
31 Dec 1931

The Séance Is Over
No overview found

Narrator (Voice)
Narrator (Voice)

Adélaïde Akenbury (Voice)

Jonathan Akenbury (Voice) / Narrator (Voice)
La joueuse inquiétante

La caissière
Une abonnée du club

Une abonnée du club
Monsieur Maupère
Le gardien du bain-douche

Le maître-chien
Un abonné du club

Un joueur

31 Dec 1931

No overview found

01 Jan 2016

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01 Jan 1955
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01 Jan 1981

Documentary on industrial lubrification.

13 Feb 2008

One winter, a ravenous ogre terrorizes the land of King Balthasar. Meanwhile, a blizzard is brewing in Léon’s heart. Braving the cold, this adopted bear cub runs away from home. Léon has many an adventure during his travels. He befriends a hedgehog and an elephant, confronts an ogre, and sets Princess Molly Gingerbread free. His courage and integrity eventually lead him back to his family. In the end, the cub earns everybody’s respect.

01 May 2005

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03 Dec 2004

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27 Aug 2010

In the vestibule of a hospital room, a young boy waits to see his dying mother. The clamor and spiralling movements of bodies around him intensify, forming a grotesque circus—a cacophonous circle that pushes the child back, depriving him of one final touch of his mother's hand. Using rotoscoped drawings suggestive of charcoal sketches, as well as 3D and object animation techniques, The Circus compels viewing with its unsettling realism. Colour is employed metaphorically to subtly express the promise and the memory of maternal affection. Nicolas Brault's highly personal film, suffused with poetic modesty, casts a poignantly sincere gaze on the heartbreak of a child facing the fearful, mysterious experience of his mother's death.

01 Jan 1953

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01 Jan 1954

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01 Jan 1951
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01 Jan 1969

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13 Feb 2012

An ant dreams of visiting the Taj Mahal.

01 Jan 1938

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01 Jan 1938

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01 Jan 1961

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01 Jan 1942

The note seller Bicornu is annoyed by a troubadour named Niglo.

01 Jan 1984

"The Role of Chance" ("La part du hasard") focuses exclusively on drawing and painting techniques used by the painter Henri Dimier. Shot over several weeks in the same artist's studio, the film shows works in their different phases, processes rarely explained or little known. It also addresses many practical issues (choice of paper, pigment grinding, reports drawings, put the tiles, cliches, etc) as well as broader questions of method and inspiration (use of space, the role of contours, power of suggestion perspectives, use of random processes). Patrick Bokanowski sought with this film to restore the spirit of this teaching, showing how to bend a note or sometimes revealing an essential mystery of creation.

01 Jan 2011

No overview found