Dread Beat an' Blood
Follows dub poet master Linton Kwesi Johnson out of the recording studio onto the Brixton streets.
"Rasist, Javisst?" is a Swedish documentary film from 1993 about the conflict between young Swedish nationalists and immigrant teenagers growing up in the suburbs of Stockholm. The film was shot during the whole of 1992 and culminated in the riots on the 30th of November 1993, after which date the authorities prohibited the nationalist demonstration in the centre of Stockhom.
Follows dub poet master Linton Kwesi Johnson out of the recording studio onto the Brixton streets.
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A documentary about rap artists from Ceilândia, a satellite-city of Brazil capital, Brasilia. The film portrait the struggle of the lives of the rapers and makes a parallel with the violent building of the city designed to settle the outcast from Brasilia after its completion.
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A historic three-day race riot erupted in two African American neighborhoods in the northern, mid-sized city of Rochester, New York. On the night of July 24, 1964, frustration and resentment brought on by institutional racism, overcrowding, lack of job opportunity and police dog attacks exploded in racial violence that brought Rochester to its knees. Combines historic archival footage, news reports, and interviews with witnesses and participants to dig deeply into the causes and effects of the historic disturbance.
In Brussels, Belgium, the Royal Museum of Central Africa is undertaking a radical renovation, both physical and ethical, to show with sincerity, crudeness and open-mindedness the reality of the atrocities perpetrated against the inhabitants of the Belgian colonies in Africa, still haunted and traumatized by the ghost of King Leopold II of Belgium, a racist and genocidal tyrant.
As a small liberal arts college on the North Shore, Gordon College has not been without its issues. Budget cuts in 2019 resulted in the downsizing of several departments which impacted students' college career. In 2020 during the heat of the pandemic, racial tensions rise after hate crimes are committed on campus. This is the story of the class of 2022.
Nannies combines autobiographical elements with a reflection on the presence of nannies in Brazil. With a subjective narration, the film incorporates photographs, domestic footage and newspaper adds from the 20th century, as well as contemporary images of nannies and children, building a personal narrative about the presence of nannies in the daily lives of many Brazilian families. A situation where the affection is genuine, but does not dissolve violence and racism.
Crossfire is Lauren Southern's third documentary film project focusing on the issues surrounding policing, brutality, race, law and order. A heated debate today which has led to a massive political divide between those supporting officers, those defending reform and even many rioting violently in the streets.
At the Vienna Art Academy in 1994, an unidentified person painted over 27 works by Austrian painter Arnulf Rainer. Rainer had become world-famous for his abstract art and, in particular, for his over-layering of photographs and overpainting of his own and other artists’ works. But who painted over the “overpainter”? Speculation rages: Did he attack his works himself? A year later, an unsigned letter surfaces claiming responsibility for the act directed against Rainer – and modern art in general – and accusing the artist of being complicit with “destructive modernism.” At the same time, Austria is shaken by a series of mail bombs by the Bajuwarian Liberation Army, in response to the supposed threat to Austria’s “German identity.” Are there connections between the overpainting event and the mail bombs? Or is this all just a game? A dream? Or perhaps a hallucination?
When a state phantomizes a population, another reality. When history distorts the truth. When my (her)story meets another (her)story. When women disappear without a trace. When, white and privileged, I attend a rehearsal of stories. When violence done to women’s bodies equals the violence done by words. The bodies of those we don’t want to see or hear. From my studio window, I look out and my life intersects with theirs. In Winnipeg there are those who Win, generally the whites. There are the nips, the name given to Asian immigrants (the Latinos included in the insult) And everyone walks on EGG shells.
In the decades after Bacon's Rebellion, an African man and an English woman - husband and wife - sing of their fate, their future as law by law, edict by edict, their family, their marriage, their love made illegal.
A decade after taking a series of photographs of skinhead members of a far-right group for his book Public Enemies, Leo Regan returns to three members of the gang to see what has happened to them in the intervening years.
Stories and music of Black artists who relied on an underground travel guide to navigate the injustices of racial segregation while on the road. The Negro Travelers’ Green Book was a directory of lodgings, restaurants, and entertainment venues where African Americans were welcomed. Features performances and interviews with vocalists, musicians, activists, historians, and others.
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What happened when unarmed Black teen Michael Brown was fatally shot by White police officer Darren Wilson?
Concerning Violence is based on newly discovered, powerful archival material documenting the most daring moments in the struggle for liberation in the Third World, accompanied by classic text from The Wretched of the Earth by Frantz Fanon.
An account of the life of the brilliant jazz musician John Coltrane (1926-67), a gifted saxophonist, an extraordinarily talented thinker whose original, avant-garde work has impacted and influenced people all over the world. A story about music's ability to entertain, inspire and transform.
Working from the text of James Baldwin’s unfinished final novel, director Raoul Peck creates a meditation on what it means to be Black in the United States.
Out of the spiritual chaos of the 1960s, more strange cults and unorthodox messiahs have emerged than ever. Charles Manson is seen as the annoying result of libertarianism of the 1960s - the Cain who murdered the Abel from The Love Generation. Or in the words of one commentator; "the Elvis of alienation."