
17 Oct 2016

Così fan tutte
Semyon Bychkov conducts a cast of young, up-and-coming talent including American soprano Corinne Winters in a new production of Mozart’s opera on the nature of love.
Before the Trojan War, Agamemnon gathered the Greek armies at the port of Aulis. The goddess Diane sent unfavorable winds to prevent the Greeks from sailing. Her oracle set a condition for Agamemnon: to earn the right to sail forth and destroy an innocent country, he would have to sacrifice his own daughter. Agamemnon accepted these terms and killed his young daughter Iphigénie on the altar. In his play Iphigenia in Tauris Euripides imagines that Diane plucked Iphigénie from that altar and delivered her to a temple in distant Tauride, where Iphigénie began to serve the enemy Scythians as Diane’s high priestess—all the while Iphigénie’s family believing her dead.
Inphigenie
Thoas
Diane
Iphigenie
Pylade
First Priestess
Second Priestess
A Scythian
A Minister
Priestess
Priestess
Priestess
Priestess
17 Oct 2016
Semyon Bychkov conducts a cast of young, up-and-coming talent including American soprano Corinne Winters in a new production of Mozart’s opera on the nature of love.
11 May 2013
In early July of 2012, Scofield released, after ten years of record pause of ensemble Uberjam, a new and long-awaited album called Uberjam Deux...
07 Dec 2001
This was Domingo's last set of performances as Otello in La Scala. In spite of his relatively advanced age, he is still in excellent form, both vocally and in terms of stage presence. Nucci is also his usual self, delivering a performance of very high standard. Barbara Frittoli is an excellent Desdemona, in good voice and gives a very moving performance. Muti conducts with great emotion and tight accuracy, conveying the full orchestral drama of the score.
12 Mar 1976
The film is a parody of Disney's Fantasia, though possibly more of a challenge to Fantasia than parody status would imply. In the context of this film, "Allegro non Troppo" means Not So Fast!, an interjection meaning "slow down" or "think before you act" and refers to the film's pessimistic view of Western progress (as opposed to the optimism of Disney's original).
18 Sep 2023
Inhabitants of the territories annexed to the ancient city of Moscow get used to their new condition. It is not too distant of a future, but another large-scale expansion of the city will create and/or ruin some more fates. Will the "Myth-Module," an experimental device made by G.T. Podmyshkin, the professor of urban anthropology and the captain of a pirate spaceship, save him and his crew?
27 Oct 1992
In August of 1991, AC/DC headlined their third "Monsters Of Rock" festival at Castle Donington. One for the ages, the two hour set is loaded with classics and awesome visuals including firing cannons, the hells bell and a giant inflatable Rosie.
15 Aug 2010
A live + intimate concert series
28 Jul 2014
To celebrate the launch of the PS4 version of The Last of Us, Naughty Dog brings last year’s Game of the Year to life in front of hundreds of fans in Santa Monica. This special one night only event will celebrate the artistry behind the game with a performance of the score, plus a “live read” of key scenes featuring the principal actors, as directed by Neil Druckmann
30 Oct 2023
In October 2022, the Moravian Philharmonic Orchestra Olomouc welcomed violinist Jan Mráček and cellist Michaela Fukačová to its concerts. Both artists will join forces in Johannes Brahms' unique, mature work, the "Concerto for Violin and Cello in A minor“, conducted by Jakub Klecker. The program opened with Antonín Dvořák's symphonic poem "Polednice," which is part of his tetralogy of symphonic poems based on motifs from Karel Jaromír Erben's collection "Kytice," written in 1896 after Dvořák's return from the United States, followed by a work by the world-renowned Georgian composer Giya Kancheli from 2015 entitled "Nu.Mu.Zu", which means "I don't know" in ancient Sumerian. The highlight of the evening was Johannes Brahms' "Concerto for Violin and Cello in A minor" from 1887.
31 Dec 1998
Washington National Choir and Orchestra
02 May 1985
Hercules searches for the Seven Thunderbolts of Zeus, which have been stolen by renegade gods.
