01 Jan 1962
Roundabout
Short experimental 16mm film.
Rock Piece (Ahuriri Edition)
Using natural elements and sounds, this experimental film explores the connection between the body and land.
Top Billed Cast
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Ahasverus 01 Jan 1962
Ahasverus
Short experimental 16mm film.
The End of Time 
The End of Time 05 Apr 2017
The End of Time
An experimental film about that one hypnotic moment on a regular, unassuming Tuesday when one realizes that time has stopped and the universe has been sucked into a single smile.
You Speak of Flins 
You Speak of Flins 20 Oct 1969
You Speak of Flins
A group of leftist activists expose the exploitation of immigrant workers by a criminal network with connections to local government officials. The movie was produced by the group SLON (Société pour le Lancement des Oeuvres Nouvelles, also the Russian word for elephant). SLON was a film collective whose objectives were to make films and to encourage industrial workers to create film collectives of their own. Its members included Valerie Mayoux, Jean-Claude Lerner, Alain Adair and John Tooker, and Chris Marker.
Gladstone Gladstone 24 Sep 2009
Gladstone
A portrait of a street corner in flux.
Almost Nothing: So Continues the Night 
Almost Nothing: So Continues the Night 30 Sep 2017
Almost Nothing: So Continues the Night
For us, a thought always presupposes a society, a culture and above all the consciousness of time. We are haunted by immortality, human notion par excellence. As if the world was here to fascinate us. And to disappoint us. The film travels around the bulb like the Earth around the Sun. Light makes the film visible. A fragile film, like our existence. In the orbit of the film tragedy and our reality, the image resists the cruelty of the experiment.
Bird 
Bird 01 Jan 1978
Bird
This portrait of a guinea fowl is the first clear vision I've had of the hot-blooded dinosaurs still living among us. (SB)
Worm and Web Love 
Worm and Web Love 01 Jan 1999
Worm and Web Love
WORM AND WEB LOVE begins with bracketed light, a throbbing worm in the sand and sea foam mixed with grass and oceanic detritus, soon superimposed upon the dark blue-toned face of a man, then a woman (Michael McClure and Amy Evans McClure), each seen, then on, through superimpositions of drifting smoke and the back-lit stark grid of a spider's web. The obvious affections of the man and woman, their clear display of love, is metaphored in these tenuous superimpositions, culminating in the frantic movements of the spider itself and the dance of joy of the features of the couple in loving resolution.
City Streaming 
City Streaming 01 Jan 1990
City Streaming
This is a film made in Toronto, in memoriam, so to speak - a memory piece, a "piecing-together" of the experience of living there. The consciousness of the maker comes to sharply focused visual music - not to arrive at snapshots, as such, but rather to "sing" the city as remembered from daily living...complementary, then, to an earlier film, "Unconscious London Strata." Preserved by the Academy Film Archive in 2015.
Marilyn's Window 
Marilyn's Window 01 Jan 1988
Marilyn's Window
This stream-of-consciousness could be nothing less than pathway of the soul, as images of Marilyn's window are remembered from inside-out, its "view" interwoven with all of other windowing and the Elements of the known world.
Confession 
Confession 01 Jan 1986
Confession
"Firstly, I revealed in salutary confession the secret filth of my misdeed, which had long been festering in stagnant silence; and I made it my custom to confess often, and thus to display the wounds of my blinded soul..." (Petrarch, 1352, in a letter to his brother). I wish to avoid any "classical" misunderstandings of the above quote by stating clearly here that any sacrifice of love is, yes, "filth" or at the very least "misdeed." An academic reading of Petrarch tends to bias thought that there are kinds of love which might be wrong: I do not believe this. (SB)
Flight 
Flight 01 Jan 1974
Flight
Pun on "light" intended - that short preceding expulsion of breath perhaps the "subject matter" of this film which centers in consideration of death. It is the third tone poem film and did much surprise me by thus completing a trilogy of the "4 classical Elements." (SB)
Babylon Series #1 
Babylon Series #1 10 Dec 1989
Babylon Series #1
After a six -or seven- year study of Hammurabi's Code, original Babylonian Text and translation, I've tried to feel my way into the moving visual thought process of this ancient culture (whose numerical system is composed primarily of building materials, nails, joints and the like): this, then, is a visual music which balances the two thought processes of Structure and Nature.
Babylon Series #2 
Babylon Series #2 01 Jan 1990
Babylon Series #2
Out of the vagueries of sometime beseeming repetitive light patterns, and the delicately variable rhythms of thought process, the imagination of The Monumental and of the Ephemeral are born to mind hard as nails.
Babylon Series #3 
Babylon Series #3 01 Jan 1990
Babylon Series #3
This is an architectural garden of the variably brash rock-solid liquid-encompassing, but always imitative, human mind as it processes the given light thoughtfully. This film is about that.
Velocity Into Execution 
Velocity Into Execution 01 Aug 2017
Velocity Into Execution
In continuous motion with no end or barrier in its way.
Leftovers 
Leftovers 23 May 2017
Leftovers
A manufactured memory.
Adrift Adrift 01 Jan 2004
Adrift
"Adrift" is shot on the arctic island of Spitzbergen and in Norway. It combines time-lapse photography with stop-motion animation of the landscape. Through camera-angles and framing the film gradually dislocates the viewer from a stable base where one loses the sense of scale and grounding.
Thot-Fal'N 
Thot-Fal'N 27 Jun 1978
Thot-Fal'N
This film describes a psychological state "kin to moonstruck, its images emblems (not quite symbols) of suspension-of-self within consciousness and then that feeling of falling away from conscious thought. The film can only be said to describe or be emblematic of this state because I cannot imagine symbolizing or otherwise representing an equivalent of thoughtlessness itself. Thus the actors in the film, Jane Brakhage, Tom and Gloria Bartek, Williams Burroughs, Allen Ginsberg, Peter Olovsky and Phillip Whalen are figments of this 'Thought-Fallen Process', as are their images in the film to find themselves being photographed."
The Great Ice-Cream Robbery 
The Great Ice-Cream Robbery 25 Aug 1971
The Great Ice-Cream Robbery
Two screens of film about - and sometimes shot by - Claes Oldenburg, detailing his inspiration, his methods and his relationship with his partner Hannah Wilke.