Nostalghia - Sui luoghi di Tarkovskij 40 anni dopo
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Argentina, 1968. In the midst of the Cold War, the dictatorship of Juan Carlos Onganía (1966-70) organizes the 9th Mar del Plata Film Festival in order to show the world its friendly face, while exercising censorship and repressing dissidence.
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A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Chile, September 1986. Tamara, commander of the communist guerrilla group Manuel Rodríguez Patriotic Front, and her comrades-in-arms set out to overthrow the military regime installed in 1973 by assassinating the dictator Augusto Pinochet.
Hollywood, 1942. The US government pressures Hungarian-born film director Michael Curtiz, who is about to finish shooting Casablanca, to accentuate the film's propaganda message in order to sway public opinion in favor of the country's intervention in the European war.
This is Bill Hicks' LIVE final televised interview where he appeared on the Austin, Texas public access television show CapZeyeZ, hosted by Metal Dave. He appeared on this interview prior to his performance at the Laff Stop at which his album "Rant in E Minor" was recorded. With this interview we are privileged with some of Hicks' intuitive criticisms and some "fresh" material.
More than twenty years after Vladimir Putin came to supreme power in Russia on May 7, 2000, Russian society is deeply divided. A young, modern generation opposes the growing repression by the regime, which still retains the support of many members of previous generations. Who are these ordinary citizens who dream of living in a different Russia? What price will they have to pay to achieve the freedom and justice they so desire?
The film documents the creation of Kelly’s monumental artwork “Peace or War/The Big Picture”. It is a tapestry of history and art, drawn from major artworks and photos from the defining conflicts of their times. This immense visual collage allows the audience to navigate through time and place, meeting survivors of these horrific moments in history and the artists who have created work commenting on these periods, some of which have become iconic. Through Kelly’s drawings, the audience is transported to the concentration camps of the Third Reich, the bombing of Hiroshima, “the troubles” in Ireland, the race riots in the US and Pol Pot’s Year Zero. Interwoven with archival footage of these cataclysmic events, the audience is invited to visit anti-war and anti-gun demonstrations today, events that call for similar injustices to be stopped. The film is a parallel work to Kelly’s masterpiece, unfolding to create the ‘Big Picture’ in documentary form.
Before the Korean War (1950-1953), a daughter of a Russian soldier stationed at Heungnam falls in love with a young Korean anti-Communist. Their love story shows how cruel the Russian soldiers were and how badly many North Koreans craved for freedom.
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The life and work of one of the great masters of Italian cinema, Sergio Leone (1929-89); a rich and fascinating portrait through unpublished testimonies of collaborators, actors, directors and critics who reconstruct every aspect of his creative activity.
Filmmaker Jonas Mekas follows his friend, film director Martin Scorsese, and his cast and crew, through various locations during the shooting of his film The Departed, released in 2006.
The highly anticipated follow-up to their critically acclaimed VIDEO NASTIES: MORAL PANIC, CENSORSHIP & VIDEOTAPE documentary, director Jake West and producer Marc Morris continue uncovering the shocking story of home entertainment post the 1984 Video Recordings Act. A time when Britain plunged into a new Dark Age of the most restrictive censorship, where the horror movie became the bloody eviscerated victim of continuing dread created by self-aggrandizing moral guardians. With passionate and entertaining interviews from the people who lived through it and more jaw dropping archive footage, get ready to reflect and rejoice the passing of a landmark era.
This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.
Since he was a child, Estèphe dreams to work in the movie industry, alongside those whom he watches films with passion. Cinema become quickly a leisure activity, spend with his friends, directing his first amateur movies. Could he dream bigger, growing up in Normandy, far from the studios and knowing nobody in this industry ? Estème dedicate himself to his studies, without lose sight of his ultimate dream.
Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.
Second part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Preceded by An Opera of Violence; followed by Something to Do With Death.)
Third part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Preceded by The Wages of Sin.)
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The story of Salvador Puig Antich, one of the last political prisoners to be executed under Franco's Fascist State in 1974.
The story of The Satanic Temple, a controversial movement that combines religion and activism with the apparent purpose of questioning the basic foundations of US society.