18 Jul 1997
Mrs Brown
When Queen Victoria's husband Prince Albert dies, she finds solace in her trusted servant, Mr. John Brown. But their relationship also brings scandal and turmoil to the monarchy.
Queen Victoria: Secrets of a Queen
A concise & informative biography that is an overview of Queen Victoria’s life from infancy to death.
Top Billed Cast
Queen Victoria of the United Kingdom Self
Prince Albert Self
Prince Michael of Kent Self
Keith Beken Sr. Self
Michaela Blankart Self
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Mrs Brown Mrs Brown The Young Victoria 
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Victoria the Great 
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In 1897 Queen Victoria antagonized family and court with her relationship with Indian servant Abdul Karim. Originally a waiter the devious and arrogant young man won over the queen by playing on her love of Indian cuisine and romantic view of the country,teaching her Hindistani,whilst she signed letters to him 'Mother',bestowing houses and gifts on him and his family. Already shocked that a Muslim should be at the heart of the court the Royal family stepped in when Victoria announced her desire to knight him and they threatened to have her declared insane if she went ahead. It worked. And in 1901 after the queen's death Karim was banished from Royal circles,returning to India where he died.
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The Story of Vickie 
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Vickie, short for Victoria, is crowned Queen of England and as such needs to learn the responsibilities of her new post.
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Queen Victoria strikes up an unlikely friendship with a young Indian clerk named Abdul Karim.
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The passionate love story that was Queen Victoria and Prince Albert's lengthy marriage. Beginning in 1837, the year of King William IV's death and 18-year-old Victoria's ascension to the throne, the series charts the tumultuous period in 19th Century England where Victoria comes to terms with the enormous duties that lay ahead of her, while also falling deeply in love with her beloved Albert of Saxe-Coburg-Gotha. The marriage and birth of their nine children are featured, as is Albert's frustration by the inactivity he experienced in the early years of his role as Prince Consort.
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Nanook of the North 
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This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
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Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
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This expansive Greek drama follows a troupe of theater actors as they perform around their country during World War II. While the production that they put on is entitled "Golfo the Shepherdess," the thespians end up echoing scenes from classic Greek tales in their own lives, as Elektra plots revenge on her mother for the death of her father, and seeks help from her brother, Orestes, a young anti-fascist rebel.
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When 17-year-old Effi Briest marries the elderly Baron von Instetten, she moves to a small, isolated Baltic town and a house that she fears is haunted. Starved for companionship, Effi begins a friendship with Major Crampas, a charismatic womanizer.
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A dramatic history of Pu Yi, the last of the Emperors of China, from his lofty birth and brief reign in the Forbidden City, the object of worship by half a billion people; through his abdication, his decline and dissolute lifestyle; his exploitation by the invading Japanese, and finally to his obscure existence as just another peasant worker in the People's Republic.
Workers Leaving the Lumière Factory 
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Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
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Filmed just over a century after the first tank battle in 1918, this documentary series explores how the vehicles forever changed warfare.