The Shadows: Live
The kings of twang perform live at the Birmingham NEC in 1986, stepping out of Cliff Richard's shadow to showcase their own back catalogue of hits, including 'Apache' and 'Cavatina'.
A close-up of Allen Ginsberg reciting his “skeletons” poem is bluescreened and dissolved against archival film and video clips, and backed by musicians to create a sort of song that becomes an American anthem.
The kings of twang perform live at the Birmingham NEC in 1986, stepping out of Cliff Richard's shadow to showcase their own back catalogue of hits, including 'Apache' and 'Cavatina'.
The third and final installment in BTOB's Ballad Trilogy, "Remember That" tells the story of a man reminiscing his past love.
The second installment to BTOB's Ballad Trilogy, "Way Back Home" tells the story of three troubled boys who, after having lost their way, finally find their way back home.
The life of Moses as told through the Book of Exodus, the imagination of a dying boy, and the ballads of his father.
A tenor, in suit and tie, with a receding hairline, sings a ballad to his love, “Your Face Is Like a Song,” to simple piano accompaniment. Preserved by the Academy Film Archive in 2015.
John Cohen, founding member of the ‘50s folk troupe the New Lost City Ramblers, started making films in order to bring together the two disciplines he was heavily active in: music and photography. The End of an Old Song brings us to North Carolina, and demonstrates the power of old English ballads sung with gusto while soused in a saloon.
Eloise lives alone, shutting others out of her life, committed to her art. The film follows her internal rationale as she is forced to address a haunting secret hidden away in the depths of her home.
In a huge fantasy world, two goblins miss the biggest events of their lifetime; the second coming of Jesus Christ, the big football match and the thousand year war. Despite the fact it’s taking place right outside the window of their grimy apartment.
Casimê Celîl was born into a Yezidi Kurdish family in 1908, in a village called Kızılkule, located in Digor, Kars. The village and family life, which he longed to remember throughout his life, ends with the massacre they endured in 1918. During his long road to Erivan, Armenia, he lost all his family members. Left all alone, Casim was placed into an orphanage and was forced to change his name. To remember who he was and where he came from, every morning he repeated the mantra “Navê min Casim e, Ez kurê Celîlim, Ez ji gundê Qizilquleyê Dîgorê me, Ez Kurdim, Kurdê Êzîdî me”, which translates to: “My name is Casim, I am the son of Celîl, I come from the village of Kızılkule in Digor, I am a Kurd, and I am Yezidi”. He clings to every piece of his culture he can find, reads, and saves whatever Kurdish literature or art he comes across. As the year’s pass, Casim finds himself with an impressive collection of Kurdish culture and history.
This story happened a long time ago, when the mead makers kids skillfully knew their business, and their magnificent drink was appreciated and famous far beyond the borders of the land where they lived. One insidious and cruel ruler destroyed almost all of these mead makers. And when summer came and new heather carpeted the fields, the ruler began to yearn for the lovely drink, therefore ordered his subjects to get it...
A man is wrongfully buried alive, and starts to descend to the Underworld.
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With a double performance of piano and violin and complete improvisation, TAM performed live music in the doujin shop for the first time in Melonbooks Nagoya 2 Go. Featuring music from Kanon, AIR, CLANNAD, Final Fantasy and Super Mario Bros.
Follow Elvira as she searches for the Sanderson Sisters, interviewing various figures who claim to have encountered or been influenced by them, including former classmates, fans, rivals, and descendants.
A synthesis of sound and movement; colourful characters dance and move in repetitive patterns to percussive and melodic elements. A combination of motion and music that is hypnotic and beautiful. At first it feels structured and orderly but as more elements are added becomes quixotically expressive.
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In God We Trust, Inc. - The Lost Tapes the videotaping of the Dead Kennedys' first recording session for their EP, In God We Trust Inc. It was released in July 2003. The session was filmed in June 1981 by Eric Goodfield for a part of a punk documentary he was making. When the DKs went to master the tape, it started to peel and deteriorate, so they had to record it again (that session took place in August and was used for the EP). The tape was in Goodfield's collection until the DKs asked him if he would release the video as part of their 25th anniversary. It includes live versions of all the songs except "Hyperactive Child", for which no live footage could be found.
A dance movie starring Alice Bellagamba, directly from an italian tv show...uao!