27 Apr 2004
A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.
01 Jan 1990
Presented without commentary, this film reveals the thinking behind the work of John Baldessari over the course of his career, and provides clues to the understanding of the artist's paintings, photographic work and books.
01 Jan 2002
Fellow violinist and artist Tony Conrad, in collaboration with software engineer Tom Demeyer, made for Steina the instrument seen in this title. Conrad and the Vasulkas all taught at the University at Buffalo in the Media Study Department from 1976 to 1979.
01 Apr 2024
A psychedelic essay on Goya's paintings, image and sound. The stippled ceiling acts as noise in the images.
08 Aug 2000
For this work Alÿs purchased a gun in Mexico City then walked through the city streets with the weapon in his hand. After eleven minutes he was arrested by the police. The following day he repeated the action, this time in cooperation with the police. By presenting a record of this dramatic action alongside footage of its reenactment, Alÿs blurs the boundaries between documentation and fiction. Questioning the concept of authenticity, this work demonstrates “how media can distort and dramatize the immediate reality of a moment,” the artist has said. Gallery label from Francis Alÿs: A Story of Deception, May 8–August 1, 2011.
10 Jul 2015
The Karikpo masquerade - a traditional dance of the Ogoni tribe - is transposed onto the remnants of a faded oil industry programme in the Niger delta.
09 May 2022
A memorial mourns as time passes
23 May 2022
Experimental video art shot in the Wallingford neighborhood of Seattle
23 Apr 2023
Experimental video art compiled from video taken on an LG Env3 flip phone circa 2009-2010
22 Oct 2021
A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).
22 Jan 2004
In “Samples II”, Alÿs walks around London with a drum stick in his hand, playing the sounds of metal fences beside him.
01 Jan 1985
An auto-documentary about a disenfranchised Everyman and his struggle to re-integrate himself into society. He fails and turns to crime.
01 Jan 2022
Video art of sculpture is the real life story of Rumi (Mevlana) and Shams Tabrizi. Rumi and Shams are well known international poets of Persian language. One day, Rumi invites Shams Tabrizi to his house, Shams throws the book into the pool of water and Rumi is worried and Shams returns the book to Rumi without any trace of water. The lost half of the sculpture in the film is a representation of the same concept, in which the dance of Sama, the sculptor's mind and the role of the face are visible. "Sculpture" has won more than 57 International Awards, third place (semi-final) in called Flickers' Rhode Island International Film Festival (Academy Award ® Qualifying, BAFTA Qualifying, Canadian Screen Award Qualifying) , Crown Point International Film Festival(Chicago) ,Vegas Movie Awards,Global Shorts( Los Angeles),(US),Gold Star Movie Awards (US),One-Reeler Short Film Competition (US),Accolade Competition (US),Berlin International Art Film Festival and many other events.
14 Feb 1990
The Machine That Killed Bad People is about the cultural and political history of the Philippines leading up to the overthrow of President Ferdinand Marcos in 1986. It also addresses the role of electronic media in the struggle for power, and more broadly, American intervention in the Third World. Using a structure that emulates the way television news programs construct meaning through fragmentation, the tape interweaves clips of Filipino activists and reporters, a fictional television anchorwoman and correspondent, commentary by independent filmmaker Trinh T. Minh-ha, Fagin's off-camera voice and script, and anonymous excerpts from commercial television.
01 Jan 1988
In this video, the artist tries to overcome the effects of distance, and reflects on geography represented in exile due to war, and on the psychological distance represented in each one’s approach to her womanhood. The video beautifully weaves personal images and audio recordings of a very intimate nature, binding the personal with the political. Reading aloud from letters sent by her mother in Beirut, Hatoum creates a visual montage reflecting her feelings of separation and isolation from her Palestinian family. The personal and political are inextricably bound in a narrative that explores personal and family identity against a backdrop of traumatic social rupture, exile and displacement.
23 Nov 2019
IDFA and Canadian filmmaker Peter Wintonick had a close relationship for decades. He was a hard worker and often far from home, visiting festivals around the world. In 2013, he died after a short illness. His daughter Mira was left behind with a whole lot of questions, and a box full of videotapes that Wintonick shot for his Utopia project. She resolved to investigate what sort of film he envisaged, and to complete it for him.
14 Oct 2021
Deaf artist Seo Hye Lee gives new subtitles to a selection of archive films about pottery, ones which playfully examine the disparity between how people with different levels of hearing experience art.
01 Jan 1984
In his book "1984", George Orwell saw the television of the future as a control instrument in the hands of Big Brother. Right at the start of the much-anticipated Orwellian year, Paik and Co. were keen to demonstrate satellite TV's ability to serve positive ends-- Namely, the intercontinental exchange of culture, combining both highbrow and entertainment elements. A live broadcast shared between WNET TV in New York and the Centre Pompidou in Paris, linked up with broadcasters in Germany and South Korea, reached a worldwide audience of over 10 or even 25 million (including the later repeat transmissions).
03 Nov 2016
No overview found
08 Feb 2021
Furio’s Furious Fragments & Friends - Furio Jesi (1941 Turin -1980 Genoa), enfant prodige moving between a plethora of disciplines – egyptology, history of religions, German philology, literary criticism - passed away prematurely, not without leaving bright fragments which throw light on mechanisms beneath many socio-cultural practices, for instance regarding cultural belonging, the functions of myth in modern society. He saw kind of “mythological machines” at work underneath our cultural production of meanings, historically determined, departing from a void, something that is still in culture but as residue, a missing link to an alleged authentic experience nowadays compromised up to the point to became just rhetoric, a byword, which is in no way neutral, but a tool, a macchina, for maintaining the status quo and serving the power apparatus. As in the case of holidays, celebrations and festivals.