Daybreak Express
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
Summer of 1973, A family trip to Europe, A Super 8 movie camera, Let the memories begin…
A 15 minute documentary utilizing archival Super 8 film footage and original animation about a father fulfilling his dream of reconnecting his 5 small children to the steps of his own father when he fought for the Canadian military in WW2 through a trip to Europe in 1973.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
Terminal City records the demolition of the Devonshire Hotel in Vancouver; through extreme show motion (200 frames per second) and symmetrical diagonal framing, Gallagher underscores the passage from order to chaos within the event. The sparseness of this centering and he patience required of the viewer heightens the literally explosive climaxes of the film, and transforms the everyday violence of the events into moments of convulsive beauty. – Jim Shedden, Michael Zryd, The Independent Eye
When we depend on others...
Humble Quest: In Rare Form, is a short film with seven reimagined tracks off Morris's third studio album "Humble Quest".
Footage of the German airship Hansa over Copenhagen.
The documentary deals with the topic of body positivity and shows how different we can be depending on the environment.
A story about the relationship between a grandma and her granddaughter, despite the physical difficulties.
Karol is performing as a drag queen, Lola. He's trying to fit into the new environment and find his true self.
Rare interview of Sergio Martino and Edwige Fenech (with Luciano Martino, Ernesto Gastaldi & George Hilton) discussing their film The Strange Vice of Mrs. Wardh
This is the story of Roger, a former pork butcher, who worked for 40 years in the beautiful town of Beaune in Burgundy. Since he retired, he has started a new life as a filmmaker: Roger films only on Super 8. Insects, birds, everything he can find in the countryside are his favorite subjects. His short films have won prizes all over the world, some of them have been shown during the Cannes Film Festival. Josette, his wife and number one fan, happens to work for him from time to time.
A group of military men uses explosives to de-root trees.
Julia is spending her summer alone by the sea. She's trying to meet new people through Tinder.
The story of a 83 year old granny who recently started using facebook.
On March 9, 1953, Joseph Stalin was buried in Moscow in front of a million people. His funeral is that of a demi-God. Ultimate paradox for one of the greatest criminals in History who brought misfortune to his people while arousing collective admiration.
Several species of dragonflies are shown in their natural habitat.
The film shows the spatial distribution and the behaviour of the Mediterranean demoiselle Calopteryx haemorrhoidalis on typical reproduction waters. The great importance of suitable perches becomes obvious. These perches, e. g. single rush stems, are used by immature, hunting individuals as well as by reproductive males that are controlling territories from these sites. The latter chase all other individuals, the result being a spatial segregation between immature and reproductive specimens during the day. Typical behaviour, such as threatening, courting, copulation, and oviposition is shown in different film speeds.
Using gland regions on their heads, warthogs mark poles and other objects for self-orientation. Males often mark during the mating season. The male also sprays urine when searching for and inspecting sleeping cavities.
During his adventure in Mexico, Sergei Eisenstein made footage of a Mexican "Death Day" celebration for inclusion in his "Que Viva Mexico!" film project. When the 200,000-plus feet of film he eventually exposed in Mexico was first attempted to be made into a feature film, "Thunder Over Mexico", the producers excluded the Death Day material for subsequent compilation as an independent short subject. Silent with music track and explanatory English intertitles.
Indifferent landscapes, refracting light, some lonely bird and the window to the sebum-laden living room made of patterned wallpaper and trivialities. Cut. Tenacious sequences inflate moments to cliff-hangers and shatter their tremulous spectatorship. Thundering leitmotifs – in constant intoxication by German disinterest – with no backrest or lederhosen. Black-red-gold at full mast, the cinema is dead.
A road trip through gay spaces in small town South Africa, Graeme Reid's documentary introduces viewers to hairstylists, preachers, traditional healers, and beauty queens. This moving film provides an alternative vision of acceptance and celebration, in contrast to the wave of homophobia that is sweeping across sub-Saharan Africa.