01 Mar 1994
Coming Out Under Fire
A historical account of military policy regarding homosexuality during World War II. The documentary includes interviews with several homosexual WWII veterans.
3rd Reich: Evil Deception
In the 1930's an entire nation was brainwashed. It was manipulated by masters of propaganda and the arcane arts. The result was the deaths of millions of people. They created a messiah, a god on Earth. His name was Adolf Hitler and he would become the greatest master of manipulating the hearts and souls of mankind in recorded history. From mass hypnosis to blatant propaganda, from control of the media, to eradicating the opposition, all methods were employed. This is the story of how that apocalyptic agenda was brought to fruition and the methods used to control the minds of men, women and children. This is the story of Nazi Propaganda. "Insightful and well researched." - United Media Network. "The true horror of the Nazis revealed." - Extreme DVD. "The advent of manipulative advertising as we know it today." - Flatlands.
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Night and Fog 
Night and Fog 27 Apr 1959
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Samuel Wilder King, a descendant of Scottish sailors and Hawaiian royalty, served as a distinguished Naval officer in both World Wars before becoming Governor of the Hawaii Territory. This short film delves into King’s fearless leadership—from navigating the high seas during WWI to fighting against the internment of Japanese Americans in Hawaii during WWII—ultimately championing Hawaii's path to statehood as the 50th star on the American flag.
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During the 1930s anti-Semitism was rampant not only in Germany but also in America. There was a German American Bund and pro-Nazi rallies even filled Madison Square Gardens in New York City. And the US was isolationist. Until Pearl Harbor, then, everything changed. Spymasters throughout the 20th century, and particularly during times of conflict, thought it advantageous to enlist the services of celebrities who had high level and powerful "fans" in various industries, many with easy access to politicians and high ranking government officials. Hollywood, as we now know from declassified National Archive documents, aided in the mobilization for war and its people contributed as spies, combatants, propagandists, documentary and fund-raisers, entertainers, and morale-boosters. Hundreds of celebrities eagerly answered the "call to arms" and brought their talents and patriotism to the intelligence services, military and war information offices.
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This film brings to life a vanished world: that of the Warsaw Ghetto, destroyed by the Nazis after the 1944 uprising. Two authentic "reconstruction" sources have been used to this end: photographic and cinematographic documents recorded at the time and discovered in Poland, East Germany, Israel and France; and the oral testimonies of 44 survivors, invited to evoke their personal tragedy in front of the images put before their eyes.
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Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
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Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
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Never-before-heard trial testimony reveals shocking new details about World War II and the inner workings of the Nazi war machine.
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Prelude to War was the first film of Frank Capra's Why We Fight propaganda film series, commissioned by the Pentagon and George C. Marshall. It was made to convince American troops of the necessity of combating the Axis Powers during World War II. This film examines the differences between democratic and fascist states.
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