The KFC
Five Kiwis take on a paragliding adventure in Tanzania, with the ultimate aim to fly from the summit of Mt Kilimanjaro.
Five Kiwis take on a paragliding adventure in Tanzania, with the ultimate aim to fly from the summit of Mt Kilimanjaro.
Two hands over a light.
No overview found
That moment in the middle of a film when you completely zone out.
Theory of Light is a documentary centred on the climate emergency through a climate justice lens. It's committed to uplifting the perspectives of communities already being impacted by climate change and representing those who feel excluded from the climate movement.
An exciting video journey through the world of time-lapse photography by one of the founders of the science of photobiology, Dr. John Nash Ott. Do fluorescent lights cause cancer and childhood learning and behavior disorders? Can long-term exposure to low-level radiation as from TV sets, computers, fluorescent lights, and similar devices harm you? Does living behind window glass and with glasses covering our eyes over years affect our health? Is natural sunlight and trace ultra-violet radiation really harmful? Or is it necessary and beneficial? How do cells, plants, and animals respond to constant exposure to different light color frequencies? These and similar questions were the subjects of Dr. Ott's pioneering investigations in the field of photobiology, using the methods of time-lapse photography.
Backed by an echoed horn music, the light passes through a magnifying glass. On the walls, they portrait pans being held on top of a stove.
A computer generated fern follows a modular synthesizer soundtrack.
No overview found
Dusk of the Lights is a short experimental film directed by Allan Bustovsky.
From the light that falls on the backyard of his house on the day of the equinox without shadow in Quito, and inspired by the "Theory of colors" of Goethe, the director takes us to several cities in America to reflect on the influence that the light has in the understanding of our surroundings.
The moon is out, the lights are awake.
The birth of the universe, and the origin of all creation. Humans invented tools, discovered fire and painted murals in dark caves. Murals were created on a mission to pass down stories and history to posterity. From murals, we could tell that the discovery of fire was a highly important turning point for ancient humans. Now it's time for us, humans, to reconsider energy. Light animation by TOCHKA.
As the war between the vampires and the Lycans rages on, Selene, a former member of the Death Dealers (an elite vampire special forces unit that hunts werewolves), and Michael, the werewolf hybrid, work together in an effort to unlock the secrets of their respective bloodlines.
On a film set a light fixture breaks down. The two electricians Olaf and Stefan are called to replace it. The gaffer is not there, so Stefan sees his chance to prove himself to everyone. Olaf on the other side has made muffins and wants to eat them with Stefan, he couldn’t care less about the light. A delicate relationship drama between two tough guys ensues. And the film crew has to wait through it all.
A man who serves in the war between the forces of Light and Dark comes into possession of a device that can restore life to Moscow, which was nearly destroyed by an apocalyptic event.
With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical White is part of a trio of video works that are a series of dream-like moving pictures.
With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical Red is part of a trio of video works that are a series of dream-like moving pictures.
With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical Wide is part of a trio of video works that are a series of dream-like moving pictures.
When the young Austrian couple oversleeps, the imminent arrival of the girl's parents creates a stress situation that turns into slapstick and chaos.