Plena Rondo
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Plena Rondo Plena Rondo The Universal Language 
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The Universal Language is a new documentary from Academy Award-nominated director Sam Green (The Weather Underground). This 30-minute film traces the history of Esperanto, an artificial language that was created in the late 1800s by a Polish eye doctor who believed that if everyone in the world spoke a common tongue, humanity could overcome racism and war. Fittingly, the word “Esperanto” means “one who hopes.” During the early 20th century, hundreds of thousands of people around the world spoke Esperanto and believed in its ideals. Today, surprisingly, a vibrant Esperanto movement still exists. In this first-ever documentary about Esperanto, Green creates a portrait of the language and those who speak it today that is at once humorous, poignant, stirring, and ultimately hopeful.
Procession of Supporters of Esperanto 
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A parade of supporters of the constructed auxiliary language Esperanto, which is intended to be a universal second language for international communication, or "the international language". The word Esperanto translates into English as "one who hopes".
Esperanto 
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This film, directed by Dominique GAUTIER, takes the viewer on a worldwide excursion into the history and structure of the Esperanto language, introducing its present-day speakers. The words of these users of the language are reflective of a variety of activities and viewpoints, and in the film they are interwoven so as to reveal bit by bit how the utopia of its initiator, Ludwig ZAMENHOF, is concretised every day.
Agonies 
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Angoroj (1964; Esperanto for "Agonies") was the first feature film to be produced entirely in Esperanto. (Jacques-Louis Mahé, a friend of Raymond Schwartz and under the pseudonym of 'Lorjak', had however already produced a silent Esperanto publicity film before World War II, titled Antaŭen! (Onwards!). At the start of the 1960s Mahé, a professional photographic and cinematic expert, invested in the production of the first fictional film in Esperanto. Using a scenario by Mahé himself, the actors of the Internacia Arta Teatro (International Arts Theatre) presented a crime story, set in the Parisian periphery of petty thieves and cheats. Other notable people who played parts in the film included Schwartz (the commissioner), Gaston Waringhien (the voice-over) and many from the environs of the contemporary Paris, including a very young Michel Duc-Goninaz.
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