Svět na Měsíci
No overview found
'What happens to the Black body when it is haunted by "a Blackness" outside of it?'
A collectively made filmic opera in 35 parts. The Black and predominantly queer art collective, an evolving line up of poets and artists from across the world, abstracts and reimagines opera in any traditional conception. Set to hip-hop, blues, noise, R&B and electronica, the piece uses the voice (chanting, singing, screaming; written by poet and activist Dawn Lundy Martin) as its primary tool, verbalising centuries of alienation, vulnerability and protest in the global African diaspora through its disruptive libretto.
No overview found
France, 1792. Chenier is an idealistic poet, in love with the aristocratic Maddalena. While Chenier supports such notions as "liberte, fraternite egalite," his sympathies do not extend to the current Reign of Terror. Likewise, the Revolutionary Tribunal has no need for poets or their girlfriends, especially those judged to be an Enemy of the State. Heads will roll.
Clay animation film by Guionne Leroy, based on the music of Henry Purcell's opera "King Arthur"
John Adams’s mesmerizing score, in the powerful production of Penny Woolcock, tells the story of one of the pivotal moments in human history—the creation of the atomic bomb. Conducted by Alan Gilbert in his Met debut, this gripping opera presents the human face of the scientists, military men, and others who were involved in the project, as they wrestled with the implications of their work. Baritone Gerald Finley gives a powerful star turn in the title role as the brilliant J. Robert Oppenheimer.
In this rotoscope animation, Tom Waits sings about "The One That Got Away."
Miles Davis performing live at Konserthuset, Stockholm, Sweden 27 October 1973 1. Band warming up 2. Untitled Original 730424c 3. Calypso Frelimo 4. For Dave (Mr. Foster) 5. Tune in 5 ------ Miles Davis (tpt, org) / Dave Liebman (ss, ts, fl) / Pete Cosey (g, perc) / Reggie Lucas (g) / Michael Henderson (el-b) / Al Foster (d) / James Mtume Forman (cga, perc)
No overview found
This is funny or rather crazy adaptation of classical opera Carmen inspired by famous czech theatre Ypsilon play of the same name shot at various bizarre locations such as airport, botanical garden and winter forest.
Duke Ellington's fifty year career was full of accomplishments as a highly original pianist, arranger, prolific composer and leader of a timeless orchestra. On occasion he recorded with a small group from his orchestra or as a piano soloist, but Duke was rarely filmed in that capacity... with a few exceptions. On January 23, 1967, Ellington filmed two programs for Danish television. The first has him jamming with an octet taken from his orchestra, including such greats as altoist Johnny Hodges, tenor-saxophonist Paul Gonsalves, baritonist Harry Carney and trumpeter Cat Anderson. Highlights include "The Jeep Is Jumpin'," "Sophisitcated Lady" and "Jam with Sam." The second program puts the focus on Ellington's piano, in solo and trio performances that include "Lotus Blossom," "Mood Indigo," and a definitive version of "Take the 'A' Train." Always a modern and distinctive soloist, Ellington is seen creating brilliant improvisations full of strong melodies, subtle surprises and sly wit.
La Cenerentola, ossia La bontà in trionfo (Cinderella, or Goodness Triumphant) is an operatic dramma giocoso in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the fairy tale Cendrillon by Charles Perrault. The opera was first performed in Rome's Teatro Valle on 25 January 1817.---- IMDB id refers to Great Performances: Season 24, Episode 12 La Cenerentola (3 Apr. 1996) from Houston Grand Opera so release date is misleading.
Sun Ra and his Solar Myth Arkestra return to Earth after several years in space. Ra proclaims himself "the alter-destiny", meets with inner-city youths and battles with the devil himself to save the black race.
The daughter of jazz pianist Joe Albany witnesses her beloved father's struggle -- and failure -- to kick his heroin habit.
La Rondine (The Swallow) is possibly the least performed of Giacomo Puccinis later operas, but is still just as much a masterwork as its more performed counterparts. Originally conceived as the composers first operetta, the work is an artful blend of opera and operetta, with a lighter mood than Puccinis other works. This live production filmed at the Deutsche Oper Berlin stars Dinara Alieva and Charles Castronovo in the lead roles. Renowned stage director Rolando Villazon sets this rendition, and the Orchestra and Chorus of the Deutsche Oper Berlin is conducted here by acclaimed Maestro Roberto Rizzi Brignoli.
When the most voluptuous, sought-after courtesan in the world meets an ascetic monk whose life is devoted to God, you know erotic sparks are going to fly. And when the clash takes place in a glorious, but rarely performed, opera by Massenet, it’s a delight to the ear just as much as to the eye. Renée Fleming is every inch the glamorous Thaïs, swathed in elegant gowns designed by Christian Lacroix. Thomas Hampson is Athanaël, the tortured man of God. This production by John Cox, which premiered in December 2008, brilliantly sets the stage for a confrontation as old as civilization itself.
Hans Werner Henze’s “The Raft of the Medusa” is directly inspired by Théodore Géricault’s famous painting. The German composer sets to music the fate of 150 people who have been shipwrecked and abandoned to their destiny. This is a radical work that fluctuates between hope and inevitability, agony and sudden bursts of life. The Raft of the Medusa is an oratorio that was first performed in 1968. Fifty years on, the Italian director Romeo Castellucci underscores its immense modernity, drawing a striking parallel between Hans Werner Henze’s work and the current migrant crisis in the Mediterranean.
There's an uncompromising clarity to Blu-ray audio and video that really does bring the splendour of grand opera right into the living room. So it's all the more frustrating to get a compromised production as the final product. Jules Massenet's 1894 tragedy about a sex goddess humbled by an insistent Cenobite monk isn't produced very often, because of a demanding lead role and some difficult staging issues. But the music is gorgeous from beginning to end. When you have a great diva at centre stage, the three acts go by in a flash.
Performed at the Théâtre Graslin in Nantes in 2013. Francis Poulenc (1899-1963): Dialogues des Carmélites, opera in 3 acts and 12 scenes from a libretto by Emmet Lavery.
Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.
This is a 60-minute film of Justice’s 2017-2018 live show, recorded in an empty and invisible space without an audience, focusing exclusively on the impressive production and music. The show has been seen by millions of people around the world. It revolves around a floating structure comprised of 13 independent moving frames, each one featuring 4 rotating panels of LEDs, mirrors and traditional warm lights which offer infinite combinations. The structure is in constant evolution over the duration of the show and proposes several new visual landscapes on every track performed. The footage is captured with the precision and patience of a rigorous documentary about the cosmos.
Under the direction of a ruthless instructor, a talented young drummer begins to pursue perfection at any cost, even his humanity.