In the Mood for Love
In 1962 Hong Kong, two neighbors form a strong bond after both suspect extramarital activities of their spouses.
Ah Girls Fall In!
WHAT IF, in the unforeseen future, when there are not enough boys in Singapore? If Girls have to serve National Service also, what will happen? The story will focus on the first batch of female recruits, a bunch of Gen Z teens and youngsters with different backgrounds and education. As they trained under the fierce leadership of Sergeant Chow and Lieutenant Roxanne, they find themselves being pushed to the limit of their potential. Together, they overcome hardship and initial resistance to serve NS and discover newfound abilities, using it to solve and mend relationships in their personal life as well.
In 1962 Hong Kong, two neighbors form a strong bond after both suspect extramarital activities of their spouses.
Fast, frenetic, and furious best describe the story of five teenage boys all but abandoned by the system, estranged from any parents, and discarded by life in general. They build a world of there own in which gangs, drugs, fighting, body piercing, self-harm, and even suicide are considered commonplace. The film highlights their harrowing place in time and this small world; where brotherhood is valued above all else. Impressively acted by actual street kids, the movie highlights a gritty side of modern-day Singaporean life.
Even if two people are on the opposite sides of the universe, once the connection is made, they're basically one.
A single dad looks to give up drinking and his bartender job in order to impress his son and find work as a magician.
Wet Season revolves around the life of Ling, a schoolteacher who deals with infertility while having to take care of her infirm father-in-law at home. One of Ling's students, Kok Wei Lun, develops a crush on her during remedial Chinese classes. The two become closer as Wei Lun embraces Ling's extra tutoring.
After a woman shoots a man to death, a damning letter she wrote raises suspicions.
John despises his father for being a failure in life. When John returns home to facilitate his father's funeral, his life comes to a turning point, as he discovers the true motivation of his misjudged father.
In Singapore, a private detective and the British authorities are on the trail of a crime syndicate that kidnaps a nuclear physicist with the aim of selling him to the highest bidder.
Three tales of love wrap around the true story of a blind and deaf woman named Theresa Chan. In the first an elderly shopkeeper is devoted to his sick wife. In the second, two teenage girls become soul mates and lovers. In the third a chubby security guard tries to find the courage to woo a beautiful woman who works in his building.
Ah Bee goes on a comedic odyssey through Tiong Bahru Social Club, a data-driven project to create the happiest neighborhood in the world. Little by little, his encounters with the neighborhood's residents reveal the absurdity of life.
An aspiring filmmaker, who is also down on luck, goes to Singapore to meet a producer, but what follows is misadventure after misadventure, with a dash of romance thrown in.
Disappointed by his failed dreams, Loh Poh Huat visits his frustrations on his family. So when he wins the lottery, everyone believes the money will deliver them from their struggles. However, Loh dies abruptly and his elaborate and surreal Taoist funeral pitches the family into a battle where the stakes are the very meaning of life itself. Singapore Dreaming is a poignant yet darkly humorous story which follows the lives of six individuals as they navigate the rapidly changing conditions experienced in today’s modern South-East Asian cities.
50-year-old Jim (Gerald Chew, "Apprentice", Cannes Film Festival 2016 Un Certain Regard) loses his high-flying job in status-conscious Singapore, but his ego and pride compel him to hide this from his wife (Amy J Cheng, "Crazy Rich Asians") and daughter. His only confidante is his best friend (Sivakumar Palakrishnan, "A Yellow Bird", Cannes Film Festival 2016 Critics' Week). Desperately clinging onto the material symbols of his past success, he unlocks a hibernating malevolent force, with sinister roots in long-buried secrets. As his dream life crumbles around him, worlds collide, the lines between then and now become increasingly blurred, and Jim descends into a waking nightmare. REPOSSESSION is a bold, genre-bending film, with an ever-evolving, haunting soundscape from Golden Horse Award-winning composer Teo Wei Yong ("A Land Imagined").
En is an 18-year-old who has lost his father to cancer. As his family is drawn together in a sudden tragedy, he has to decide what he believes in. But in a country where ideologies are forged on constantly shifting sands, he struggles to stay true to what he knows to be right. And in a family that prefers to forget, the sandcastles of all he holds dear seem doomed to be washed away by the tides of time.
A fallen woman seeks redemption at a Singapore rubber plantation. Melodrama.
An American-born Chinese economics professor accompanies her boyfriend to Singapore for his best friend's wedding, only to get thrust into the lives of Asia's rich and famous.
A series of intertwining tales involve "pleasure seekers and pleasure providers" during the course of one night in Geylang, Singapore's red-light district. There are three distinct stories, united only by the presence of characters from all the stories in a streetside eatery:
In a world where food has been outlawed, a small band of food lovers risks their skins to defy the authorities and feast on contraband food.
Two Singaporean girls join together to form the Papaya Sisters, a getai group that sings at performances during the seventh lunar month. Big Papaya is estranged from her mother, who disapproves of her performances, whilst Little Papaya is an orphan who suffers from terminal cancer. The two are assisted by Auntie Ling and her son, Guan Yin. The two soon rise to the top of the Singaporean getai scene singing traditional Hokkien songs, but their fame brings along with it the enmity of the Durian Sisters, a rival group of techno-singing Eurasian girls.
A 2006 Singaporean film and the sequel to the 2002 film, I Not Stupid. A satirical comedy, I Not Stupid Too portrays the lives, struggles and adventures of three Singaporean youths - 15-year-old Tom, his 8-year-old brother Jerry and their 15-year-old friend Chengcai - who have a strained relationship with their parents. The film explores the issue of poor parent-child communication.