31 Mar 2009
Acis and Galatea (The Royal Ballet / The Royal Opera)
The Royal Ballet and the Royal Opera collaborate in Wayne McGregor's production of Handel and Gay's classic opera, in which the nymph Galatea falls in love with a shepherd named Acis.
When the Fern Blooms
Part folklore, part opera-ballet, this féerie presents local pagan traditions on the day of the summer solstice and historical events from Cossack times to the more recent 2014 Ukrainian Revolution of Dignity.
Top Billed Cast
Serhii Kachura Dancer
Dariia Kosmina Dancer
Nataliia Pelio Dancer
Olena Chernichenko Dancer
Mariia Potapova Dancer
Zoriana Dvorska Dancer
Ніна Матвієнко Singer
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Maytime 26 Mar 1937
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An aging opera singer looks back on her long life, including her relationships with her vocal teacher and a student.
The Tales of Hoffmann 
The Tales of Hoffmann 04 Apr 1951
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A melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer.
Bellini: Norma 
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This new production of Norma, directed by Grammy Award-nominated opera, theatre and film director Kevin Newbury (winner of the Irish Times Theatre Award 2010) and starring Sondra Radvanovsky as a "powerful, elegant" Norma (New York Times) and Gregory Kunde as Pollione, is "something very special. The word 'historic' is used perhaps a little too often but tonight there really is no other adjective to describe the sensational performances offered to us by Sondra Radvanovsky and Gregory Kunde."
Der Freischütz 
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Axel Köhler’s production of Der Freischütz at the Dresden State Opera was described by Die Presse as “a minor miracle in Dresden”. In the words of the Salzburger Nachrichten, Köhler “scored a bulleye” with his sombre and satanic interpretation of Weber’s Romantic opera about love, temptation, souls sold to the Devil, obsession andfaith. According to the Financial Times, Christian Thielemann and the Dresden Staatskapelle conjured up a sense of “mortal terror from the orchestra pit. […] Thielemann is in command of every detail. That makes for utterly gripping listening.”
Maskeradbalen 
Maskeradbalen 01 Jan 1965
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Göran Gentele's production of Verdi's Un ballo in maschera premiered on television on New Year's Day 1965. Gentele's version is an adaptation in which some of the roles have changed names and locations. The opera is sung in Swedish, and the translation was done by Erik Lindegren.
Rise and Fall of the City of Mahagonny 
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John Dexter’s brilliant production, James Levine’s masterful conducting of the eclectic score, and a sensational cast come together to make this Kurt Weill–Bertolt Brecht masterpiece a riveting evening of music theater. At the center of the action is Jimmy Mahoney (Richard Cassilly), a logger who stumbles onto the city of Mahagonny, where (almost) anything is allowed. Teresa Stratas gives a mesmerizing performance as Jenny, the prostitute who takes up with Jimmy, until he is executed for the greatest of all crimes in Mahagonny—to not have any money. The legendary Astrid Varnay, in her final Met appearances, is Leocadia Begbick, and Cornell MacNeil sings Trinity Moses.
Evensong 
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The Metropolitan Opera - Verdi: Macbeth 
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Star soprano Anna Netrebko created a sensation with her riveting performance as the malevolent Lady Macbeth, the central character in Verdi's retelling of Shakespeare's tragedy. She is joined by Željko Lučić, who brings dramatic intensity and vocal authority to the title role of the honest general driven to murder and deceit by his ambitious wife. The great René Pape is Banquo and Joseph Calleja gives a moving performance as Macduff. Adrian Noble's powerful production provides an ideal setting for this dark drama, which is masterfully presided over by Met Principal Conductor Fabio Luisi.
Don Quixote (Kirov Ballet) 
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The story of Don Quixote tells of the old knight who dreams of chivalry and his comic squire, Sancho Panza. This performance by the Kirov has been hailed as one of the greatest large cast ballet productions ever recorded on film. The tremendous resources of the Kirov Ballet flash and dash through the four acts of joyous Petipa and Gorsky choreography making Don Quixote a thrilling visual treat. This delightful spectacle features the great Soviet dancers Tatyana Terekhova and Farouk Ruzimatov as the lovers Kitri and Basilio. Don Quixote is performed by Kirov star Vladimir Ponomaryov. Filmed live at the Kirov Theatre in Leningrad.
Opéra National de Paris: Verdi's Don Carlos 
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Set in 16th-century France and Spain, Don Carlos tells of the political and amorous rivalry between King Philip II and his son, Don Carlos, over Elisabeth de Valois. Krzysztof Warlikowski strips down a tragedy haunted by ghosts, and places the intimate at the heart of an imaginary fresco truer than history itself. Along with Philippe Jordan, he reveals to the public the very first version of this great five-act opera: the version modified by Verdi himself for the work’s first performance in 1867.
