The Real Antony and Cleopatra
Expert interviews, dramatic reconstructions and location shooting bring to life the iconic legend of Egyptian Queen Cleopatra in this historical documentary.
The Bawdy Decadence of Nero's Rome...!
Nero is on holiday at the seaside. Poppea, Seneca and many other guests are with him. Nero is preparing a great show where he will be the star. When Agrippina, his mother, arrives with her German praetorians and decides Nero has to conquer Britain, she is asking for trouble. Many attempts of murder and poisoning will happen on the eve of his great show.
Expert interviews, dramatic reconstructions and location shooting bring to life the iconic legend of Egyptian Queen Cleopatra in this historical documentary.
An uproarious version of history that proves nothing is sacred – not even the Roman Empire, the French Revolution and the Spanish Inquisition.
After fierce Roman commander Marcus Vinicius becomes infatuated with beautiful Christian hostage Lygia, he begins to question the tyrannical leadership of the despotic emperor Nero.
The assassination of the would be ruler of Rome at the hands of Brutus and his fellow Senators has tragic consequences for the idealist and the republic.
In 1958 Angelo, a rich and spoiled boy, enters a religious school, where students are tired of its vice-rector, and the strict rules and old-fashioned teaching methods of priests. Soon, Angelo exerts strong leadership among his peers and incites turmoil among them, helped by intellectual Franco and shy Camma. They expel the prefect from the school, organize a Grand Guignol show, and disappear the corpse of an old professor.
A coming-to-America love story about an Italian actor from Rome who finds himself stranded in New York City, and through a series of misadventures is romantically pursued by several beautiful women, and learns the meaning of true love.
Second part of Eckhart Schmidt's TreCamerone-trilogy.
Third part of Eckhart Schmidt's TreCamerone-trilogy.
Ancient Rome, during the time of Emperor Nero. Vinicius, a young patrician, falls in love with the beautiful Lygia, the daughter of a Barbarian commander who was killed in battle, and wants her for his concubine. For Lygia, a Christian, being a pagan's concubine is a severe sin and disgrace. However, when Vinicius is wounded, Lygia cares for him, and starts to reciprocate his feelings. Vinicius, in return, becomes interested in Christian learning and asks Apostle Peter to teach him. In the meantime, Emperor Nero accuses Christians of having started a great fire in Rome. He encourages the imprisonment, torture and murder of his Christian subjects.
A funny thing happens to Lurcio (Frankie Howerd) on the way to the rent-a-vestal-virgin market stall. A mysterious scroll falls into his hands, listing the names of all the conspirators plotting to murder Emperor Nero. And when the upstart slave is elected to infiltrate the ringleader's den, the comical ups-and-downs lead to total uproar.
After burning Rome, Emperor Nero decides to blame the Christians, and issues the edict that they are all to be caught and sent to the arena. Two old Christians are caught, and about to be hauled off, when Marcus, the highest military official in Rome, comes upon them. When he sees their stepdaughter Mercia, he instantly falls in love with her and frees them. Marcus pursues Mercia, which gets him into trouble with Emperor (for being easy on Christians) and with the Empress, who loves him and is jealous.
During the latter years of the reign of the tyrannical Roman emperor Nero, Marcus Vinicius, one of Nero's officers, falls in love with a young Christian named Lygia, attempting to enslave her. Lygia's protector, the noble and burly Ursus, works to save her from Vinicius' clutches. Pursuing Lygia, Vinicius finds himself at a catacomb prayer meeting led by the apostle Peter and finds his conscience stirring-- just as Nero orders Rome burned. A landmark in epic film, Enrico Guazzoni’s grand-scale masterpiece laid the foundations for what colossal Italian spectacles would become. The film had tremendous influence on Giovanni Pastrone’s Cabiria (1914) and D.W. Griffith’s Intolerance (1916).
In 17th-century Rome, a young man in a choir of castrati falls for the beautiful wife of a powerful aristocrat.
As the Roman Empire slowly declines, Caesar Nero indulges himself in every known debauchery, including incest with his mother.
Roman teenager, Atti is forced to join the Roman army when one of his clever schemes falls foul of Emperor Nero. He is sent to "miserable, cold, wet Britain" where "the natives are revolting - quite literally". Things go from bad to worse when Atti is captured by Orla, a feisty teenage Celt desperate to prove herself as a warrior.
A time machine sends Daffy Duck and Speedy Gonzales back to Rome in 65 A.D., where they are captured for lion fodder as entertainment for Emperor Nero...
A telegram-tragedy about the last days of Ovid, the Roman poet.
This film was made out of the capture of a live animation performance presented in Rome in January 2005 by Pierre Hébert and the musician Bob Ostertag. It is based on live action shooting done that same afternoon on the Campo dei Fiori where the philosopher Giordano Bruno was burned by the Inquisition in 1600. A commemorative statue was erected in the 19th century, that somberly dominate the market held everyday on the piazza. The film is about the resurgence of the past in this place where normal daily activities go on imperturbably. The capture of the performance was reworked, shortened and complemented with more studio performances.
A writer's fantasy goes erotic ways in Rome.
Italian girls live out their passions at places in Palermo and Rome.