Cruising Do's and Don'ts
Tips for what to expect when taking a vacation aboard a cruise ship, and how to make the most of the trip.
Deported to an Unfamiliar Homeland
The story of three Turkish men. They all grew up in Switzerland and all got deported after various criminal offenses.
Tips for what to expect when taking a vacation aboard a cruise ship, and how to make the most of the trip.
Hans Werner hirsch aka Surava was a journalist. He wrote about the deportation of French jews, and the Swiss government chased him because the Swiss government was Nazi-friendly. The Swiss intelligence service (Bundespolizei) knew him as a "communist jew". In fact, he worked for a left newspaper, but he wasn't a jew. Surava took his courage to write about the "censored" inhumanity in Europe.
A girl mixes fiction with reality while writing a letter to her grandmother.
Every weekend for six years, Jessica takes a bus from NYC, where she lives and works as a set decorator, to Boston, her hometown, where she cares for her dad, Aloysius, who is 87 and has advanced Alzheimer's disease.
A look into the life of a couple and the house they raised their family in.
Bern, 1979: a tower block called Tscharnergut. A group of friends get together to make a film about their experiences growing up in suburban Switzerland.
Bern, 1980: A caleidoscopic portrait of Swiss urban life in the early 1980s.
Bern, 1979: a tower block called Tscharnergut. Together with a few friends (among them famous Swiss actor Stefan Kurt), director Aron Nick's father and uncle shoot the idealistic Super 8 film "Dr Tscharniblues" ("The Tscharni Blues") – a wild, unvarnished self-portrait of their generation. 40 years later, Nick gathers the friends at Tscharnergut and asks what has happened to them and their ideals in the meantime. What have the achieved? What have they lost? Past, present, and future clash and form a journey of personal disappointments, hopes, and a collective search for identity. In "Tscharniblues II," Aron Nick discovers a kind of friendship that can weather anything.
The protests of 1968 had a significant impact on the great cities of the world. But people like to forget that the periphery went through the same social upheavals – Central Switzerland, for example. This is hardly surprising: in the founding cantons of the Old Swiss Confederacy, society followed a strict order; tradition, shaped by centuries of Catholic rule, seemed untouchable. But in the 1960s, the local youth could not take these stifling conditions anymore: starting in 1969, resistance broke out across Central Switzerland.
Over 350,000 tons of highly radioactive waste and spent fuel rods are in temporary storage on site at nuclear power complexes and at intermediate storage sites all over the world. More than 10,000 additional tons join them every year. It is the most dangerous waste man has ever produced. Waste that requires storage in a safe final repository for hundreds of thousands of years. Out of reach of humanity and other living creatures. The question is, where? Together with Swiss-British nuclear physicist Charles McCombie, who has been searching for a safe final storage site for highly radioactive nuclear waste for thirty-five years, director Edgar Hagen investigates the limitations and contradictions involved in this project of global significance. Supporters and opponents of nuclear energy struggle for solutions whilst dogmatic worldviews are assailed by doubt
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
In the table that symbolizes the value of traditional women, a woman who wants to break free from her family must face her daughter.
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A documentary about entertainment and home, filmed in Switzerland and California.
When filmmaker Mari Soppela took her children and husband to live for a year on a sacred mountain in her native Finland, she was fulfilling a lifelong dream to share the arctic wilderness of her childhood with her family. But when years later her children turn the camera onto her, she is forced to confront her motivation for filming their lives in this searching and searingly honest cinematic exploration of identity, belonging and motherhood. Filmed over the course of 27 years, Mother Land challenges us all to examine the landscapes we carry within us and the narratives we create to make sense of our lives.
An uplifting insight into the lives of seven-year-old conjoined twins, who weren’t expected to live more than a few days. Cared for by their devoted father, the girls have defied all odds.
A documentary of an expedition to Churchill, Manitoba to film the Northern Lights.
Essay on the epic story of an ordinary man, a filmmaker, born in the beginning of the Second World War. From 1942 to 2016, his personal story and the world history, the history of his films, of cinema and the images that inspired him. Life and creation entangled, untangled, intertwined, jostled together. From his childhood to his first steps as an artist. From the distant war to the war against everyone, from the dreamed revolution to the consumer society that ruins your dreams like Coca Cola dissolves your bones.
Filmmaker Kimi Takesue captures the cadence of daily life for Grandpa Tom, a retired postal worker born to Japanese immigrants to Hawai’i in the 1910s. Amidst the solitude of his home routines — coupon clipping, rigging an improvised barbecue, lighting firecrackers on the New Year — we glimpse an unexpectedly rich inner life.
Agricultural scientist and mother Isolde struggles with the dicrepancies between her personal convictions and the political realities in East Germany.