
23 Feb 2017

Hitler's Hollywood
Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945, when the Third Reich collapsed. (A sequel to From Caligari to Hitler, 2015.)
How the cinema industry does not respect the author's work as it was conceived, how manipulates the motion pictures in order to make them easier to watch by an undemanding audience or even how mutilates them to adapt the original formats and runtimes to the restrictive frame of the television screen and the abusive requirements of advertising. (Followed by “Filmmakers in Action.”)
Marta
Jester
Knight
Monk
Navarrete
Philip II of Spain
Priest
Professor
Receptionist
Technician #1
Technician #2
Usher
Self
Self
Self (archive footage)
23 Feb 2017
Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945, when the Third Reich collapsed. (A sequel to From Caligari to Hitler, 2015.)
05 Oct 2023
In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”
15 Sep 2023
An account of the life and work of the charismatic Spanish writer Terenci Moix (1942-2003).
05 Apr 2004
Documentary about the legendary American film director from his introduction to the film industry in its early years to his death in 1959.
05 Nov 1999
American Movie is the story of filmmaker Mark Borchardt, his mission, and his dream. Spanning over two years of intense struggle with his film, his family, financial decline, and spiritual crisis, American Movie is a portrayal of ambition, obsession, excess, and one man's quest for the American Dream.
19 Feb 2022
A nostalgic journey through ’80s Sci-Fi-films, exploring their impact and relevance today, told by the artists who made them and by those who were inspired to turn their visions into reality.
20 Apr 2010
A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.
28 Aug 2007
A look at the first years of Pixar Animation Studios - from the success of "Toy Story" and Pixar's promotion of talented people, to the building of its East Bay campus, the company's relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.
01 Jan 2001
A documentary about making The Remains of the Day.
12 Sep 2019
Palermo, Sicily, Italy, 2017. Twenty-five years after the murders of anti-mafia judges Giovanni Falcone, on May 23, 1992, and Paolo Borsellino, on July 19, 1992; and on the occasion of the tributes held in memory of both heroes, skeptical photographer Letizia Battaglia, chronicler of their titanic combat, criticizes the opportunism of shady characters who, like businessman Ciccio Mira, profit from the commemoration of both tragedies.
03 Mar 2016
A poetic documentary about the lost film culture in the small villages on the Croatian islands during the SFR of Yugoslavia.
01 May 2001
A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.
25 Apr 2017
During the Napoleonic Wars at the beginning of the 19th century, Andreas Hofer became a Tyrolean folk hero. As the head of a resistance movement, he became caught up in a dangerous political game of interests between the French and Austrians, Napoleon and the Habsburgs. After the defeat at Austerlitz, the Habsburgs had to cede Tyrol to the Bavarian kings in 1805. The liberal Bavarians implemented numerous reforms in Tyrol, including religious reforms, which met with resistance from the rural population. The young Archduke Johann wanted to take advantage of their discontent. In Andreas Hofer, the commander-in-chief of the Tyrolean troops, the brother of Emperor Franz I finds a loyal patriot whom he can use for his political moves. The Tyrolean revolt against the French and Bavarians puts Napoleon in a tight spot. In several battles, the rebels succeed in defeating the Bavarian and French troops, but not in defeating them for good.
06 Mar 2018
They gave in. Or capitulated. They didn't want to have sex. They couldn't push back, to make them understand that no, they didn't want to. Some consider it part of the unpleasant yet inevitable experiences of youth. Others don't. For the first time, a film addresses this "gray" area of sexuality without consent.
The ultimate companion to John Carpenter’s "The Thing", digging deep into the proverbial iceberg to enhance your viewing experience with new insights, stories, and revelations.
30 Sep 1940
Second attempt to create a feature film out of the 200,000-plus feet of film which Soviet film-maker Sergei Eisenstein shot during 1931-32 in Mexico for American socialist author Upton Sinclair, his wife and a small company of investors. The projected film, to be called "Que Viva Mexico", was never completed due to exhaustion of funds and Stalin's demand that Eisenstein return to the USSR (he had been absent since 1929). The first attempt at editing the footage, in the USA, resulted in "Thunder Over Mexico", released in 1934. In 1940, Marie Seton, from the UK, acquired some of the footage from the Sinclairs in an attempt to make a better cutting according to Eisenstein's skeletal outline for the proposed film. This film has apparently been lost.
03 Jul 2008
This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.
15 Sep 2007
This documentary captures the sounds and images of a nearly forgotten era in film history when African American filmmakers and studios created “race movies” exclusively for black audiences. The best of these films attempted to counter the demeaning stereotypes of black Americans prevalent in the popular culture of the day. About 500 films were produced, yet only about 100 still exist. Filmmaking pioneers like Oscar Micheaux, the Noble brothers, and Spencer Williams, Jr. left a lasting influence on black filmmakers, and inspired generations of audiences who finally saw their own lives reflected on the silver screen.
17 May 2022
How could the Cannes Film Festival become the biggest cinema event in the world? For 75 years, Cannes has succeeded in this prodigy of placing cinema, its sometimes paltry splendors but also its requirements of great modern art, at the center of everything, as if, for ten days in May, nothing was more important than it. This film tells how Cannes has become the largest film festival in the world by opening up to cinematic modernity while never forgetting that cinema remains a performing art, a popular art.
06 Jul 2019
The adventurous life of Natacha Rambova (1897-1966), an American artist, born Winifred Kimball Shaughnessy, who reincarnated herself countless times: false Russian dancer, silent film actress, scenographer and costume designer, writer, spiritist, Egyptologist, indefatigable traveler, mysterious and curious; an amazing 20th century woman who created the myth of Rudolph Valentino.