Hélikè, la cité engloutie
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Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
Since the outbreak of the global corona pandemic, the number of anti-Semitic content on the Internet and social media has also been increasing. Researchers see a connection between online radicalization and anti-Semitic violence – and also attacks. "Jud Süß 2.0" documents the visual roots of this new anti-Semitism.
Meet the real-life airmen who inspired Masters of the Air as they share the harrowing and transformative events of the 100th Bomb Group.
A symbol of luxury and adventure, the Orient Express opened a new path between the West and the East. Mata Hari, Josephine Baker and Agatha Christie, who dedicated a novel to it, contributed to its legend. Delve into the secrets of a legendary train.
Working from the text of James Baldwin’s unfinished final novel, director Raoul Peck creates a meditation on what it means to be Black in the United States.
Is there an audience for Latin American movies? These are some of the questions posed by an Ecuadorian filmmaker whose latest movie was a commercial flop. He embarks on a query to find answers to his questions and relief for his despair. His research leads him to a giant contraband market in the port city of Guayaquil, where pirated movies from all over the world are sold for one dollar each. Here, he discovers a number of Ecuadorian low budget movies produced by amateurs, with titles he had never heard of before: from action packed productions to evangelical melodramas.
Explores the Pyramids of Giza as Egyptologists try to unravel the mysteries and decipher the clues behind these stone giants built over 4,500 years ago.
Two documentary filmmakers become the plaything of writer Peter Stamm and subject of the novel whose creation they actually wanted to document.
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New York City's beloved Ukrainian restaurant Veselka is best known for its borscht and varenyky, but it has become a beacon of hope for Ukraine. As the second-generation owner Tom Birchard reluctantly retires after 54 years, his son Jason faces the pressures of stepping into his father’s shoes as the war in Ukraine impacts his family and staff.
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Not just another documentary on the French resistance movement, this film focuses on one particular group of underground fighters in France: those from Eastern Europe. Many were Jews and all had fled their native countries before the war broke out. They were among the most staunch and fearless enemies of fascism, as shown here in personal interviews and memoirs of war-time experiences. But the most famous of these immigrants were 23 who were rounded up among several hundred Parisians in 1943, tried for their activities, and executed -- all were immigrants under the leadership of the Armenian poet Manouchian. After their execution, Paris was papered with posters decrying these 23 martyrs as "foreign communists."
Leni Riefenstahl's flamboyant Nazi aesthetics shaped the public image of the 1936 Olympics. Never before had sports and politics been mixed. Through archive photos and reconstructions, we get a closer look into the historical propaganda show.
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Betrayed by an informant, Philippe Gerbier finds himself trapped in a torturous Nazi prison camp. Though Gerbier escapes to rejoin the Resistance in occupied Marseilles, France, and exacts his revenge on the informant, he must continue a quiet, seemingly endless battle against the Nazis in an atmosphere of tension, paranoia and distrust.
Forty years after the abolition of the death penalty in France, voted on September 18, 1981, the guillotine remains in the collective imagination as the instrument of the death sentence. This machine, developed during the Revolution to render justice more equal, was presented as progress. Over time, opinion has been divided on the subject of the death penalty, the guillotine becoming the object of man's cruelty, a remnant of an archaic way of dispensing justice and fuelling the many debates around the death penalty and its abolition.
Keith Garner visits historical locations, elegant chapels and bustling city centres as he discovers the impact of the work of cleric and theologist John Wesley, 200 years after his death.
"A country without artists is a dead country... I hope we are alive..." It is in this film by Fawzi Sahraoui produced by the RTA in 1985 and filmed a few months before the painter M'hamed Issiakhem 'turns off this sentence is spoken. A very interesting docu-fiction in which Issiakhem delivers himself with finesse, passion and generosity.