Why Go Home?
'Snub' Pollard and Mildred Davis star in this 1920 comedy short.
In this picture we see a man who is vested with authority to enforce the law, but, unlike the usual sort of men occupying the same position, he is so kind-hearted that ofttimes he is governed by his sentiments, and is very indiscreet in meting out just punishment to offenders, He is patrolling in the country, where lawbreakers are not numerous, but once in a while it will happen that somebody is guilty of an act that is not just in keeping with propriety. His first duty is to arrest a pair of lovers whom he catches kissing, but when he comes upon the love-sick couple, and threatens to arrest them, his heart is softened by their tears, so he allows them to go their way with some good advice.
'Snub' Pollard and Mildred Davis star in this 1920 comedy short.
Snub's many humorous experiences in attempting to transport his goat home. Comedy short directed by Charley Chase.
Too Many Crooks is a lost 1927 American comedy silent film directed by Fred C. Newmeyer, written by E.J. Rath and Rex Taylor, and starring Mildred Davis, Lloyd Hughes, George Bancroft, El Brendel, William V. Mong, John St. Polis, and Otto Matieson. It was released on April 2, 1927, by Paramount Pictures.
Artist Henry is wildly jealous of his girl Flossie so when he sees her in the arms of another man he overreacts and tries to end it all in a variety of over the top ways. Even when Flossie explains he still tries to end it all until word comes that his uncle has died and left him a million.
Quincy Adams Sawyer is a young attorney who one day meets a girl in the park and is immediately smitten with her.
A silent 3-reel comedy short that uses the 1933 film King Kong as a backdrop to the story. It was produced by Shochiku Studios (who released the original 1933 film in Japan on behalf of RKO). It is now considered to be a lost film.
The friendship between two college students takes a dark turn after one of them witnesses the other hanging out with another student, going against his one rule that he cannot make any other friends.
A young man gets engaged to a business competitor's daughter.
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While making a movie in the Alps, the female star falls in love with a nobleman.
A divorced couple try to pretend they are still happily married in order to get $100,000 from the woman's divorce-disapproving aunt.
The most important family in Hickoryville is (not surprisingly) the Hickorys, with sheriff Jim and his tough manly sons Leo and Olin. The timid youngest son, Harold, doesn't have the muscles to match up to them, so he has to use his wits to win the respect of his strong father and also the love of beautiful Mary.
Sam the white-washer pines for the affluent Lindy, but she has dumped him in favor of another. Sam finds a large sum of money, and goes to New York to enjoy a shopping spree, buying new clothes, jewelry and a car with a driver. Back home, Lindy flips for Sam and his newfound wealth, and dumps the rival. Sam throws an engagement party where he indulges in a friendly game of cards with his former rival and another man, who unbeknownst to Sam, is a card shark.
An insoluble quest.
An important example of amateur filmmaking during this era, That Ice Ticket was made by Angela Murray Gibson who ran Gibson Studios in the small community of Casselton, North Dakota. Gibson cast community members in her productions, taking on multiple roles herself, writing, directing and acting in the films, operating the camera during filming, then processing the footage and editing the finished picture together. Here she plays a young woman managing multiple male suitors with the "help" of her mischievous kid brother.
Boy trying to impress girl, gets chased by her father and the police right into an ongoing marathon.
The just-out-of-college, effete son of a no-nonsense steamboat captain comes to visit his father whom he's not seen since he was a child.
A butterfly collector unwittingly wanders into an Indian encampment while chasing a butterfly, but the tribe has resolved to kill the first white man who enters their encampment because white oil tycoons are trying to force them from their land.
Comic hijinks on a pirate ship with British comedian Lupino Lane.
Hank Rouser, "Big Noise Hank," as a daring stranger had called him, was mad clear through. Julius Jones had faithfully promised to return that $500 after thirty days, and now it was long past due, and not even a line from Mr. Jones. So after a little friendly persuasion, in which Hank's six-shooter was brought into prominence, the bar was effectively cleared of its patrons, despite the protests of the barkeeper, and the bully sat down to dispatch a few terse sentences to his tardy friend, upon the receipt of which, Julius, with the aid of Caleb, his old family servant, quickly packed his traveling bag and started on a little journey, which he wrote to H. Rouser, would surely keep him away several months. (Moving Picture World)