05 Nov 2005
Filmed at the Vienna State Opera in 2005, Andrei Serban's production of Massenet's opera with a late 18th century setting pushes the action forwards to the 1950's,with the visuals exemplifying that decade with precision.With as much delicacy on display as naked passion,his(Alverez)morbid poet is outstandingly realised both vocally and dramatically. Together with Erod's dour Albert and Ileana Tonca's Sophie-clearly in love with Werther herself-the drama is set out with unusual clarity and realism.Philippe Jordan ensures that Massenet's pent-up emotion explodes exactly on cue,its expressive power providing impossible to resist.
26 Feb 2014
Emmanuelle Haïm has established herself as one of the world’s leading performers, conductors and interpreters of Baroque repertoire, not only with Le Concert d’Astrée, the ensemble she founded in 2000, but with several of the world’s greatest orchestras. Known for her fresh and expressive approach to Baroque music, she has garnered critical acclaim and several international awards with her own ensemble, including Victoires de la Musique Classique, ECHOs, Gramophone Awards, and Grammy nominations.
01 Jun 1978
A superstitious servant girl - who has foreboding nightmares about a naked man on horseback - comes to live with a solitary female artist at her country chateau. As the artist takes the girl under her wing, a sensuous relationship develops between them.
30 Apr 2001
Live performance from Zürich Opera House, 2001. “Vesselina Kasarova’s Rosina turned this Barber into a major event. Pearling coloratura, endless resources of vocal colour and nuance and phenomenal acting versatility became mere means to an end: that of making Rosina into a human being of flesh and blood, with heart, humour and considerable brains.
28 Dec 1983
The sets and costumes by Ponnelle are truly reflective of the 'grand style'. Plus the fact that the two lead characters are portrayed by top singers in their absolute prime - both Gruberova and Araiza weren't even 35 years old at the time of this performance, makes this production the most convincing both dramatically and musically. The conducting of Fischer is good - he makes the music come alive, much more so than the MET version.
18 Oct 2016
Diana Damrau’s reputation as the world’s leading coloratura soprano has been built on her extraordinary technical virtuosity, her sensitive musicianship and her acute psychological insight. In this DVD of Katie Mitchell’s sometimes radical production of Lucia di Lammermoor from London’s Royal Opera House, she is, as the Financial Times wrote, “brilliantly convincing”. The British award winning director Katie Mitchell – took a revisionist approach to the drama, updating the action to the mid-19th century and applying a feminist slant as she added new and unexpected elements. The Financial Times wrote: “Mitchell shows us on stage personal traumas that a self-respecting woman in the early 19th century was meant to keep to herself. It is a messy, bloody list — nocturnal sex trysts, a knife murder, a miscarriage, a suicide in the bath … In all this Damrau is brilliantly convincing. Her rebellious Lucia is a woman of modern attitudes stuck in a still feudal Victorian world.”
20 Nov 2023
No overview found
01 Jan 2004
Carlos Álvarez takes the title role in the first of Verdi's Shakespearean operas, with Maria Guleghina as the manipulative wife whose desire to gain the Scottish throne drives her husband to murder and leaves both with blood on their hands. Bruno Campanella conducts the Symphony Orchestra and Chorus of the Gran Teatre del Liceu in the 2004 recording of Phyllida Lloyd's powerful production, first staged at London's Royal Opera House.
05 May 1990
The stupendous climax to Wagner’s four-part Ring cycle is brilliantly realized by the Otto Schenk/Günther Schneider-Siemssen production and byJames Levine’s monumental conducting. The Met orchestra, chorus, and an all-star cast make this Götterdämmerung one that truly rises to the occasion. Hildegard Behrens’s Brünnhilde must be experienced to be believed, as does Matti Salminen’s richly sung, domineering Hagen. At the center of the drama is Siegfried Jerusalem as Siegfried, who does not realize he has been drawn into a plot of betrayal until it is too late. Christa Ludwig is magnetic as Waltraute and Ekkehard Wlaschiha is a compelling Alberich.