I feel we're about to cry trying.

17 Jun 2017

Say Om as you reach home only to realize you never really left/stopped saying Om.

13 Jun 2017

Still it's really tall. Still it's really floundering/falling/fading.

13 Jun 2017

Strings together what's strung together (please use yr tether).

17 Jun 2017

Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).

19 Jun 2017

Rather pointless, rather stilted, fetid; not what we want us going after.

06 Jan 2019

No overview found

01 Jan 1969

Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.

29 Oct 1988

This fantastical movie inspired by the music of Michael Jackson features imaginative interpretations of hit tracks from the iconic 1987 album “Bad”.

26 May 2017

Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.

23 May 2017

Return to 'burn' only to find out you're already in that urn.

09 Jun 2017

Centrist revelations abound among repetitions & revisitings.

10 Jun 2017

Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.

11 Jun 2017

Slowed, stowed, achingly retold.

15 Jul 1987

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

04 Jun 2017

This cacophony runs over me, over everything I see, everything I want to see: it's me.

01 Jan 1973

Global Groove was a collaborative piece by Nam June Paik and John Godfrey. Paik, amongst other artists who shared the same vision in the 1960s, saw the potential in the television beyond it being a one-sided medium to present programs and commercials. Instead, he saw it more as a place to facilitate a free flow of information exchange. He wanted to strip away the limitations from copyright system and network restrictions and bring in a new TV culture where information could be accessed inexpensively and conveniently. The full length of the piece ran 28 minutes and was first broadcasted in January 30, 1974 on WNET.