Un Chien Andalou
Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.
A Short Experimental Surrealist Film
A man wakes up one day to find things are not as they should be.
Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.
A man is trapped in a loop somewhere between life and death. Based on Bardo, a Buddhist term for an intermediate state between death and rebirth. This film combines elements of art house, avant-garde, surrealism, and experimental horror.
A drifter spends the night in an abandoned house and encounters a Window of Consciousness. This award-winning film combines elements of art house, avant-garde, surrealism, and experimental horror.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.
You Take Care Now, an early student film, is a perfect exemplar of Ann Marie Fleming's idiosyncratic vision and stands as one of her signature works. Made on 16mm, and incorporating found footage, original material, animation, and processed images (Vancouver's groundbreaking avant-garde cinema of the 1970s is a decided influence here), Fleming's film offers a visually dazzling, emotionally wrenching, oddly humorous account of two profound personal traumas.
Trapped in daily repetition, between the frenetic sound of a glass bottle factory and the guarding of a shed filled with naked mannequins, a young couple meets at evenings. They eat without looking at each other, not even speaking. The Adventure of the Married Couple (Based on a story written by Italo Calvino) is a poetic variation on the daily routine in black and white.
Blonde Betty Elms has only just arrived in Hollywood to become a movie star when she meets an enigmatic brunette with amnesia. Meanwhile, as the two set off to solve the second woman's identity, filmmaker Adam Kesher runs into ominous trouble while casting his latest project.
A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.
Linear of Nightmare is a tongue and cheek piece about the pointless of fear. The film is a surreal self-inflicted mental infliction that ultimately leads to its own demise. Fear is worry magnified leading to disconnection between the mind and the body. Fear is just about the worst form of mental activity there is—next to hate, which is deeply self-destructive. Worry is pointless. It is wasted mental energy. It also creates bio-chemical reactions that harm the body, producing everything from indigestion to coronary arrest, and a multitude of things in between.
A father must face his dark past when his gifted daughter has visions of a young girl reborn from her deceased mother. This award-winning metaphysical thriller combines elements of art house, avant-garde, surrealism, and experimental horror.
A man waits. He longs for and mourns for, his increasingly disconnected and disparate love for a person. Goodbye to Love is an epilogue of a romance, contemplative of a protagonist who meditates on the forking ways his liaisons have left him. Suspended in that final, desperate monochrome moment, Goodbye to Love geometrically traces the evaporating points of a love triangle in three spare, melancholic acts. An elegy to the demise of a feeling, and the longing that permeates
In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument. It was broadcast in January, 1968, and subsequently has been seen throughout Europe, Asia, and the United States. Apart from the technical aspect of the project, their intention was to develop a widened consciousness of the communi - cative process inherent in visual images. They selected as source material the "monuments" of world culture— images of famous persons and paintings.
In the late '90s Balazs's family is falling apart front of his brand new VHS camera he got for his 8th birthday.
In the near future ceilings have been replaced by omnipresent TV's. In the mass media Cannibalism is being hyped as the latest trend in people's day to day lives. Ma, Pa and Wilberforce are your typical North American family. They are obese, over consuming and have a big screen TV on their kitchen ceiling. Life doesn't change much for this family unit, Pa goes to his job at the meat shop, Ma works her dead end job and lately Wilberforce has been staying at home because he is sick. However, when Wilberforce suggests eating Pa for dinner ALL HELL BREAKS LOOSE.
A man is tortured both mentally and physically by his television. As the man is suffering, the television plays commercials representing his life, both past and present.
Break-up flick.
David Aames has it all: wealth, good looks and gorgeous women on his arm. But just as he begins falling for the warmhearted Sofia, his face is horribly disfigured in a car accident. That's just the beginning of his troubles as the lines between illusion and reality, between life and death, are blurred.
White Tape explores the theme of boundaries: the frame, the space between brushstrokes and the implications of occupation.
When a small boy loses his favourite toy – a small teddy bear – this draws him into the inner world of his childhood. Nonetheless, he must destroy this realm if he wants to grow up.