05 Jun 1929
Un Chien Andalou
Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.
Extreme Life & Death: The Blair Witches of Shockumentaries, Part Three
A compilation of various accidents, mayhem, death, gore, and human feats caught on tape.
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Un Chien Andalou Un Chien Andalou How Love Moves 
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Three years after the death of Frank's wife a mysterious woman appears. As their attraction grows Frank struggles with reality and his loss. He tries to start over not knowing his choices could lead him to his own downfall.
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This documentary short is a portrait of Leader of the Progressive Conservative Party and 13th prime minister of Canada, John George Diefenbaker (1895-1979). Diefenbaker's political career spanned 6 decades. When he died in 1979, his state funeral and final train trip west became more a celebration of life than a victory for death.
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A diplomatic couple adopts the son of the devil without knowing it. A remake of the classic horror film of the same name from 1976.
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Re-Animator 
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Little Shop of Horrors 
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Seymour Krelborn is a nerdy orphan working at Mushnik's; a flower shop in urban Skid Row. He harbors a crush on fellow co-worker, Audrey Fulquard, and is berated by Mr. Mushnik daily. One day, Seymour finds a very mysterious unidentified plant which he calls Audrey II. The plant seems to have a craving for blood and soon begins to sing for his supper.
The Phantom of the Opera 
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A priest-doctor chasing a man with supernatural regenerative abilities, who has recently escaped from a medical lab, reaches a small town where the mutant goes on a killing spree.
Beyond the Darkness 
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A disturbed young embalmer digs the grave of his recently deceased girlfriend and brings her body to his family villa with help from his strange housekeeper. But his bouts of insanity are just beginning.
Merci, au revoir, je t’aime Merci, au revoir, je t’aime 04 Apr 2022
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No overview found
Extreme Life & Death: The Blair Witches of Shockumentaries, Part One Extreme Life & Death: The Blair Witches of Shockumentaries, Part One 31 Jul 2000
Extreme Life & Death: The Blair Witches of Shockumentaries, Part One
A compilation of various accidents, disasters, executions, and other acts of mayhem and human feats caught on film.
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Extreme Life & Death: The Blair Witches of Shockumentaries, Part Two
A compilation of accidents, disasters, death, mayhem, and human feats caught on tape.
The Perfect Circle 
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Earth to earth, water to water. The body weight of a newborn child is up to 85 percent water, but in adulthood, the ratio can be cut into half. In a way, people dry up as they grow older. In Claudia Tosi’s documentary, people drink water, watch the rain and wait for their death. The Perfect Circle depicts a man and a woman, Ivano and Meris, who spend their final days at a hospice in the hills of Reggio Emilia, Northern Italy. Their illnesses are in the terminal stage and they know that death is only a matter of time. But the ever-nearing end may fleetingly be forgotten, like when they close their eyes and get lost in the music – until the bodies being carried out next door once again remind them of the inevitable. Death also becomes a part of life for the patients’ loved ones, who want to spend the last available moments with the soon to be departed.
Empire of Madness Empire of Madness 01 Jan 1989
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Don’t be misled by the title and put your lube away: True Gore II (aka Empire of Madness) (1989)–M Dixon Causey’s follow-up to the eponymous first entry–has virtually no true gore in it at all. Instead, the first half is a compilation of faux-snuff vignettes akin to something you’d find in a SOV horror collection like Snuff Perversions 1 & 2, Snuff Files, The Dead Files, Violations I & II, or even more recent titles like Murder Collection Volume 1. The second half is in turn a send-up of satanic panic style videos like Law Enforcement Guide to Satanic Cults, Devil Worship: The Rise Of Satanism, and countless others shat out during the 80s/90s. The vignettes are hilariously inept to the point where it seems clear that Causey was parodying the shockumentary form. Even the credits are a joke, mocking the seriousness with which shocku producers take themselves, crediting a ‘researcher’ for a film that clearly had none, and a ‘visual archivist’ being listed in place of a cameraman.
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A group of survivors take refuge in a shopping mall after the world is taken over by aggressive, flesh-eating zombies.