11 Feb 2008
Counter Shot: Departure of the Filmmakers
No overview found
Come With Me to the Cinema – The Gregors
The story of a couple who shaped film culture in post-war Germany.
From the 1950s onwards, Erika and Ulrich Gregor brought countless film historical milestones to Berlin and shaped cinema discourse in post-war Germany. A look at the life and work of the couple without whom Arsenal and the Forum wouldn’t exist.
Top Billed Cast
Erika Gregor Self
Ulrich Gregor Self
Uschi Seifried Self
Gabriele Wegener Self
Karl Winter Self
Sylvia Andresen Self
Damla Telkök Self
Senta Berger Narrator
Similar movies
Counter Shot: Departure of the Filmmakers Counter Shot: Departure of the Filmmakers Fellinopolis 
Fellinopolis 10 Jun 2021
Fellinopolis
Ferruccio Castronuovo was the only authorized eye, between 1976 and 1986, to film the brilliant Italian filmmaker Federico Fellini (1920-1993) in his personal and creative intimacy, to capture the gears of his great circus, his fantastic lies and his crazy inventions.
La Cicciolina: Godmother of Scandal 
La Cicciolina: Godmother of Scandal 10 May 2017
La Cicciolina: Godmother of Scandal
The personal and professional story of Ilona Staller, known as Cicciolina, is probably unique: she left communist Hungary and moved to Italy, where she found a fertile environment for a life dedicated to scandal.
The Arrival of a Train at La Ciotat 
The Arrival of a Train at La Ciotat 30 Jun 1896
The Arrival of a Train at La Ciotat
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Babenco: Tell Me When I Die 
Babenco: Tell Me When I Die 26 Nov 2020
Babenco: Tell Me When I Die
Besieged by cancer and nearing the end, the genius Argentine-Brazilian filmmaker Héctor Babenco (1946-2016) asks Bárbara Paz, his wife, for one last wish: to be the protagonist of his own death.
Andrey Tarkovsky. A Cinema Prayer 
Andrey Tarkovsky. A Cinema Prayer 17 Oct 2019
Andrey Tarkovsky. A Cinema Prayer
An account of the life and work of Russian filmmaker Andrey Tarkovsky (1932-86) in his own words: his memories, his vision of art and his reflections on the fate of the artist and the meaning of human existence; through extremely rare audio recordings that allow a complete understanding of his inner life and the mysterious world existing behind his complex cinematic imagery.
Hitler's Hollywood 
Hitler's Hollywood 23 Feb 2017
Hitler's Hollywood
Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945, when the Third Reich collapsed. (A sequel to From Caligari to Hitler, 2015.)
Clawing! A Journey Through the Spanish Horror 
Clawing! A Journey Through the Spanish Horror 20 Jun 2014
Clawing! A Journey Through the Spanish Horror
In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.
Omnibus: François Truffaut Omnibus: François Truffaut 02 Dec 1973
Omnibus: François Truffaut
No overview found
Aznavour by Charles 
Aznavour by Charles 02 Oct 2019
Aznavour by Charles
In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes.
Coup 53 
Coup 53 01 Sep 2019
Coup 53
Tehran, Iran, August 19, 1953. A group of Iranian conspirators who, with the approval of the deposed tyrant Mohammad Reza Pahlavi, have conspired with agents of the British MI6 and the US CIA, manage to put an end to the democratic government led by Mohammad Mosaddegh, a dramatic event that will begin the tragic era of coups d'état that, orchestrated by the CIA, will take place, over the following decades, in dozens of countries around the world.
Nice Girls Don't Stay for Breakfast 
Nice Girls Don't Stay for Breakfast 27 Feb 2019
Nice Girls Don't Stay for Breakfast
In the late 1990s, iconic photographer Bruce Weber barely managed to convince legendary actor Robert Mitchum (1917-97) to let himself be filmed simply hanging out with friends, telling anecdotes from his life and recording jazz standards.
Easy Riders, Raging Bulls: How the Sex 'n' Drugs 'n' Rock 'n' Roll Generation Saved Hollywood 
Easy Riders, Raging Bulls: How the Sex 'n' Drugs 'n' Rock 'n' Roll Generation Saved Hollywood 09 Mar 2003
Easy Riders, Raging Bulls: How the Sex 'n' Drugs 'n' Rock 'n' Roll Generation Saved Hollywood
The chronicle of the mind-blowing journey that was Hollywood during the seventies; the true and gripping story of the last golden age of American cinema, an exalted celebration of creativity and experimentation; but also of sex, drugs and rock 'n' roll: a turbulent and dark tale of ambition, envy, betrayal, hatred and self-destruction.
The Village Detective: A Song Cycle 
The Village Detective: A Song Cycle 27 Apr 2021
The Village Detective: A Song Cycle
Atlantic Ocean, off the coast of Iceland, July 9, 2016. The surprising discovery of a canister —containing four reels of The Village Detective (Деревенский детектив), a 1969 Soviet film—, caught in the nets of an Icelandic trawler, is the first step in a fascinating journey through the artistic life of film and stage actor Mikhail Ivanovich Zharov (1899-1981), icon and star of an entire era of Russian cinema.
The Critic 
The Critic 16 Sep 2022
The Critic
A portrait of film critic Carlos Boyero, one of the most followed and feared figures in Spanish cinema, surrounded by controversy and both love and hate.
The Dawn of Kaiju Eiga 
The Dawn of Kaiju Eiga 02 Apr 2019
The Dawn of Kaiju Eiga
Japan, 1954. A legend emerges from the ashes of Hiroshima and Nagasaki, devastated by atomic bombs in 1945. The creature's name is Godzilla. The film that tells its story is the first of kaiju eiga, the giant monster movies.
Indiana Jones: The Search for the Lost Golden Age 
Indiana Jones: The Search for the Lost Golden Age 07 May 2021
Indiana Jones: The Search for the Lost Golden Age
Hawaii, May 1977. After the success of Star Wars, George Lucas and Steven Spielberg meet to find a new project to work on together, the former as producer, the latter as director. The story of how the charismatic archaeologist Indiana Jones was born and how his first adventure, released in 1981, triumphed at box offices around the world.
[REC]: Horror Without Pause ![[REC]: Horror Without Pause](https://image.tmdb.org/t/p/w342/s9aRzHViIFLyEVVKZPIg4MzWwD9.jpg)
[REC]: Horror Without Pause 28 Oct 2022
[REC]: Horror Without Pause
The horror film [REC] — directed by Jaume Balagueró and Paco Plaza, and released in 2007 — was an unprecedented triumph for Spanish fantasy cinema. Fifteen years later, those responsible for the creation and worldwide success of this cinematic milestone decode its keys and resurrect the myth.
Wild Session 
Wild Session 13 Dec 2019
Wild Session
A walk through the golden age of Spanish exploitation cinema, from the sixties to the eighties; a low-budget cinema and great popular acceptance that exploited cinematographic fashions: westerns, horror movies, erotic comedies and thrillers about petty criminals.
Zombies in the Sugar Cane Field: The Documentary 
Zombies in the Sugar Cane Field: The Documentary 08 Nov 2019
Zombies in the Sugar Cane Field: The Documentary
Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.