Memoirs of a Geisha
In the years before World War II, a penniless Japanese child is torn from her family to work as a maid in a geisha house.
Matsuchiyo - Life of a Geisha’ is a documentary about one of the last surviving true geisha in Japan. The story begins with Matsuchiyo’s wartime childhood. She and her mother were the only two surviving members of the family. Matsuchiyo joins an “Okiya” (a traditional geisha agency), to pay the family debts and support her ageing mother. In her adulthood, Matsuchiyo becomes one of the top geisha in the city of Atami and experiences romance, tearful farewells, being a mistress of married men, motherhood and tragic deaths. Today, in her 80’s, Matsuchiyo the geisha, is as motivated and inspiring as ever. She still delivers a mesmerising performance on stage. ‘Matsuchiyo - Life of a Geisha’ is narrated by her own son and film director, Ken Nishikawa, and it is adorned by hundreds of beautiful pictures from Japan’s bygone era. This film illustrates the trials and tribulations of the ultimate Japanese cultural enigma that is - The Life of a Geisha.
In the years before World War II, a penniless Japanese child is torn from her family to work as a maid in a geisha house.
A modern geisha travels through Japan trying to find a job as entertainer, and ends up by finding love and a job as ama, a pearl diver.
'Afloat' is an experimental film that paints a portrait of Japanese performance artist: Ayumi Lanoire. The film opens as a telephone call between Ayumi and Person X, which meanders the audience through the various layers that make up her personas leading one to wonder whether she is in fact a myth or reality.
Documentary following 15-year-old Yukina as she leaves home and moves to Kyoto to embark on the arduous training needed to become a geisha. The profession has always been shrouded in controversy, with some believing geisha are little more than high-class prostitutes. At such a young age, does Yukina really understand what this ancient profession has in store for her?
Real Geisha Real Women is a documentary by Peter MacIntosh about the lives of several women in Kyoto, Japan of various generations who are, or have been maiko and geiko (the Kyoto terms for geisha). Their stories are told in their own words as a series of vignettes without the use of a narrator. Rare footage of their journeys outside of Kyoto includes a hometown visit, a trip to Tokyo, as well as travels abroad.
Blind traveler Zatoichi is a master swordsman and a masseur with a fondness for gambling on dice games. When he arrives in a village torn apart by warring gangs, he sets out to protect the townspeople.
A passionate telling of the story of Sada Abe, a woman whose affair with her master led to an obsessive and ultimately destructive sexual relationship.
The writer and college professor, Alexandre Fayard, researches and gives lectures about the gruesome literary work of the mysterious Japanese writer Shundei Oe, considered by him to be the master of manipulation.
Two American G.I.s visiting Tokyo find themselves mixed up with espionage, a pretty flight attendant, a mad scientist, geisha girls, and a goofy magician-hypnotist and his white rabbits.
How We Lost It is an experimental short depicting a young maiko in preparation for the defloration ritual, a now outlawed ‘ceremony.’
One rainy night in the Edo period, Kotono (a geisha) confronts samurais who killed her father. The samurais attack her one after another, but she fights hard against samurais with her sword. Kotono tries to chase the samurais who scramble to escape. Yet now three ninjas stand up against her. Kotono drops her sword by their wave of assaults. Can she beat them?
Dan is a former geisha, now working as an ace pilot for the Earth Defense Troops. Her fiance was killed by the space monster Bemurasu which consumes nuclear waste. To save Planet Earth, Dan attacks Bemurasu, but whenever she does, she feels ecstasy. Can she save Planet Earth?
Kimihiko Onizuka is a salaryman infatuated with maiko (apprentice geisha) and whose greatest goal in life is to play a party game called "yakyuken" with one.
Eiko seeks out Miyoharu, a geisha, and asks to be her apprentice. When she is ready to receive clients, both women want the right to refuse certain men.
Otsuta is running the geisha house Tsuta in Tokyo. Her business is heavily in debt. Her daughter Katsuyo doesn't see any future in her mother's trade in the late days of Geisha. But Otsuta will not give up. This film portraits the day time life of geisha when not entertaining customers.
Country bumpkin Haruko only ever wanted to become a maiko, an apprentice geisha. Initially rebuffed for lack of references, Haruko's strong accent intrigues a linguistics professor, who undertakes to coach her.
Famed movie director Paul Robaix breaks with tradition by not casting his actress-comedienne wife, Lucy Dell, in his latest film production, a version of Madame Butterfly. Undaunted, the resourceful Lucy wings her way to Tokyo and, masquerading as a Japanese geisha, lands the coveted role from her unsuspecting husband! But in front of the cameras (and behind the pancake makeup), Lucy faces greater challenges: her lecherous leading man - and a husband who is beginning to realize that his talented new "discovery" seems vaguely familiar...
Townsend Harris is sent by President Pierce to Japan to serve as the first U.S. Consul-General to that country. Harris discovers enormous hostility to foreigners, as well as the love of a young geisha.
Set in the late 1950s, when geisha culture was threatened by moral crusades, it tells the story of Omocha (Miyamoto Maki), a young girl who sees the geisha life as a way to lift her poverty-stricken family from their hand-to-mouth existence. Through her eyes, we see the protocols and complex financial relationships which dictate the running of the geisha house. Fukasaku's film is a work of great delicacy with moments of hypnotic beauty, and his tender direction, often touched with a sense of wonder, fills the screen with lovingly constructed scenes. At its heart is the poignant situation of the women who must sacrifice their normal relationships to live an ambiguous life in which they are a key part of society while being kept, for the most part, on its periphery, like perpetual mistresses.
Pinkerton marries Cho-Cho San in Japan, whilst on shore leave. When he leaves, she keeps his Japanese home as he left it. He returns three years later, having married again in America, and tells Cho-Cho that their affair is over. She has had a child in his absence, who is sent to her family, before she kills herself.