01 Jan 2002
Wonderful Town
The classic musical by Bernstein, Comden and Green is performed live in concert in Berlin, starring Audra McDonald, Thomas Hampson, Brent Barrett and Kim Criswell, and conducted by Simon Rattle.
Doctor Who at the Proms
For the second time since its revival, Doctor Who's music will be enjoyed by numerous fans since the previous Proms in 2008. Everyone's favourite monsters are here! Nothing else to do but hang on for the ride, and see where you end up.
Top Billed Cast
Karen Gillan Self - Host
Arthur Darvill Self - Host
Matt Smith Self - Special Guest Appearance / The Doctor
Yamit Mamo Self - Soloist
Mark Chambers Self - Soloist
Grant Llewellyn Self - Conductor
Lesley Hatfield Self - BBC National Orchestra of Wales Leader
Neville Creed Self - London Philharmonic Choir Chorus Master
Nicholas Briggs Daleks (voice)
Barnaby Edwards Dalek Operator
Elizabeth Croft Monster
Nathalie Cuzner Monster
Matthew Doman Monster
Barbara Fadden Monster
Ken Hosking Monster
Paul Kasey Monster
Ruari Mears Monster
Gabriela Montaraz Monster
Hannah Steele Monster
Adam Sweet Monster
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Multi-platinum recording artists release their first-ever live DVD. Recorded in April 2005, the shows were filmed in the band's hometown of Atlanta during two special sold-out performances featuring the Atlanta Symphony Youth Orchestra. The 20-song collection spans ninety minutes and encompasses hits from Collective Soul's seven studio albums, including their latest release, "Youth".
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Joan of Arc at the Stake 
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On November 17, 2012, Oscar-winning French actress Marion Cotillard joined the Barcelona Symphony and Catalonia National Orchestra for a performance of Arthur Honegger’s oratorio Joan of Arc at the Stake (Jeanne d'Arc au Bûcher) at the L'Auditori de Barcelona in Spain, broadcast live on Medici.tv. By Swiss composer Arthur Honegger, Jeanne d'Arc au Bûcher (1938) is an imposing oratorio. The libretto is a highly original creation by French poet and playwright Paul Claudel, who dramatises the last moments of the martyr's life. Originally written for actress Ida Rubinstein, the oratorio is written as a flashback in which Joan recalls her life, just before she dies. Honegger creates visually evocative ambiances and fills the orchestra with new sounds (saxophones, ondes Martenot). The initial prologue to the piece was added in 1944 as a symbol of the resistance during the Nazi occupation of France: again, Joan goes beyond her own story.
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When Phil Corey's band arrives at the Idaho ski resort its pianist Ted Scott is smitten with a Norwegian refugee he has sponsored, Karen Benson. When soloist Vivian Dawn quits, Karen stages an ice show as a substitute.
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Ted Fio Rito and his Orchestra provide the title element with their snappy tunes fronted at different times by just starting out Betty Grable & Leif Erickson.
All the Mornings of the World 
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Following the death of his wife, a renowned musician ostracises himself from the outer world and dedicates his life to music. However, his life changes when a young man approaches him to learn music.
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Chiaki is an aspiring conductor who faces the challenge of leading an orchestra which is made up of substitutes. Nodame gives her support to her beloved as she works hard towards achieving her dream to pass a promotion exam at their music conservatory. Will Chiaki be able to revive a broken down orchestra and launch his musical career? What will become of Nodame and Chiaki's relationship?
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Starting out as a comedic courtroom adventure, the DS game Gyakuten Saiban attracted vast amounts of fans with its fun system, intriguing plot, enchanting characters and wonderful BGM tracks. To praise the game's excellent music, a classical orchestral performance was arranged in April for all fans to come together and enjoy. For those who unfortunately missed the event, you can take part in it, although belatedly, through the DVD recording of the concert. Through the DVD view menu, watch the game's images that were projected onto the large screen during the performance.
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Two violinists in the same orchestra fall in love and get married, but they can't get along.
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In this vivid transposition of contemporary music for television, Cahen "responds" to the complex musical transitions of Répons, a work by French composer Pierre Boulez. Performed by the Ensemble InterContemporain and conducted by Boulez, the intricate Répons was designed for an ensemble of twenty-four musicians, six soloists and a "real-time" digital processor. In Cahen's re-composed interpretation, he responds with visual and temporal transformations, "opening" the images in space and time and applying electronic techniques to engulf the instrumentalists in ocean, sky, and trees. Mirage-like superimpositions, temporal shifts, mirroring effects and de-synchronization result in a rhythmic confluence of the illusory and the real. Immersing the viewer in image and sound, Cahen mirrors the transformative process of Boulez's music.