Domingo de Chuva
It portrays a Sunday in a typically Brazilian home, where food serves as a link to family ties, guided by conversations of all kinds, ranging from memories to gossip.
In a city consumed by gentrification, artist João Fiadeiro and the company he keeps postpone and embrace the end at the house they inhabited for the last decades. By vacating, they occupy; by disbanding, they stay together; by celebrating, they reclaim a 30-year-old project from disaffected national politics. What remains when everything must go? How does one keep on?
It portrays a Sunday in a typically Brazilian home, where food serves as a link to family ties, guided by conversations of all kinds, ranging from memories to gossip.
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Based on parts of Rita Lee’s autobiography “Uma Autobiografia”, the documentary explores Rita’s remaining legacy in her childhood home, which is currently the residency of missionaries. This film seeks to investigate the persistence of memories of spaces that no longer exist.
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Curitiba, PR, December 8, 1959; at around five o'clock in the afternoon, Military Police sub-lieutenant Haroldo Tavares enters the Bazar Centenário, Praça Tiradentes, to buy a comb. He chooses one, finds it expensive and demands an invoice. The store owner, Amhad Najar, argues and they end up fighting. The warrant officer leaves the fight with a fractured leg. Outside the store, the people who were watching the fight and the fight rebel, destroy the merchant's store and go to other stores in the square. The police cannot control the situation. Late at night, a truce: the population goes to sleep, gathering strength for the following days, when the situation becomes unsustainable. The police withdraw from the streets, the Army begins to act and, on the tenth, puts the tanks on the streets.
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‘Joao Gomes: The Pitbull’ covers start of the midfielder’s second year in England as he experienced becoming a father for the first time and a full Brazil international within a matter of weeks.
The film is about the vinyl record culture and presents a panel of stories, searches, collecting, in various locations in Rio de Janeiro.
The Iron Man takes us on an introspective journey into the life of Toni, a man who finds in art and nature the essential pillars of his existence. The creation of iron and stone sculptures, together with work in the countryside as a gardener, help him to find beauty in the simplicity of life. His vision of life, as if he were a ‘rural philosopher’, will teach us to break down stigmas about mental health and to look at life from a hopeful perspective.
In a record of images and sounds, a young HIV+ man recounts his experience on the border between Argentina, Brazil and Paraguay.”
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