The Idiots
A mix of home-video and documentary styles about a group of young people who have decided to get to know their “inner-idiots” and thus not only facing and breaking their outer appearance but also their inner.
Pledge The Frat... if you dare.
In the Spring of 2011, five young College Students began the pledge process for a prestigious African-American Fraternity. A Graduate Film Student and fraternity member captured their journey on video as part of an academic documentary that was never meant to be shared outside of the fraternity. Weeks into the process, an early morning 911 call led Police to a high school football field, where they discovered the body of one of the Pledges. Months later, the damning footage from video cameras, cell phones and campus security cameras found its way to Director Rev. jeff obafemi carr, who amalgamated it into the explosive movie titled He Ain't Heavy.
A mix of home-video and documentary styles about a group of young people who have decided to get to know their “inner-idiots” and thus not only facing and breaking their outer appearance but also their inner.
'THE UPPER FOOTAGE' is the first film experience of its kind. The film is an edited version of 393 minutes of recovered footage documenting a young girl's tragic overdose death and subsequent cover up by a group of affluent socialites. What started as a blackmail plot played out over YouTube, became Hollywood's biggest drug scandal, turned into a heavily controversial film property that was rumored to be held by some of the biggest names in Hollywood. Now, after playing itself out in the media for 3 years it is finally making its way to the public.
Clara and Mika, a young couple, leave for their very first romantic week-end. An unusual country lodge awaits them for a two-day period of rest and recuperation. The appearance of a curious and disturbing character will interfere with their stay at the lodge. Strange phenomena occur that are going to interfere with the couple's perception of reality as well as their destiny.
A documentary filmmaker investigates the murder of a former model and finds that everything she's been told about her death is false.
Four college students rent and live in a house in Riverside, California. Two of them, Nick and Darren, are film majors at nearby UC Riverside. After receiving an assignment to create a home-made reality show in one of their film classes, they start filming themselves and mount security cameras throughout the house. Unexpectedly, they unearth an ancient Aztec Sarcophagus in their backyard. Unexplained events started occurring at the house following the unearthing of this Aztec relic.
Adrian and Duru get lost in the characters they play in an apocalyptic film and embark on a secret mission to end the world for real. Second entry in Adrian Țofei and Duru Yücel’s trilogy which includes Be My Cat: A Film for Anne and Pure.
In 1997, four campers went missing during the Phoenix Lights incident and their bodies were never found. The Phoenix Tapes 97 is comprised of their final footage. This film is dedicated to the lives lost during the events displayed. To their families and friends and to the authorities who continue to search for answers. The tapes were found by Dustin Miller's father two years after Dustin was mysteriously shot and killed at a traffic stop in Texas. Peter Miller believes his son was acting as a whistleblower and had smuggled the tapes from his classified government agency in an effort to expose the truth as to what really happened to the four missing campers seen in the tapes. After searching every newspaper and media publication around Phoenix during that time period, we only found one initial announcement that four campers were reported missing, as well as a formal police report folder with local PD but the folder had no files inside.
Two young friends from New York travel to Barcelona to get over the break up of one of them. But things won't go as expected and they will end up trapped in a house where they will have to fight an evil girl and the evil inside them.
After strange trumpet-like sounds in the sky have been reported at locations around the world, a wannabe journalist sets out to investigate with his best friend, but they soon find themselves facing an encounter with terrifying results.
A teenage boy struggles to keep his father's faith in God, when his family falls victim to the plot of the Devil.
In a dystopian future, the Vatican knows how to resurrect people. A priest discovers a conspiracy behind the resurrections and their possible link to a series of murders.
A video blogger records his new relationship - but a series of disturbing murders are also captured on his camera, and the true identity of the killer is hidden - for now.
To forget about the end of a relationship, a woman fantasizes about an ideal one. Fantasy and reality begin to melt into one another, but the past finds a way to rear its head again. Films used: Notorious (1946) Gaslight (1944)
On a Saturday night during lock down, a group of very good friends go online to share a virtual aperitif. Suddenly, one of them is attacked and kidnapped live by an unknown man in front of his friends who watch helplessly from behind their screens. They soon discover that this mysterious stranger knows all their worst secrets, which he intends to bring to light one after the other.
A fictional documentary discusses the effects the Iraq war has had on soldiers and local people through interviews with members of an American military unit, the media, and local Iraqis.
A documentarian named Annie has roped her husband into a project that involves setting up cameras throughout their house. Complications arise when the cameras start showing that same couple in an alternate universe.
A documentary crew travel to a remote village in England to capture the lives of notorious cult 'Friends at the End'. F.A.T.E were once a growing religion but, after a miscalculated doomsday prediction in the 1950s, membership has dwindled. In recent years F.A.T.E have been linked to disappearances of former members, the leader Daniel Love has gone into self-imposed exile, and this year their crops are failing. Except the potatoes. In need of money, the gang recruit new member Rachel, at a local rehab facility. Rachel breathes new life into the group and, when she turns the head of lifelong member Comet, old relationships begin to fracture. As the comet that F.A.T.E believe will bring with it the end of the world approaches, the group's beliefs are tested. New secrets emerge which threaten everything the cult has been working towards.
In a dystopian near future, a corporate heist goes wrong and the team members struggle to survive a desperate escape through the apocalyptic sprawl with their stolen prize, a weapon of unspeakable power. As they navigate the urban wasteland, they must contend with barbaric gangs, corporate death squads and the terrifying truth about the weapon they have stolen.
A team of South Australian filmmakers sought to tell the story of the Ashman family, a missing persons case that was never solved, and the answer found them.
“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?