The Care Bears Movie
The Care Bears team up with a troubled brother and sister who just moved to a new town to help a neglected young magician's apprentice whose evil spell book causes sinister things to happen.
The Care Bears team up with a troubled brother and sister who just moved to a new town to help a neglected young magician's apprentice whose evil spell book causes sinister things to happen.
Compelled by a mysterious force, Kaena, a rebellious, high-spirited teenage girl will defy the High Priest and her people's ancestral beliefs to take the perilous journey through the Axis and discover what dark secrets lie beyond the clouds.
Everyone knows that the stork delivers babies, but where do the storks get the babies from? The answer lies up in the stratosphere, where cloud people sculpt babies from clouds and bring them to life. Gus, a lonely and insecure grey cloud, is a master at creating "dangerous" babies. Crocodiles, porcupines, rams and more - Gus's beloved creations are works of art, but more than a handful for his loyal delivery stork partner, Peck. As Gus's creations become more and more rambunctious, Peck's job gets harder and harder. How will Peck manage to handle both his hazardous cargo and his friend's fiery temperament?
While villain Grizzle plots against the Care Bears, it is up to Oopsy Bear to come to their rescue.
Black and white evokes nostalgia for The Great Depression. Things were so cheap, including lives. We see daredevils (desperate people) compete for money prizes. Baby prepares for WW2. [Originally a 70mm projection-performance, 1982, by Ken and Flo Jacobs. From THRILLS AND CHILLS (Castle Films, c. 1930)].
Queen Poppy and Branch make a surprising discovery — there are other Troll worlds beyond their own, and their distinct differences create big clashes between these various tribes. When a mysterious threat puts all of the Trolls across the land in danger, Poppy, Branch, and their band of friends must embark on an epic quest to create harmony among the feuding Trolls to unite them against certain doom.
One day in the 70s, at the Northern New Territories. Under the brazing sun, the sound of cicadas intertwined with the rotten smell near the train tracks. The five youngsters could not dismiss the summer blues. They pushed the weeds and stepped on the squirming maggots. They found a decaying dead body trapped under the burning sun. It was oozing a foul stench. They covered their nose and vomited. Hearing the train whined, the youngsters made up their minds. Even though they did not have much, they answered the call from the syrup and caffeine. They added colour to their lives with a pinch of salt onto the transparent White Cloud, and they dashed in full strength and leaped up.
A sudden rainstorm is unleashed on a city. Everyone seeks refuge. When the clouds thin out, life continues.
"My last image of Jonas."—Ken Jacobs
In 1927, meteorologist Masanao Abe (1891-1966) established the Abe Cloud Air Current Research Observatory on the heights of Gotemba in Shizuoka Prefecture. Until 1942, through his contributions to research magazines and publications, he worked on elucidating the formation process of clouds above Mount Fuji. He left a colossal archive representative of modern meteorology, including pictorial records of every kind-- this one an early success, artistically.
In a world where rain is produced by puppy-like rain clouds, Mother Nature’s young daughter sets them free to save them from evaporation.
In green pastures, a dog lives happily alongside its master, an old and very unusual shepherd. The shepherd isn't merely content to shear his sheep, but transforms the wool into clouds to create rain, thereby perpetuating the life cycle. But if the shepherd isn't eternal, what will happen to the valley? The young dog must be creative and persevere in order to avoid the worst.
An Eternalism film.
A woman with weird superpowers, a turtle with obsessive-compulsive disorder and a cloud with rain incontinence on an unusual journey to the depths of the ocean.
In the heart of the city of Buenos Aires, amongst the grey of the cement and the noisiness of the cars and buses, everyone seems to look down. Even the cameras put there to watch the people’s every move. But, what happens if we finally decide to look up? What’s coming after the clouds?
Jacobs’s hypnotic “3-D” adaptation of New York 1911, a long-forgotten Swedish documentary restored by MoMA in 2017, is representative of his current work.
An Eternalism film.
An Eternalism film.
An Eternalism film.
An Eternalism film.