Draussen bleiben
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A harrowing account of Europe's migrant crisis. A family of Syrian refugees separated by the borders of Europe, fight to be reunited as they migrant from Syria to Germany.
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Within a few months, the Kutupalong refugee camp has become the biggest in the world. Out of sight, 700,000 people of the Rohingya Muslim minority fled Myanmar in 2017 to escape genocide and seek asylum in Bangladesh. Prisoners of a major yet little publicized humanitarian crisis, Kalam, Mohammad, Montas and other exiles want to make their voice heard. Between poetry and nightmares, food distribution and soccer games, they testify to their daily realities and the ghosts of their past memories. Around them, the spectre of wandering, waiting, disappearing. In this place almost out of space and time, is it still possible to exist?
The story of an asylum seeker in England who, when confronted with the hostile immigration system in the UK, is forced to live on the fringes of society and rely on his bike to survive. Based on the lived experience of co-writer Ayman Alhussein.
A look back over nine years of the Syrian Civil War, an inextricable conflict, like a black box, due to the competing interests of the many factions in presence and those of the foreign powers.
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"Dance or Die" is a moving documentary about a young Syrian dancer who escapes the war and finds a new life in Holland. But the ghosts of the past won't let him go. With the war and the advance of the Islamic State in Syria, the young classical dancer Ahmad Joudeh lost everything – part of his family, his home, but also the right to practice his art. However, he will use dance as a weapon against Daesh. Three words adorn the neck of Ahmad Joudeh: Dance or Die. The tattoo is a declaration of war against IS if it takes him over. (Text: arte)
This intimate documentary follows a group of Syrian children refugees who narrowly escape a life of torment and integrate into a foreign land.
The film follows the refugee crisis in 2015 and 2016 from the perspective of a young Lebanese woman, Boushra Jaber. She came to Serbia in 2015 to work on her PhD. Driven by a deep desire to help she started working as an Arabic translator in a refugee camp in Presevo, on the Serbian-Macedonian border. During her three months in the field, Boushra faced personal and professional challenges that put her beliefs to the test.
As the Syrian war continues to leave entire generations without education, health care, or a state, Lost in Lebanon closely follows four Syrians during their relocation process. The resilience of this Syrian community, which currently makes up one fifth of the population in Lebanon, is astoundingly clear as its members work hard to collaborate, share resources, and advocate for themselves in a new land. With the Syrian conflict continuing to push across borders, lives are becoming increasingly desperate due to the devastating consequences of new visa laws that the Lebanese government has implemented, leaving families at risk of arrest, detention, and deportation. Despite these obstacles, the film encourages us to look beyond the staggering statistics of displaced refugees and focus on the individuals themselves.
The film takes place in the Saharawi refugee camps in Algeria against the historical backdrop of Spanish colonialism and the Moroccan invasion of the Western Sahara. The Saharawi women, who make up 80% of the adult refugee population, provide a powerful voice as they reveal how they came to assume primary responsibility for the survival of the remains of their families and in turn the entire refugee population.
Rafi, Salman, Said and Ali are all under 18 years old. They come from Afghanistan, Syria and Pakistan. After months of wandering, fleeing wars in their country, they found themselves stuck in Calais, where they are trying to survive, waiting for something better. Their dream: to get to England. How? By climbing into containers or slipping onto the axles of trucks, risking their lives. Who cares about these isolated minors in the Calais Jungle, the largest slum in Europe?
It is a daring idea: to grow food from old mattresses in a desolate camp at the edge of a war zone. When a refugee scientist meets two quirky professors, they must confront their own catastrophes - and make a garden grow. Short film now streaming on Waterbear.com.
A 3-year-old girl and her family's long journey from a Greek refugee centre to Uppsala.
As politicians debate and argue, the men, women and children at the heart of the European immigration wave have found themselves caught in the midst of a humanitarian crisis. On the frontline is the Greek island of Lesvos – the first point of entry into Europe for over half of the refugees. One week at the end of August 2015 marked a tipping point in the crisis. More refugees arrived than ever before, volunteers were inundated and local infrastructure just couldn’t cope; trains were overflowing, refugees were dying in the back of lorries and on beaches, and politicians responded by closing borders and arguing about how to stem the tide of people. Filmed over just five days, this first-hand account of that dramatic week on Lesvos is seen through the eyes of the refugees and volunteers caught in the crisis.
A very personal and dynamic meditation on the current global refugee crisis through the eyes and voices of campaigners, specially children, where past and present establish a dialogue. A reflection on the importance of human rights.
‘The Great Wall has been completed at its most southerly point.’ So begins Kafka’s short story ‘At the Building of the Great Wall of China’, and so, at Europe’s heavily militarised south-eastern frontier, begins this film. In the shadow of its own narratives of freedom, Europe has been quietly building its own great wall. Like its famous Chinese precursor, this wall has been piecemeal in construction, diverse in form and dubious in utility. Gradually cohering across the continent, this system of enclosure and exclusion is urged upon a populace seemingly willing to accept its necessity and to contribute to its building.
Cambodian refugee Ted Ngoy builds a multi-million dollar empire by baking America's favourite pastry: the doughnut.
Directed by Pierre Clément and Djamel-Eddine Chanderli, produced by the FLN Information Service in 1958, this film is a rare document. Pierre Clément is considered one of the founders of Algerian cinema. In this film he shows images of Algerian refugee camps in Tunisia and their living conditions. A restored DVD version released in 2016, from the 35 mm original donated by Pierre Clément to the Contemporary International Documentation Library (BDIC).
Before the eyes of the Sudanese Ahmed (25), the war broke out in full force. He decides to flee on foot to the Netherlands alone, to be able to live there in freedom. This documentary shows part of his arduous journey: from the Italian Alps to Ter Apel.