Youp van 't Hek: Gebroken glas
Registration of the matinee performance written by the Dutch comedian Youp van 't Hek, commissioned by Toneelgroep Centrum.
In the last theater show (1981) of the Dutch cabaret company Don Quishocking, the internal dispute is central. When George Groot returns from Pune, it appears that he has joined the Bhagwan movement. All group members deal with it in their own way, but it seems inevitable that the group members have grown apart.
Registration of the matinee performance written by the Dutch comedian Youp van 't Hek, commissioned by Toneelgroep Centrum.
Registration the fifth theatre program by the Dutch comedian Lenette van Dongen. The program is 'an ode to the human courage to take life as it presents itself'.
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This comedy/theatre show is the sequel to 'Micha Wertheim: Somewhere Else'. This second show starts exactly where the first show ended: in the same theatrical scenery, with the same robot. But this time Wertheim surprises his audience by showing up. He tells about how the first experimental comedy show was received and contemplates about the magic of theatre and art in a society about the right to exist of art in a society that allows less and less doubt and confusion. When Robot falls into a depression, the boundaries between theater and reality begin to blur.
Award-winning artist Wim Helsen proves in his fifth theater performance that he not only has deep, absurd thoughts, but is also a good listener.
Micha Wertheim asks himself and his audience how to live and survive in a gloomy future perspective. Populism seems to have been taken for granted by both right-wing and left-wing parties. Racism, sexism, anti-Semitism seem to be increasing. The planet is dying. The factory farming industry is still booming. We have reached a dead end and we are standing with our noses against a blank wall. All we can do now is turn around to see how we got here, with our backs against the wall.
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The bigger the audiences for Dutch comedian Micha Wertheim’s shows became, the less he had to do to make them laugh. In one early show, he suggested that the audience would be better off without him. So in 2016, he acted upon this suggestion with an experiment that made theater history: he wasn't physically present onstage but somewhere else. The audience wasn't aware of this in advance, though they did get a hint in the form of a pre-recorded "live" radio interview from a remote studio. "I see my audience as my children," Wertheim says in this interview. "You have to educate them, and that’s what I’ve been doing for the past 15 years. At first you have to constantly be there watching them, but there comes a time when you have to trust them to get on with it without you." With some help from a robot, a printer, a stereo and a set of headphones, the members of his audience were able to make their own performance.
Registration of the third solo show by the Dutch comedian Sara Kroos.
A theatre program by the Dutch duo. Neerlands Hoop Express is the name of their band.
A theatre program
Her second theatre program
Her third theatre program
A theatre program about sinterklaas
Live from Toomler, Amsterdam. Micha Wertheim tells about his time in hospital when he was treated for thyroid cancer. Recorded in January 2008.
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His debut solo cabaret show.
A theatre show.