10 Jun 2017
The Bomb
Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.
Broad Sense
Broad Sense is based on an three day long intervention in the European Parliament in Brussels. The video reveals the diversity of security responses to the artist’s visits.
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Filmmaker Jonas Mekas follows the surrealist artist around the streets of New York documenting staged public art events.
Clouds Clouds 19 Dec 1969
Clouds
Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.
Impressions from the Upper Atmosphere 
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Sistiaga painted directly on 70mm film a circular (planetary?) form, around which dance shifting colours in a psychedelic acceleration matched by the soundtrack’s deep-space roar and howl. - Cinema Scope
Marcel Duchamp: The Art of the Possible 
Marcel Duchamp: The Art of the Possible 23 Oct 2020
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A remarkable walk through the life and work of the French artist Marcel Duchamp (1887-1968), one of the most important creators of the 20th century, revolutionary of arts, aesthetics and pop culture.
Fall 2 
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Fall 2
Bas Jan Ader rides his bike into a canal in Amsterdam.
I'm Too Sad to Tell You 
I'm Too Sad to Tell You 17 Mar 1971
I'm Too Sad to Tell You
This short film is part of a mixed media artwork of the same name, which also included postcards of Ader crying, sent to friends of his, with the title of the work as a caption. The film was initially ten minutes long, and included Ader rubbing his eyes to produce the tears, but was cut down to three and a half minutes. This shorter version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented.
Nightfall Nightfall 24 Mar 1971
Nightfall
Shot in his garage-studio, the camera records Ader painstakingly hoisting a large brick over his shoulder. His figure is harshly lit by two tangles of light bulbs. He drops the brick, crushing one strand of lights. He again lifts the brick, allowing tension to accrue. The climax inevitable—the brick falls and crushes the second set of lights. Here the film abruptly ends, all illumination extinguished.
Discovering Hamlet 
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IN 1988, rising star Kenneth Branagh tackled the role of Shakespeare’s prince of Denmark for the first time in his professional career under the guidance of celebrated actor Derek Jacobi. Narrated by Patrick Stewart, this hour-long film documents how Kenneth Branagh and Derek Jacobi, two intelligent and passionate men, found new depths in Shakespeare’s classic drama, Hamlet. Filmmakers Mark Olshaker and Larry Klein follow the company through four weeks of rehearsals, from the first read-throughs to opening night.
Wè Wè 03 Feb 2021
Wè
As Black and LGBTQ+ History Month begin this February, material science clothing brand PANGAIA leads celebrations with a poetic film that honors these two communities. Following a year of isolation, and with it a deeper understanding of the importance of outdoor spaces and the environment, Wè is a portrait of the self-love and acceptance we have learned to show others and gift to ourselves.
On the Heights All Is Peace 
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Found footage anti-war film comprising film documents of the Austro-Hungarian and Italian army on the Alpine front, and from first generation picture material by war-film pioneer Luca Comerio.
Pussy Versus Putin 
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In 2012 two members of anarchistic female band Pussy Riot were sentenced to two years in a Mordovian labor camp for "hooliganism motivated by religious hatred". Russian film collective Gogol’s Wives follow each step of the feminist punk band’s battle against Putin including their first disruptive performances on a trolley bus, shooting a video about transparent elections, a controversial performance in a Red Square cathedral, and footage shot in a jail cell. Support comes from many corners including Madonna who painted the words "Pussy Riot" on her back and wore a balaclava during her Moscow show. The documentary portrays the grim state of present-day Russia, a country starkly divided between conservatism and anarchy. Pussy Riot believes that art has to be free and they're willing to take it to extremes. "Pussycat made a mess in the house," they say, and the house is Russia. The filmmakers do not seek to moralize, they simply edit events and leave viewers to draw their own conclusions.
Private Chronicles: Monologue 
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The collective life of the generation born as Jurij Gagarin became the first man in space. Vitaly Mansky has woven together a fictional biography – taken from over 5.000 hours of film material, and 20.000 still pictures made for home use. A moving document of the fictional, but nonetheless true life of the generation who grew up in this time of huge change and upheaval.
Visions of Europe 
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Twenty-five films from twenty-five European countries by twenty-five European directors.
Todo Todo Teros 
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Todo Todo Teros
Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is a terrorist after all, then he might just as well be one. Not an instant product, but an experimental feature in which diary material is brought together to form an intriguing puzzle.
Belarus: An Ordinary Dictatorship 
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It’s the last dictatorship of Europe, caught in a Soviet time-warp, where the secret police is still called the KGB and the president rules by fear. Disappearances, political assassinations, waves of repression and mass arrests are all regular occurances. But while half of Belarus moves closer to Russia, the other half is trying to resist…
When I Looked at Myself from Above 
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The film takes us through the working day of protagonists, factory workers. Their basic working tool is their body, ready to execute strenuous manual tasks. Day after day the same story, the same faces, the same spaces, the same tasks. Feeling confined, they seek a sheet anchor, a way out, an escape. They venture into the unknown, dance, drift and float in the air.
Letter in Motion to Gilles Jacob and Thierry Fremaux 
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Rather than writing a simple letter to explain his absence from the press conference for his latest Cannes entry, "Goodbye to Language," at the Cannes Film Festival, instead, legendary filmmaker Jean-Luc Godard created a video "Letter in motion to (Cannes president) Gilles Jacob and (artistic director) Thierry Fremaux." The video intercuts from Godard speaking cryptically about his "path" to key scenes from Godard classics such as "Alphaville" and "King Lear" with Burgess Meredith and Molly Ringwald, and quotes poet Jacques Prevert and philosopher Hannah Arendt.
6-18-67 
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6-18-67
6-18-67 is a short quasi-documentary film by George Lucas regarding the making of the Columbia film “Mackenna's Gold”. This non-story, non-character visual tone poem is made up of nature imagery, time-lapse photography, and the subtle sounds of the Arizona desert.
Leonora Carrington or The Ironic Spell 
Leonora Carrington or The Ironic Spell 09 Feb 1965
Leonora Carrington or The Ironic Spell
Cinema and painting establish a fluid dialogue and begins with introspection in the themes and forms of the plastic work of a woman tormented by the elongated specters, originating from her obsessions and nightmares.