23 May 1984
Once Upon a Time in America
A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.
Midnight Toughts
What are you thinking about ?
In this short film, a mysterious character goes on a journey to the back of his mind on the night of his birthday.
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On Ironbound Island, native Fiona McKay arrives from Europe with her teenage daughter Clair, hoping that the peace of the island will help the girl get over the death of her boyfriend. The girl finds comfort in the company of a visiting American girl and more so in the stories of Celia, a crazy old local who weaves enchanting tales which cleverly combine her own experiences on the island with mystifying legends.
Timecode 
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A production company begins casting for its next feature, and an up-and-coming actress named Rose tries to manipulate her filmmaker boyfriend, Alex, into giving her a screen test. Alex's wife, Emma, knows about the affair and is considering divorce, while Rose's girlfriend secretly spies on her and attempts to sabotage the relationship. The four storylines in the film were each shot in one take and are shown simultaneously, each taking up a quarter of the screen.
Forms of Forgetting 
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Nesrin and Erdem talk about their relationship, which they don’t remember in exactly the same way. Çevik’s visually stunning essay uses their conversations to forge a pensive treatise on what it means to forget, where word and image play an equal role.
Voz 
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No overview found
Bowl, Garden, Theatre, Marble Game 
Bowl, Garden, Theatre, Marble Game 01 Jan 1970
Bowl, Garden, Theatre, Marble Game
An animated short consisting of 4 segments: bowl, garden, theatre, marble game. Preserved by the Academy Film Archive in partnership with Harvard Film Archive in 2015.
Cels 
Cels 01 Jan 1972
Cels
A showcase for the MCAD Animation Workshop 1972 where each student was given one of a series of cells to animate whatever they pleased.
Whitney Commercial 
Whitney Commercial 01 Jan 1973
Whitney Commercial
Commissioned by David Bienstock, creator of the New American Film Series at the Whitney Museum of Art to raise funds for the second season of the series. The film was projected at the end of each program and a box to receive donations was placed at the exit of the theater. Whitney Commercial ran for two or three years until the Museum agreed to sponsor the series on its own which has continued to the present season. Preserved by the Academy Film Archive in 2015.
A Movie Made of 
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In Vigo, Spain, during Christmas, Ángel, a Spanish filmmaker, walks through the crowded streets while thinking about a possible movie made of…
The Tree of Life 
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The impressionistic story of a Texas family in the 1950s. The film follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father. Jack finds himself a lost soul in the modern world, seeking answers to the origins and meaning of life while questioning the existence of faith.
What Was It Supposed to Be Like? 
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What Was It Supposed to Be Like?
Rather pointless, rather stilted, fetid; not what we want us going after.
The Sleepwalker 
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The Sleepwalker
A recluse painter’s careful routine is shaken up when a mysterious young woman knocks on his door. An encounter that will confront him with his past.
Imelda 
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Imelda
A year after the death of his paternal grandmother at the age of 101, filmmaker Martin Villeneuve brings her back to life using a special talent.
Crash! 
Crash! 12 Feb 1971
Crash!
Short film produced by the BBC about JG Ballard's Crash. “The film was a product of the most experimental, darkest phase of Ballard’s career. It was an era of psychological blowback from the sudden, shocking death of his wife in 1964, an era that had produced the cut-up ‘condensed novels’ of Atrocity plus a series of strange collages and ‘advertisers’ announcements. After Freud’s exploration within the psyche it is now the outer world of reality which must be quantified and eroticised. Later there were further literary experiments, concrete poems and ‘impressionistic’ film reviews, and an aborted multimedia theatrical play based around car crashes. After that came an actual gallery exhibition of crashed cars, replete with strippers and the drunken destruction of the ‘exhibits’ by an enraged audience.” (from: http://aaaaaaaaaaaaaaaaaaaargh.blogspot.de/2013/01/short-film-adaptation-of-jg-ballards.html)
Perfect World 
Perfect World 30 Apr 1990
Perfect World
A take it or leave it auteur-experimental fiction exercise: two women are monitoring their dreams, dreams that may of course also be stark naked reality, at least to the dreamers, as they come and they go like bubbles, rising, floating, bursting. A man appears out of nowhere. Poet Peter Laugesen co-wrote the script with Tom Elling, who was Lars von Trier's director of photography on "The Element of Crime".
Cashback 
Cashback 17 Jan 2007
Cashback
After a painful breakup, Ben develops insomnia. To kill time, he starts working the late night shift at the local supermarket, where his artistic imagination runs wild.
Chelsea Girls 
Chelsea Girls 01 Sep 1966
Chelsea Girls
Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.
Confession 
Confession 01 Jan 1968
Confession
A filmmaker recalls his youth in the town of Onomichi. In the present, he shoots a film in Onomichi alongside his cast, crew and family.
Automatic Writing 
Automatic Writing 01 Jan 2003
Automatic Writing
Charcoal animation, taken from from Point of View: An Anthology of the Moving Image (2003).
Lulu 
Lulu 05 May 1978
Lulu
This highly stylized, critically acclaimed film from the 70's mixes silent film cards, a soundscape, color, opera music and atmosphere to explore the Freudian truths about men's fear of women that Wedekind powerfully exposed. A kinetic melodrama of the rise of a femme-fatale and her fate at the hands of Jack-the-Ripper. Rethinking Pabst's silent film and Alban Berg's opera.