Un jour à Paris
A young man finds love on the streets of Paris, thanks to an Umbrella
In the middle of a zombie apocalypse, a couple try to fight against the time to accomplish their last promess.
A young man finds love on the streets of Paris, thanks to an Umbrella
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Based on a true story, Joy Noy revisits pivotal moments in the life of Jonny, a young man caught between his conservative family, an evangelical church and his emergent sexuality.
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A young woman’s fiercest self takes over to fight for her life when she’s attacked in this taut thriller from up-and-coming filmmaker Catherine Fordham. After waking up and noticing bruises on her body, the woman flashes back to last night’s perilous journey home. But as full memory of the attack she experienced comes back to her, we soon realize our heroine turned the tables in a surprisingly scary way. Fordham’s effective twist on the rape-revenge thriller marks her as a forward-thinking horror maker with a unique perspective in a historically misogynistic genre.
A princess and a hunter. An iconographic journey immersed in Lusitanian fantasy.
Berlin, 1934. Many men are forced to live their hidden homosexuality. Erich, a photographer, has an appointment in his photo studio with Wolfgang, a Nazi soldier, with whom he shares a loving, tumultuous, and passionate relationship. For both of them, this should not be a problem, but appearances deceive.
In a picturesque hamlet overlooking the sea near Rome, two young men divide their time between petty thefts and football matches. Their crimes have the lightheartedness and exuberance of childhood games, until an unexpected proposal marks a change in their lives, and that of the history of Italy, with the death of Pier Paolo Pasolini.
An unknown couple in the same bed
The cinematic kiss is probably one of the most archetypical images to be found in film history. It is usually a reassuring and sometimes climactic element in a movie's storyline. Not in Nicolas Provost's 'Gravity' though: with stroboscopic effects, more than a dozen kissing scenes, most from stereotypical 1950s romantic dramas, are edited together and superimposed. Narrative is subverted as the kissing is isolated from its context entirely; the action slows down and flickers back and forth. Every now and then, shots from different films overlap and match; protagonists merge and diverge again a few seconds later. The sugary and dramatic soundtrack of romantic film music contrasts with the deconstructed images; together, they form a dazzling 6-minute vertigo where love becomes a passionate battle.
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Nerves are on edge as Mohammed and Nouf sneak out to a restaurant for a date, an act prohibited in Saudi Arabia.
After experiencing traumatic events, a nurse has difficulty performing her duties due to a hostile work environment.
A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.
Frank Johnson, a wealthy landlord, without a heart, has no mercy for the poor. His cold attitude towards the public in general has a great influence in his life, and when he proposes marriage to Eleanor Groves, his manner is indeed anything but that of love. Eleanor, although she cares for Johnson, reprimands him and tells him that she could never marry a man as cruel as he is. Her last line of rebuff, "The ghost of your better self will appear to you and make you realize what a beast you are," gets Johnson to thinking.
Younis is a taxi driver, who has passed the age of retirement. He drives an old car, which has never disappointed him. Today is his birthday...
The Seven Deadly Sins - Are they true to being called sins or are they simply human impulses? To what is a sin and what is not? Such is a question worth pondering. In the end - do as you wilt.
A diverse group of people are invited to a castle to play a card game with stakes so high that they’re willing to bet their lives on it. Each person has their own reasons for playing the bizarre game, and one of them has even returned to play a second time.
Humans use technology to improve their lives, to forge connections, to create time that doesn’t exist, to replace real interactions. When we devise a second version of ourselves on social media, do we lose a piece of our true selves in the process? Do our digital connections threaten our real life relationships? What happens if the filtered characters we’ve imagined take on a life of their own?
A lovelorn man is entranced by a beautiful girl who takes a ladybug from his neck.