The Beach
Reworked and colored images of people playing at the seashore.
Reworked and colored images of people playing at the seashore.
Two mysterious men dressed in black and with cigarettes dangling from their mouths drop a large, presumably heavy (since it takes two to carry it) package off on a doorstep and walk away. When the home’s owner returns he drags the package inside, then goes about doing a few more activities before deciding to finally open it. Upon removing the paper, he notices it’s a large steel barrel. Using a blowtorch, he gets the lid off and sees it’s full of oily water… but rising out of the water is a nude, voluptuous, smiling woman, who immediately starts to entice the man by massaging her breasts. Naturally, being in a barrel for who knows how long, she needs to get cleaned off and hops into a bubble bath. While she’s lounging in the tub, the man gets into bed, lights a cigarette and starts to remove him clothes in anticipation. We get to see fantasies from both the man and “the fairy.” —The Bloody Pit of Horror
An encounter in the woods is captured on a trail cam.
A subjective view of an UFO. Shot frame-by-frame along the Tama River.
Adam and Eve are cast out of Eden. They discover that flowers can bring both joy and solace.
After her grandparents are killed by invisible creatures, a determined young woman seeks to avenge them with the help of her canine companion - the only one who can see the mysterious invaders.
Sara is the protector of her brother Soma. In order to keep Soma's feelings from being hurt, Sara must face six rivals.
Long ago, four extraordinary beings of dual male and female spirit, led by Kapaemahu, brought certain healing arts from Tahiti to Hawaii and were loved by the people for their gentle ways and the miraculous cures they performed.
Short animation by Al Jarnow based on the work of British poet Edward Lear. Made at NYU.
A stream of consciousness experiment committed directly to celluloid, Jarnow pays homage to Stan Brakhage and Harry Smith. Abstract designs transform self portraiture, lettering tests and images traced from other films including a Charlie Chaplin short.
Jarnow's first work for Sesame Street and the Children's Television Workshop - yak is a goofy take on the letter "Y."
Tondo introduces the cosmic formalism that was the primary theme of Al Jarnow's independent films. An infinite gridscape alternates with vibrating etchings, spirograms and other surreal realities.
Intended to be an "animation machine," Four Quadrant Exercise finds Jarnow adapting a perspective system, enabling him to render complex motions almost automatically. Created prior to the streamlined ease of computer software, this short is a commitment to the joy of making marks on paper.
The primary motif in this silent picture is a grid that controls the shapes and motions of forms contained within the framework of a rotating cube. Constructed from interlocking cycles, the film explores branches and loops along paths laid down by geometric logic.
This is the story about a boy not like the others that dreams about finding his place in the world.
A time traveling Witch looking to complete a ancient ritual targets a group of girls from 1950's she summons some old Allies from the 80's to assist her.
A woman, haunted by the guilt of her best friend's tragic death, is persuaded to go to a Christmas party. In a cruel twist of fate, something follows her there and suddenly the events of that horrible night come flooding back.
Life’s Musical Minute, recently re-discovered, is a short promotional film of this kind, based on Gene Krupa’s drum solo from “Golden Wedding” by the Woody Herman jazz band. It was Lye’s attempt to gain support from Life Magazine.
A woman encounters an older woman wearing a hospital gown at night.
An adventure about two minions which try to escape from jail.