The Metropolitan Opera: The Marriage of Figaro 
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Richard Eyre’s elegant production, which opened the Met’s 2014–15 season, sets the action of Mozart’s timeless social comedy in a manor house in 1930s Seville. Ildar Abdrazakov leads the cast as the resourceful Figaro set on outwitting his master, the philandering Count Almaviva, played by Peter Mattei. Marlis Petersen sings Susanna, the object of the Count’s affection and Figaro’s bride-to-be, Amanda Majeski is the Countess, and Isabel Leonard gives a standout performance as the pageboy Cherubino. Music Director James Levine on the podium brings out all the humor, drama, and humanity of Mozart’s score.
Royal Opera House: Madama Butterfly 
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Cio-Cio-San, the young Japanese bride of dashing American officer Lieutenant Pinkerton, finds her romantic idyll shattered when he deserts her shortly after their marriage. She lives in hope that one day he will return. Three years later, Cio-Cio-San and her little son see Pinkerton’s ship in the harbour. She excitedly expects his visit – but Pinkerton and his American wife Kate have come only to take the boy away, to raise him in America. Cio-Cio-San bids her son farewell and then takes her own life.
Elektra 
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Last production staged by Patrice Chéreau, this Elektra will remain as the main and most striking lyrical event of these last years in Aix-en-Provence. This production is leaded by three amazing singers: the German soprano Evelyn Herlitzius gave a tremendous, never-to-be-forgotten account of the title role, Waltraud Meier portrays a human and chilling Clytemnestra and Adrianne Pieczonka is a fantastic Chrysothemis. Everyone's loneliness and intimate struggles are Patrice Chéreau's favorites theatrical themes. With Esa-Pekka Salonen conducting the Orchestre de Paris, this production of Elektra becomes an unforgettable experience.
La Forza del Destino 
La Forza del Destino 23 Mar 1984
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Leonora plans to elope with Don Alvaro, but he accidentally shoots and kills her father, who curses them as he dies. The lovers go on the run, but get separated. Bent on revenge, Leonora's brother Don Carlo, hunts them down. Verdi painted an immense canvas with this dark but tuneful opera, vividly brought to life in John Dexter’s production, with sets by the great Eugene Berman. The legendary Leontyne Price is seen in one of her greatest roles, Leonora. Price’s soaring voice encompasses every nuance of Leonora’s emotion as she moves from joy through resignation to ultimate heartbreak. James Levine’s brilliant leading of the Met orchestra and chorus is a lesson in Verdi style. Giuseppe Giacomini is Alvaro, the man Leonora loves, and Leo Nucci is Don Carlo, the dark instrument of their Fate.
Bolshoi Ballet: Don Quixote 
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Inspired by heroic stories of brave knights, Don Quixote of La Mancha and his faithful servant Sancho Panza set out on an adventure to meet his ideal woman, Dulcinea. Cervantes’ hero comes to life in the Bolshoi's critically acclaimed staging of this exalting performance. With panache and sparkling technique, principal dancers Ekaterina Krysanova and Semyon Chudin lead the spectacular cast of toreadors, flamenco dancers, gypsies, and dryads in virtuosic dancing that is quintessential Bolshoi. Captured live on April 10, 2016
Oh, for a Man! 
Oh, for a Man! 28 Nov 1930
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Disenchanted opera star Carlotta Manson falls for ruffian cat burglar Barney McGann and gives up her career to marry him. But Barney grows disenchanted himself at being known as the husband of a diva and itches to get back to his life of crime and manliness.
La Bohème 
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In the 50's, in Paris, the neighbors Rodolfo and Mimi meet each other when Mimi's candle blows out in a cold and dark night. They immediately fall in love for each other, in times of financial difficulties in the post-war. Rodolfo introduces Mimi to his close friends Marcello and his beloved Musetta; Colline; and Schaunard and together they have a good-time in Café Momus. Some time later, Mimi tells Marcello that she can not support the jealousy of Rodolfo any longer and when Marcello discuss with Rodolfo, Mimi overhears the real reason for the behavior of her beloved Rodolfo.
Nabucco Nabucco 26 Apr 2001
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Nabucco - live from Metropolitan Opera, June 2002. On its surface, Nabucco is about the epic struggle of Zaccaria and the Jews suppressed by Babylon’s King Nebuchadnezzar and his vengeful daughter, Abigaille. But to Italians fighting for their freedom from Austria, Verdi’s first great opera was an inspiring call to arms.
Delibes: Lakmé 
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Starring the exquisite coloratura soprano Emma Matthews as the innocent girl priestess Lakmé, and superb tenor Aldo Di Toro as the love-struck Gerald, the story tackles religion and cross-cultural love against a backdrop of British rule in India in the mid-19th century. French conductor Emmanuel Joel-Hornak brings out the full depth of the lush, dramatic score, with familiar high points being the beautiful renditions of the well-known Flower duet and Bell Song. Dominica Matthews adds her rich voice as Mallika and Stephen Bennett is darkly dominating as Brahmin priest Nilakantha, Lakmés father, while Roxane Hislop is a consumate Mistress Bentson. Set and costume designs by Mark Thompson fill the stage with rich colour, atmosphere and exoticism, complemented by Nigel Levings warm lighting. This restudied production, originally conceived by Adam Cook, is skilfully directed by Roger Hodgman.